안드라스 쉬프 : 브람스 피아노 협주곡 1번, 2번
* 연주: 안드라스 쉬프(피아노), 계몽시대 오케스트라
안드라스 쉬프의 브람스에 대한 열정이 2곡의 피아노 협주곡에 이르렀다.
점차 거대해진 앙상블과 음향조건을 브람스 시대로 되돌리고자 쉬프는 소규모의 시대악기 연주단체 계몽시대 오케스트라와 함께 1859년경 라이프치히에서 만들어진 블뤼트너 피아노를 연주한다.
브람스의 세심하고 투명하면서도 다이내믹한 피아니즘을 완벽하게 재현하는 쉬프의 연주는 지휘자 없는 계몽시대 오케스트라와 긴밀하게 조화를 이루며 섬세한 터치를 이어가고 있다.
애비로드 스튜디오와 ECM의 엔지니어는 소규모 앙상블이라고는 생각할 수 없는 무게감 있는 사운드와 풍부한 다이내믹 레인지로 이들의 유연함을 정밀하게 전달하고 있다.
CD 1
Concerto for Piano and Orchestra No.1 in d minor, op. 15
1 Maestoso
2 Adagio
3 Rondo. Allegro non troppo
CD 2
Concerto for Piano and Orchestra No.2 in B-flat major, op. 83
1 Allegro non troppo
2 Allegro appasionato
3 Andante
4 Allegretto grazioso
Andras Schiff piano
Orchestra of the Age of Enlightenment
Kati Debretzeni (concertmaster)
Recorded December 19-21, 2019
Abbey Road Studios, London
Presto Recording of the Week 4th June 2021
Gramophone Magazine July 2021 Recording of the Month
BBC Music Magazine July 2021
Schiff conducts from the keyboard...securing crisp ensemble and cogent longer-term grasp of structure in his forward-moving tempos...The wiry tone of his restored circa-1859 Bluthner grand may initially disconcert, but the clarity of its bass enables many orchestral details to come through that one rarely hears in latter day battles between big orchestras and thicker-toned Steinways...Enlightening indeed.
Gramophone Magazine July 2021
What he and the OAE offer is not so much to do with authenticity as with freshness and ‘detoxification’, something akin to letting the daylight into Miss Havisham’s room and removing the cobwebs from her wedding cake.
Presto Classical 4th June 2021
Schiff's whole point of doing it this way is to strip the music of all of its accumulated performance traditions, and what the Bluthner piano may lack in oomph is more than made up for by the mellow smoothness of its tone and the clarity of textures across the various registers of the instrument...This warmth is pleasingly complemented by the orchestral playing...I was really surprised by how much this recording changed the way I both heard and thought about these concertos.
The Guardian 3rd June 2021
As you would expect from Schiff…the performances of both works are wonderfully rounded and mature…the sound of his Bluthner ? with its much less overpowering lower register than we are used to hearing from modern Steinways ? blends beautifully with the soft grained OAE strings.
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