Temporal Processes in Beethoven's Music (Hardcover)

Preface Introduction: Temporal Processes in Music 1. Living from the Past/Living toward the Future 2. Heroism Prevailing/ Heroism Falling Short 3. Creating Several Futures at Once: Disparate Shapes Confirming One Another/Disparate Shapes Contradicting One Another

Teaching Music Production: An Evidence-Based Approach (Hardcover)

Acknowledgement;?Author’s note;?Part One - The Evidence --?Forward;?1. Defining Music Production;?2. The Evolution of Music Production Education; 3. Research in Music Production Education;?4. Linking Contemporary Best Practices in Teaching to Music Production Education;?5. Contemporary Innovations in Music Production Education;?Part Two ? The Approach --?6. Developing a Teaching Philosophy;?7. Understanding Student Needs; 8. (Re)Designing a Music Production Program;?9. Classroom Design;?10. Course Design;?11. Designing Instructional Materials;?12. Assessment and Feedback;?Part Three ? The Tools --?13. Essential Audio Recordings for Students (EARS);?14. Basic Digital Audio Workstation Lab Sequence;?15. Intermediate Digital Audio Workstation Lab Sequence;?16. Recording Studio Lab;?17. Digital Audio Workstation Proficiency Test (DAWPT);?18. Basic Recording Project (BRP);?19. Remote Recording Project (RRP);?20. Artificial Intelligence Recording Project (AIRP);?21. Music Production Communication Overlay (MPCO);?Index.

Teaching Music Production: An Evidence-Based Approach (Paperback)

Acknowledgement;?Author’s note;?Part One - The Evidence --?Forward;?1. Defining Music Production;?2. The Evolution of Music Production Education; 3. Research in Music Production Education;?4. Linking Contemporary Best Practices in Teaching to Music Production Education;?5. Contemporary Innovations in Music Production Education;?Part Two ? The Approach --?6. Developing a Teaching Philosophy;?7. Understanding Student Needs; 8. (Re)Designing a Music Production Program;?9. Classroom Design;?10. Course Design;?11. Designing Instructional Materials;?12. Assessment and Feedback;?Part Three ? The Tools --?13. Essential Audio Recordings for Students (EARS);?14. Basic Digital Audio Workstation Lab Sequence;?15. Intermediate Digital Audio Workstation Lab Sequence;?16. Recording Studio Lab;?17. Digital Audio Workstation Proficiency Test (DAWPT);?18. Basic Recording Project (BRP);?19. Remote Recording Project (RRP);?20. Artificial Intelligence Recording Project (AIRP);?21. Music Production Communication Overlay (MPCO);?Index.

John Cage Composing, Computing, and Curating (Paperback, 1)

Introduction: Cage and the Posthuman  1. Repetition and Difference: Erik Satie  2. Chance Measures: After Duchamp  3. Text Music 4. Technologies of Indeterminacy  5. Museum as Instrument  Afterward: Cage and the Contemporary

Musical Vulnerability : Receptivity, Susceptibility, and Care in the Music Classroom (Paperback)

1. Introducing musical vulnerability: Policy, pedagogy, and phenomenology

2. Inherent musical vulnerability: Music’s semantic and somatic properties

3. Situational musical vulnerability: Music’s institutional and interpersonal mediation

4. Characterising pupils’ musical vulnerability

5. Characterising teachers’ musical vulnerability

6. Observing musical vulnerability: East Fen High School

7. Experiencing musical vulnerability: Ethan, Greg, Iniya, and Juliette

8. Harnessing musical vulnerability: Implications and conclusions

Intermedial Art Practices as Cultural Resilience (Paperback, 1)

1. Introduction??Part I: Film-Poetry and Cultural Resilience??2. In Praise of Peripheral Vision: Films about Poetry and Poems about Film? 3. Voice and Identifying New Diegetic and Dialogic Frameworks in the Poetry Film? 4. Film and Identity: Hugh MacDiarmid: A Portrait (Margaret Tait, 1964)? 5. Borders and Lines of Fracture: John Burnside, Roseanne Watt and Havergey??Part II: Spaces, Places, History and Politics and Intermedial Practice??6. The Moving and the Static: Radical Re-imaginings in the Works of Daniel Reeves and Helen MacAlister? 7.? “the lightest membrane between you and the landscape”: Thomas A Clark’s Practice and Film Poems”? 8. Post-naturalist Figurative Strategies in Breton-language Public Television Documentaries: the Case of Plijadur an Ijin by Mikael Baudu? 9. The Representation of St Kilda in Contemporary Creative Works in Literature in French and in Art? 10. The National Theatre of Scotland and Multimediality: Lament for Sheku Bayoh (2020) and How The Earth Must See Itself (2020)??Part III: Sonorous Landscapes??11. Musical Settings as Cultural Weapons: Some Archipelagic Thoughts? 12. Yann Madec and Pierre Stephan’s Diafonik: Across Matter, Contexts and Time? 13. Eternal Surging: Consciousness and the Sonorous Gaelic Landscape

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Punjab Sounds : In and Beyond the Region (Paperback)

Foreword by Ira Bhaskar (Professor (retd) of Cinema Studies at the School of Arts and Aesthetics at Jawaharlal Nehru University in New Delhi, India)

1. Introduction

Regioning Sound from South Asia

Vebhuti Duggal (Assistant Professor in Film Studies, Ambedkar University Delhi) and

Radha Kapuria (Assistant Professor in South Asian History, Durham University)

I. Aural Signs of the Region

2.    One Transnation under a Groove: ‘Chaal’ and the Modern Punjabi Soundscape

Gibb Schreffler (Associate Professor of Music at Pomona College, California)

3.   Sound and Politics of Classical Music in West Punjab

G. Ali Shair (Research Fellow in Sociology, University of Warwick)

4. Mixing the legends?Changing Representations of Nostalgia in Diasporic Punjabi remix culture

Julia Szivak (Assistant Lecturer,Pazmany Peter Catholic University, Budapest)

II. Soundscapes of the Punjab

5.  Trinjan Audiotopias: Complaint, Desire, and the Bawdy in Punjabi Giddha Performance Practices

Ranbir K. Johal (Lecturer, Kwantlen Polytechnic University, Vancouver) and Kiran K. Sunar (Assistant Professor in Punjabi Language, Literature, and Culture at the University of British Columbia) 

6. Folkloric Poetic Traditions and Gender Relations: An Ethnomusicological Study of Sithnian as a Celebratory Resistance in the Punjab

Sumera Saleem (Assistant Professor of Literature, University of Sargodha)

7.   Mapping Punjab Sounds: Two popular Songs about Agriculture and Pottery

Sakoon Singh (Assistant Professor of English, DAV College, Panjab University, Chandigarh) 

8. Decoding Loudness: The Punjabi Soundscape in Bollywood

Shikha Jhingan (Associate Professor in Film Studies, Jawaharlal Nehru University, Delhi...


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Sonic Sculpture and the Performative Impulse : Sounding Things Out (Paperback)

Introduction: Sound and Performing Sculptures??Introduction to Part 1. Socially Engaged Listening: Sound and Identity? 1. Nick Cave’s Soundsuits: The Clothes Make the Band? 2. Kara Walker: Water and History? 3. Christine Sun Kim: Engaging the Unhearing Ear??Introduction to Part II. Listening to History: The Speaker as Surrogate? 4. Susan Philipsz: The Instrument in Absentia and the Music of War? 5. Janet Cardiff and George Bures Miller: Sounding Sacred Spaces? 6. Luke Fowler: Sound Soup??Introduction to Part III. The Body as Sculpture: Performance as Sculpture? 7. Ragnar Kjartansson: That Old Sweet Song? 8. Phil Collins: The Stage, the Seven Inch, and the Sound Booth? 9. Lundahl & Seitl: Curating the Body/Emptying the Gallery? Epilogue: A Speaker and a Wall and What Else?

Performing Climates (Paperback, 1)

1. Performing Climates  2. Biospheres  3. Death  4. Ear  5. Ants  6. Mermaid  7. Granite  8. Spider  9. Mycorrhizae  10. Lego  11. Ice  12. Worms  13. Unicorn  14. Tree

The Theology of Polyphony : Essays for David Fergusson (Hardcover)

Technology of the Mandolin: Evolution, Engineering, Design (Hardcover)

The Last Leaf: Reflections on Late-Life Creativity--And My Longest Love Affair (Hardcover)

Music Performers' Lived Experiences (Multiple-component retail product)

Volume One?

Introduction,?Living With and Imagining the Composer,?The Wisdom of the Classical Music Performer,?Reconnecting with the Past, Feeling the Future and Enjoying the Present: Towards a Novel Pedagogy of Performing Abilities,?The Joy of Sight-Reading,?Performing Musical and Metaphysical Agency in P?teris Vasks’ Gr?mata ?ellam,?Rachmaninoff Meets Stanislavski: An Allegorical Archive and the Topos of Breath,?But Whose Life, Really?: Singers’ Experiences of Performing Robert Schumann’s Frauenliebe und -leben op. 42,?“I Was Trying to Get Down the Mountain with My Violin Strapped to My Back”: Performance Anxiety Dreams of Classical Music Performers,?Cross-Genre Musicking in Individual and Collaborative Group Contexts: Lived Experience and Musical Identity,?Intersubjectivity in Performance,?Mixed Methods for Researching Musicians’ Lived Experience: The Philosophy and Science of Musical Absorption,?Sensing Sound-Motion Objects in Music Performance.

Volume Two?

Introduction, 1 Affective Lightscapes: A Pianist's Perspective on Musical Form as Lived Experience in Performance, 2 Music Performance Anxiety: An Autistic Perspective, 3 "Dangerously Vibrant Matter": Queering Musical Persona(e) in Instrumental Music Performance, 4 What Is It Like to Be a Disabled Pianist?, 5 Of Beasts, Lovers, and Meringue Puddings: Living with Bach at the Organ, 6 "As If for the First Time, Every Time": Towards a Generative Theory of Musical Expression, 7 "Sounding like Myself": An Interdisciplinary Dialogue on Freedom in Western Classical Music Performance, 8 "Point of No Return": Agency, Tempo and Leadership in the Performance of Joseph Joachim's Hungarian Fantasy, 9 Engaging with the Audience as Myself: A Cellist's Experience with Classical Improvisation, 10 Performing in The Theatre of Home: Autoethnographic Perspectives on Performer Identities, 11 Schubert on a Slackline: From Listening to Performing, 12 Experiencing Performance: The Vicar...


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Music and Enigma in Film (Hardcover)

Ripple Effects: The Work That Music Festivals Do in the World (Hardcover)

Response to Music : Principles of Music Education (Paperback)

Foreword ?1. Educative Values? 2. Aims? 3. Musical Responsiveness? 4. Understanding? 5. Skills?

The Paris Conservatoire Woodwind Solos de Concours of Eugene Bozza : Vernacular Exoticism (Hardcover)

Introduction: The Pragmatic Utility of Exoticism Chapter 1: Lacunae Chapter 2: Souvenirs Chapter 3: Buffets Chapter 4: Tools Chapter 5: Etudes Chapter 6: Tableaux Conclusion? Appendix A: Bozza’s Works Appendix B: Bozza’s Solos de Concours

24 Bars to Kill : Hip Hop, Aspiration, and Japan's Social Margins (Paperback)

Spell Songs - In Thin Air (Multiple-component retail product)

Multidisciplinary Perspectives on Creative Processes in Musical Improvisation: Insights from Brazil (Hardcover)

Gender, Race, and Class in Greek and American Rap (Hardcover)

Acoustics of Wind Instruments: How Does a Sound Come from a Wind Instrument? (Hardcover)

The Parisian Musical Avant-Garde during the Great War : Jane Bathori’s Concerts in War and Peace (Paperback)

Choirs, Singing, and Belonging : Voices from Around the World (Hardcover)

Introduction

Chapter 1: Participation

Chapter 2: What’s in a name? Choirs, community choirs and collective singing groups.?????????????????????????????????????????? ??????????????????????

Chapter 3: Choir practices

Chapter 4: Questions of Leadership

Chapter 5: Questions of Repertoire

Chapter 6: Choirs as Communities

Chapter 7: The Role of Choirs in Communities

Chapter 8: The Role of Faith in Choral Singing

Chapter 9: Choirs and Culture

Chapter 10: The Role and Meaning of Choirs in Participants’ Lives????

Chapter 11: Choirs During the Covid Pandemic

Choirs, Singing, and Belonging : Voices from Around the World (Paperback)

Introduction

Chapter 1: Participation

Chapter 2: What’s in a name? Choirs, community choirs and collective singing groups.?????????????????????????????????????????? ??????????????????????

Chapter 3: Choir practices

Chapter 4: Questions of Leadership

Chapter 5: Questions of Repertoire

Chapter 6: Choirs as Communities

Chapter 7: The Role of Choirs in Communities

Chapter 8: The Role of Faith in Choral Singing

Chapter 9: Choirs and Culture

Chapter 10: The Role and Meaning of Choirs in Participants’ Lives????

Chapter 11: Choirs During the Covid Pandemic