The Game Audio Director's Guide (Hardcover, 1)

Introduction? 1. Direction and Vision? 2. Design? 3. Decoding the Job Description? 4. You arrive in the Director’s Seat - Now what?? 5. Contexts? 6. Healing? 7. Day One: Seeing it all? 8. Day Two: Defining the Vision? 9. Vision Work? 10. Early Stages? 11. Technology, Production and Information? 12. Overall Approaches towards Clarity? 13. Directing the Team? 14. A Studio Director Perspective? 15. What Matters the Most?

The Game Audio Director's Guide (Paperback, 1)

Introduction? 1. Direction and Vision? 2. Design? 3. Decoding the Job Description? 4. You arrive in the Director’s Seat - Now what?? 5. Contexts? 6. Healing? 7. Day One: Seeing it all? 8. Day Two: Defining the Vision? 9. Vision Work? 10. Early Stages? 11. Technology, Production and Information? 12. Overall Approaches towards Clarity? 13. Directing the Team? 14. A Studio Director Perspective? 15. What Matters the Most?

The Music Producer’s Guide to Studios, Focus and Creativity (Hardcover)

Dedication

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Foreword

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Chapter 1: The Studio Reality Check

Chapter 2: Every Studio Starts Somewhere

Chapter 3: The Space That Shapes the Sound

Chapter 4: More Than Just Gear

Chapter 5: Sonic Clarity

Chapter 6: Your Studio Ears

Chapter 7: The Cables We Count On

Chapter 8: Soft Light, Sharp Focus

Chapter 9: Creativity Sets the Pace

Chapter 10: Evolution of the Studio to Producer

Chapter 11: The Courage to Begin

Chapter 12: Beyond the Score

Chapter 13: Capturing Creativity

Chapter 14: The Art Behind the Skill

Chapter 15: The Sound of You

Chapter 16: Taste Is a Skill

Chapter 17: The Importance of Silence

Chapter 18: Creative Solitude

Chapter 19: When Practice Meets Progress

Chapter 20: The Power and Pitfalls of Feedback

Chapter 21: Mentorship Matters

Chapter 22: Creative Collaboration

Chapter 23: From Breath to Beat

Chapter 24: When Words Become Music

Chapter 25: Quiet Confidence

Chapter 26: A Musical Gift

Chapter 27: Yes Is the Door to Possibility

Chapter 28: Final Reflection

The Music Producer’s Guide to Studios, Focus and Creativity (Paperback)

Dedication

?

Foreword

?

Chapter 1: The Studio Reality Check

Chapter 2: Every Studio Starts Somewhere

Chapter 3: The Space That Shapes the Sound

Chapter 4: More Than Just Gear

Chapter 5: Sonic Clarity

Chapter 6: Your Studio Ears

Chapter 7: The Cables We Count On

Chapter 8: Soft Light, Sharp Focus

Chapter 9: Creativity Sets the Pace

Chapter 10: Evolution of the Studio to Producer

Chapter 11: The Courage to Begin

Chapter 12: Beyond the Score

Chapter 13: Capturing Creativity

Chapter 14: The Art Behind the Skill

Chapter 15: The Sound of You

Chapter 16: Taste Is a Skill

Chapter 17: The Importance of Silence

Chapter 18: Creative Solitude

Chapter 19: When Practice Meets Progress

Chapter 20: The Power and Pitfalls of Feedback

Chapter 21: Mentorship Matters

Chapter 22: Creative Collaboration

Chapter 23: From Breath to Beat

Chapter 24: When Words Become Music

Chapter 25: Quiet Confidence

Chapter 26: A Musical Gift

Chapter 27: Yes Is the Door to Possibility

Chapter 28: Final Reflection

Making Radio and Podcasts : A Practical Guide to Working in Today's Radio and Audio Industries (Hardcover, 5 ed)

1. History and Development of Radio and Audio 2. The Future of Radio Internationally 3. Making Podcasts 4. Podcast Case Studies 5. The Studio 6. AI Tools for Radio, Podcasts and Audio production 7. Radio Announcing 8. Presentation Skills 9. Broadcast Laws and Regulations 10. Interviewing Skills 11. Researching and Producing 12. Talkback 13. Copywriting 14. Audio Production 15. News 16. Research and Promotions 17. Radio Sales 18. Features and Comedy 19. Programming and Content Directing 20. The Transmission Chain 21. Issues for the Future: Smart Speakers, Voice Control, Prominence and Trust

Making Radio and Podcasts : A Practical Guide to Working in Today's Radio and Audio Industries (Paperback, 5 ed)

1. History and Development of Radio and Audio 2. The Future of Radio Internationally 3. Making Podcasts 4. Podcast Case Studies 5. The Studio 6. AI Tools for Radio, Podcasts and Audio production 7. Radio Announcing 8. Presentation Skills 9. Broadcast Laws and Regulations 10. Interviewing Skills 11. Researching and Producing 12. Talkback 13. Copywriting 14. Audio Production 15. News 16. Research and Promotions 17. Radio Sales 18. Features and Comedy 19. Programming and Content Directing 20. The Transmission Chain 21. Issues for the Future: Smart Speakers, Voice Control, Prominence and Trust

Teaching Music Production : An Evidence-Based Approach (Hardcover)

Acknowledgement;?Author’s note;?Part One - The Evidence --?Forward;?1. Defining Music Production;?2. The Evolution of Music Production Education; 3. Research in Music Production Education;?4. Linking Contemporary Best Practices in Teaching to Music Production Education;?5. Contemporary Innovations in Music Production Education;?Part Two ? The Approach --?6. Developing a Teaching Philosophy;?7. Understanding Student Needs; 8. (Re)Designing a Music Production Program;?9. Classroom Design;?10. Course Design;?11. Designing Instructional Materials;?12. Assessment and Feedback;?Part Three ? The Tools --?13. Essential Audio Recordings for Students (EARS);?14. Basic Digital Audio Workstation Lab Sequence;?15. Intermediate Digital Audio Workstation Lab Sequence;?16. Recording Studio Lab;?17. Digital Audio Workstation Proficiency Test (DAWPT);?18. Basic Recording Project (BRP);?19. Remote Recording Project (RRP);?20. Artificial Intelligence Recording Project (AIRP);?21. Music Production Communication Overlay (MPCO);?Index.

Teaching Music Production : An Evidence-Based Approach (Paperback)

Acknowledgement;?Author’s note;?Part One - The Evidence --?Forward;?1. Defining Music Production;?2. The Evolution of Music Production Education; 3. Research in Music Production Education;?4. Linking Contemporary Best Practices in Teaching to Music Production Education;?5. Contemporary Innovations in Music Production Education;?Part Two ? The Approach --?6. Developing a Teaching Philosophy;?7. Understanding Student Needs; 8. (Re)Designing a Music Production Program;?9. Classroom Design;?10. Course Design;?11. Designing Instructional Materials;?12. Assessment and Feedback;?Part Three ? The Tools --?13. Essential Audio Recordings for Students (EARS);?14. Basic Digital Audio Workstation Lab Sequence;?15. Intermediate Digital Audio Workstation Lab Sequence;?16. Recording Studio Lab;?17. Digital Audio Workstation Proficiency Test (DAWPT);?18. Basic Recording Project (BRP);?19. Remote Recording Project (RRP);?20. Artificial Intelligence Recording Project (AIRP);?21. Music Production Communication Overlay (MPCO);?Index.

Artist Management for the Music Business : Manage Your Career in Music: Manage the Music Careers of Others (Hardcover, 6 ed)

1. Artist Management Toolbox; 2. Preparing to Manage; 3. Entrepreneurship and Basic Money Management; 4. The Artist Prepares to Be Managed; 5. Lessons in Artist Management; 6. The Artist Career Plan; 7. The Independent Artist: Managing Your Own Music Career; 8. The Agreement Between the Artist and Manager; 9. The Business Side of Artist Management; 10. Income from Live Performance and Merchandise; 11. Income from Songwriting; 12. Income from Recording; 13. Data: Guiding an Artist’s Career in the Music Business; 14. Mentors, Coaching, and Leadership; Appendix A: Artist Management Contract Form; Appendix B: Partnership Agreement for Members of a Band; Appendix C: The Artist Recording Contract; Appendix D: Kesha’s Artist Management Contract; Appendix E: Taylor Swift’s First Artist Management Contract.

Artist Management for the Music Business : Manage Your Career in Music: Manage the Music Careers of Others (Paperback, 6 ed)

1. Artist Management Toolbox; 2. Preparing to Manage; 3. Entrepreneurship and Basic Money Management; 4. The Artist Prepares to Be Managed; 5. Lessons in Artist Management; 6. The Artist Career Plan; 7. The Independent Artist: Managing Your Own Music Career; 8. The Agreement Between the Artist and Manager; 9. The Business Side of Artist Management; 10. Income from Live Performance and Merchandise; 11. Income from Songwriting; 12. Income from Recording; 13. Data: Guiding an Artist’s Career in the Music Business; 14. Mentors, Coaching, and Leadership; Appendix A: Artist Management Contract Form; Appendix B: Partnership Agreement for Members of a Band; Appendix C: The Artist Recording Contract; Appendix D: Kesha’s Artist Management Contract; Appendix E: Taylor Swift’s First Artist Management Contract.

Sonic Sculpture and the Performative Impulse : Sounding Things Out (Paperback)

Introduction: Sound and Performing Sculptures??Introduction to Part 1. Socially Engaged Listening: Sound and Identity? 1. Nick Cave’s Soundsuits: The Clothes Make the Band? 2. Kara Walker: Water and History? 3. Christine Sun Kim: Engaging the Unhearing Ear??Introduction to Part II. Listening to History: The Speaker as Surrogate? 4. Susan Philipsz: The Instrument in Absentia and the Music of War? 5. Janet Cardiff and George Bures Miller: Sounding Sacred Spaces? 6. Luke Fowler: Sound Soup??Introduction to Part III. The Body as Sculpture: Performance as Sculpture? 7. Ragnar Kjartansson: That Old Sweet Song? 8. Phil Collins: The Stage, the Seven Inch, and the Sound Booth? 9. Lundahl & Seitl: Curating the Body/Emptying the Gallery? Epilogue: A Speaker and a Wall and What Else?

Acoustic Waves Generated by Parametric Array Loudspeakers (Paperback, 1)

1. Physical Basis for Parametric Array Loudspeakers (PALs).? 2. Numerical Models for Parametric Array Loudspeakers.? 3. Sound Fields Generated by PALs in Free Space.? 4. Reflection, Transmission, and Scattering of Acoustic Waves Generated by PALs.? 5. Sound Fields Generated by PALs in Rooms.? 6. Steerable and Focusing PALs.? 7. Active Noise Control with PALs.? 8. Implementation of PALs.? Appendix A. Attenuation Coefficients of Pure-Tone Sound in Air Due to Atmospheric Absorption.? Appendix B. Mathematical Formulae on Special Functions.??

The Routledge Companion to the Sound of Space (Paperback, 1)

List of figures

List of tables

List of contributors

Main Introduction

Emma-Kate Matthews and Jane Burry

Part I: Architectural Acoustics (Introduction)

Jane Burry

Chapter 1: Designed Extremes

Shane Myrbeck

Chapter 2: Introducing Acoustic Shadows

Pantea Alambeigi and Jane Burry

Chapter 3: Transferring The Impression Of Real And Imaginary Spaces

Philip J B Jackson and Philip D Coleman

Chapter 4: Beyond The Sweet Spot: Sound, Space And Emotion

Raj Patel, Iain Forsyth, Jane Pollard and Ed.Gerrie Van Noord

Chapter 5: Architectural Acoustics of the Sagrada Familia Basilica

Sipei Zhao and Mark Burry

Chapter 6: Intimate Acoustic Environments On Record

Emil Kraugerud

Chapter 7: Long Range: Intrinsic Acoustic Performance

Zackery Belanger, Catie Newell and Wes Mcgee

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Part II: Psychology And Physiology (Introduction)

Jane Burry

Chapter 8: Immersive Ambisonic Spatial Audio Design for Extreme Environments

Stu Favilla

Chapter 9: In an Open (Music) Field. Space And Time Notation for Representing Landscape

David Buck and Carla Molinari

Chapter 10: Lend Me Your Ears

Michael Fowler

Chapter 11: Imagining Together

Nina Garthwaite

Chapter 12: Aural Diverse Spatial Perception: From Paracusis to Panacusis Loci

John L. Drever

Chapter 13: On Sonic Growth And Form; Biometric Evolution of Sound and Space?Paul Bavister

Chapter 14: Infrastructures of Inaudibility: The Spatial Politics of Assistive Listening

Jonathan Tyrrell

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Part III: Philosophy And Politics (Introductio...


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Restarting Automata: Extensions and Generalizations (Paperback)

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Principles of Game Audio and Sound Design : Sound Design and Audio Implementation for Interactive and Immersive Media (Hardcover, 2 ed)

1. Introduction: Game and Interactive Audio? 2. The Role of Audio in Interactive and Immersive Environments? 3. Sound Design: The Art of Effectively Communicating with Sound? 4. Practical Sound Design? 5. The Game Engine Paradigm? ?6. The Audio Engine and Spatial Audio? 7. Coding Basics for Game Audio? ?8. Basics of OOP and Defining Interactivity? 9. Implementing Audio: Common Scenarios? 10. Mixing? 11. Environmental Modeling? 12. Audio Data Reduction and Optimization

Principles of Game Audio and Sound Design : Sound Design and Audio Implementation for Interactive and Immersive Media (Paperback, 2 ed)

1. Introduction: Game and Interactive Audio? 2. The Role of Audio in Interactive and Immersive Environments? 3. Sound Design: The Art of Effectively Communicating with Sound? 4. Practical Sound Design? 5. The Game Engine Paradigm? ?6. The Audio Engine and Spatial Audio? 7. Coding Basics for Game Audio? ?8. Basics of OOP and Defining Interactivity? 9. Implementing Audio: Common Scenarios? 10. Mixing? 11. Environmental Modeling? 12. Audio Data Reduction and Optimization

Establishing a Portfolio Career in the Music Industry : Find Your B.E.A.T. (Hardcover)

Introduction

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Chapter 1: Rethinking Success in the Music Industry

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Chapter 2: Mapping Your Musical Identity and Skills

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Chapter 3: Mission, Vision, and Values

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Chapter 4: “B” is for Business

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Chapter 5: “E” is for Education and Entrepreneurship

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Chapter 6: “A” is for Artist Development

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Chapter 7: “T” is for Technology

?

Chapter 8

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Chapter 9

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Chapter 10: Only the Beginning

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Chapter 11: For the Music Educator: Lesson Plans to Teach Portfolio Career Methods Without Disrupting Curriculum

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Chapter 12: 100+ Music Careers

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Chapter 13: Resources and Tools for Musicians

Establishing a Portfolio Career in the Music Industry : Find Your B.E.A.T. (Paperback)

Introduction

?

Chapter 1: Rethinking Success in the Music Industry

?

Chapter 2: Mapping Your Musical Identity and Skills

?

Chapter 3: Mission, Vision, and Values

?

Chapter 4: “B” is for Business

?

Chapter 5: “E” is for Education and Entrepreneurship

?

Chapter 6: “A” is for Artist Development

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Chapter 7: “T” is for Technology

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Chapter 8

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Chapter 9

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Chapter 10: Only the Beginning

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Chapter 11: For the Music Educator: Lesson Plans to Teach Portfolio Career Methods Without Disrupting Curriculum

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Chapter 12: 100+ Music Careers

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Chapter 13: Resources and Tools for Musicians

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