Narine Arakelian: 첧ane? (Paperback)

Collections, Exhibitions and Museums in Portugal and Its Empire : From the 18th to the 20th century (Paperback)

Part I: Artistic and Natural History Collections in the Eighteenth Century: Between Lisbon, Brazil, China and India??1. The Empire in Transition and History Painting from Lisbon to Brazil? 2. Travelling and Collecting: Natural History in Brazil During the Enlightenment? 3. The Painting Collections of the Dukes of Aveiro in the Eighteenth Century, with a Note on the Acquisitions of an English Gentleman? ?4. Asian Material Culture in the Estate of Alexandre Metelo de Sousa Meneses, Ambassador of King John V to China and President of the Overseas Council??Part II: Exhibiting Identities in the Portuguese Colonial Empire (1860?1999)??5. Exhibitions and Museums in Goa: The Making of Visible Identities (1860?1952)? 6. Creating a Portuguese Imperial Identity: Art Exhibitions in the Metropolis and in the African Colonies? 7. National Identity, Modernity and Aspirations to Internationalisation in the 1950s: The Portuguese Fine Arts at International Exhibitions? 8. Museum-Making in Portuguese Macao: The Creation of the Luis de Camoes Museum from Colonial to Post-colonial Times??Part III: The Displaying of Art and History in the First Half of the Twentieth Century??9. Museums and the Art Reforms of the First Portuguese Republic (1910?1926)? 10. Heroes on Display: The (Re)Construction and Exhibition of the Tomb of the Legendary Hero Egas Moniz in Early Twentieth-Century Portugal? 11. Anti-semite and Anti-modern Fractures in the Portugal of Salazar: The Case of Portrait Painter and Museum Director Eduardo Malta (1933?1965)? 12. “Worthy of Enabling and Support.” the Exhibitions of the Lisbon Buchholz Bookshop and Their Critical Reception in the Context of the Second World War

? ? ? ? ?

Skin Color and Whiteness in Contemporary Art (Paperback, 1)

List of Illustrations

Preface 

Introduction 

1. Skins in and of Paintings: Relationships between Paint Skin and Painted White Skin Tones in Western European Modern Art 

2. Sociopolitical Skin of the Medium: Making Whiteness Strange through Color Manipulation and Skin as Mask 

3. Memory Projection Surfaces: Photographic Reflections on “Second Skins” 

Conclusion

Index

African American Artists Performing for the Camera After 1970 : Against Transparency (Paperback)

Acknowledgements 

Introduction 

Chapter 1. Exaggerated Features: Adrian Piper on the Limits of Performativity 

Chapter 2. The Outrageous Abstraction of Senga Nengudi’s Performance Photography  

Chapter 3. Howardena Pindell’s and Maren Hassinger’s Subversive Video-Narcissism 

Chapter 4. Feeble Monuments: David Hammons and Pope.L Underperforming for the Camera 

Conclusion: Communication with Shadows 

Bibliography 

Index 

Entangled Art Histories in Ukraine (Paperback, 1)

1. Introduction. “A Subject very New…”: Uncovering the Entangled Fates of Art History in Ukraine (Stefaniia Demchuk, Illia Levchenko), 2. I.?Disciplinary beginnings (1805 ? 1920s), 3. II.?Early Soviet years: new media, formalism as a method (1917 ? 1937), 4. III.?Mysteztvoznavstvo’: a Socialist Realist Art History (1937 ? 1986), 5. IV.?Post-Soviet and/or Postmodern? (1986 ? 2014)

Art in Ukraine Between Identity Construction and Anti-Colonial Resistance (Paperback, 1)

Preface;?Introduction;?PART I?Solidarity; Chapter 1?Antagonism and? Revolutionary Aesthetics: Ukrainian Contemporary Art between? the Orange Revolution and Euromaidan; Chapter 2?Field Notes on? Subjectivity: Art, War, Articulationl Chapter 3?From “The Ukraine Question” and “The Woman Question” to Self-Determination: Revisiting 1920-30s Mass Politics, Revolution, and War in Today’s Ukraine; PART II?Identity;?Chapter 4?(de)Construction of “Post-Soviet” Visualities in Contemporary? Ukrainian Photography; Chapter 5;?Large-Scale Exhibitions and Identity Building in Ukraine in the Late 2000s - Early 2010s; Chapter 6?Observing the Bodies: Examination of the Human Experience of War and Trauma; Chapter 7?Ukrainian photographers opting for truth: From Soviet documentary photography to Russo-Ukrainian war images; PART III?Decoloniality; Chapter 8?Rethinking (Post-)Soviet Landscape through Decolonial Art?Practices, 2014-2022; Chapter 9?Becoming Local:? Decolonial Practices in Visual Arts in Post-Maidan Ukraine; Chapter 10?From Postcolonial Past to Decolonial Future: Ukrainian Art in the Ages of Revolution and Resistance (2014-2024)

Sonic Sculpture and the Performative Impulse : Sounding Things Out (Paperback)

Introduction: Sound and Performing Sculptures??Introduction to Part 1. Socially Engaged Listening: Sound and Identity? 1. Nick Cave’s Soundsuits: The Clothes Make the Band? 2. Kara Walker: Water and History? 3. Christine Sun Kim: Engaging the Unhearing Ear??Introduction to Part II. Listening to History: The Speaker as Surrogate? 4. Susan Philipsz: The Instrument in Absentia and the Music of War? 5. Janet Cardiff and George Bures Miller: Sounding Sacred Spaces? 6. Luke Fowler: Sound Soup??Introduction to Part III. The Body as Sculpture: Performance as Sculpture? 7. Ragnar Kjartansson: That Old Sweet Song? 8. Phil Collins: The Stage, the Seven Inch, and the Sound Booth? 9. Lundahl & Seitl: Curating the Body/Emptying the Gallery? Epilogue: A Speaker and a Wall and What Else?

The Routledge Companion to Irish Art (Paperback, 1)

Introduction??Section 1: Tradition, innovation and the discourses of art??1. A national body for the visual arts: the early history of the RHA 1823-1860? 2. The Irish in the Sculptural Pantheon of St Paul’s Cathedral, London, 1800-1922? 3. Erin’s Harp: art and music in the long Nineteenth Century? 4. The Cultural Revival? 5. Artisans of the avant-garde: Evie Hone, Mainie Jellett and the decorative arts? 6. Jack B. Yeats: painter, illustrator, and comic strip artist? 7. Magazines and art in the mid-Twentieth Century? 8. The Ulster Unit: an avant-garde formation in the 1930s? 9. Hilary Heron and mid-Twentieth Century modernist sculpture??Section 2: Art and the upheavals of history??10. ‘A holy union’: James Barry and the 1801 Act of Union? 11. Images of the Famine: art, monuments and exhibitions from the Nineteenth Century to the Twenty-first Century? 12. Evictions and the Land Wars: visuality, technology and legacy? 13. Painting History: William Orpen and the Great War? 14. Photographing women: the Rising and after? 15. Unfinished business: Jack B. Yeats, modernity and the avant-garde 16. Art practice and the conflict in the North? 17. Troubling the Past in the Present: socially engaged art and the ‘Decade of Centenaries’??Section 3: Visualities??18. The Matter of the Past: modes of antiquarian representation? 19. The 1853 Dublin Exhibition and its imperial legacy? 20. Photographing Dublin: the street photography of J.J. Clarke and Ephraim MacDowel Cosgrave 21. Tracing the artist-bohemian in Free State Dublin? 22. Women of the West? 23. The White Stag Group, 1939-1946? 24. Expressionism in the 1980s? 25. The Orchard Gallery, Derry: public practice during the 1980s? 26.?Making Strange: the climate crisis and recent art??Section 4: Art and the wider world: empire, diaspora and the postcolonial??27.?Southern India, 1800-1816: conquest and contingency: two portraits by Thomas Hickey? 28. Poverty, Slavery and Empire: Honore Daumier...


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The Orthodox Icon and Postmodern Art : Critical Reflections on the Christian Image and its Theology (Paperback)

Introducion  1. The Icon and Postmodern Thought  2. The Image and Postmodern Art  3. Perichoresis as a Theotokian and Aesthetic Concept  4. Patristic Images and Neptic Encounters  5. The Intermedial Icon  6. Cappadocian Iconology  Epilogue                                                                                                                            

Aesthetics, Gender, and Disability in Interactive Digital Art and Performance Art (Paperback, 1)

1. Artificial Intelligence and Algorithmic Cultures: Power, Control, Artificial Intelligence, and Algorithmic Cultures  2. Migration and Political Violence  3. Contemporary Medical Technologies and Practices  4. The Anthropocene: Our Heroic Response to Adversity

The Pot Book : A Global Survey of Ceramic Craft and Design (Hardcover)

Andy Warhol's Index (Book) (Hardcover)

Somatic Sculpture : Pre-modern Bodily Encounters with Contemporary Art (Hardcover)

The Abbey Art Centre in postwar London 1946–1956 (Hardcover)

Introduction. The Abbey: a British art centre and Australian art colony Section 1: William Ohly and post-war London 1. Between rubble and reconstruction: London after the war 2. ‘Hard working Continentals’: refugee art dealers in London, 1933?1955 3. The utopian socialist: William Ohly and the Abbey Art Centre 4. William Ohly: the ethnographic collector 5. ‘Young artists of promise’: contemporary art at the Berkeley Galleries?Section 2: Australians at the Abbey 6. ‘Not Wholly Fruitless’: Australian artists in the world’s art colonies 7. The Abbey Garden: Sydney moderns at the Abbey 8. Melbourne realists 9. Bernard Smith’s reverse atlas Section 3: Europeans at the Abbey 10. ‘Not only shelter, but freedom of expression’: continental Europeans at the Abbey?11. ‘Here we live … Quaint, ain’t it?’: European filmmakers at the Abbey Arts Centre 12. British and Irish artists at the Abbey?Section 4: After the Abbey 13. The New Cosmopolitans: returning to Australia with the Abbey in the rear-view mirror, 1950-1959. 13. Art history after the Abbey. Appendix 1: Chronological list of Abbey Art Centre residents, 1946?1956

Tell Clyfford I Said Hi: An Exhibition Curated by the Children of the Colville Confederated Tribes (Paperback)

Tell Clyfford I Said Hi: An Exhibition Curated by Children of the Colville Confederated Tribes (Hardcover)

The Comely Frontispiece : The Emblematic Title-Page in England 1550–1660 (Paperback)

1. John Dee, General and Rare Memorials pertayning to the Perfect Arte of Navigation, 1577? 2. Sir Philip Sidney, The Countesse of Pembrokes Arcadia, 1593? 3. Richard Haydocke, A tracte containing the Artes of curious Paintinge Carvinge & Buildinge, 1598? 4. John Huygen Van Linschoten, His Discours of Voyages into the Easte and West Indies, 1598? 5. The Holy Bible, Anno 1602. The Last Edition of the Bishop’s Bible? 6. Guillaume de Salustre du Bartas, His Devine Weekes & Workes, 1605?6 ?7. King James Bible, The Authorised Version, 1611? 8. George Chapman, The whole works of Homer; prince of poetts. In his Iliads, and Odysses, 1616? 9. St John Chryostom, Opera Graece, 1610?12? 10. Sir Walter Raleigh, The History of the World, 1614? 11. James I, Workes, 1616? 12. Ben Jonson, The Workes of Beniamin Jonson, 1616? 13. Michael Drayton, Poly-oblion, or a chorographical Description of Great Britain, 1612?22? 14. Henry Peacham, The Compleat Gentleman, 1622? 15. Captain John Smith, The Generall Historie of Virginia, New-England, and the Summer Isles, 1624? 16. Francis Bacon, Sylva Sylvarum, 1627? 17. Robert Burton, The Anatomy of Melancholy, 1632? 18. John Bulwer, Chirologia, 1644? 19. John Bulwer, Philocophvs: or, the Deafe and dumbe mans friend, 1648? 20. Thomas Hobbes, Leviathan, 1651

Tele-Monumente - Tele-Monuments: Erinnerungspraktiken Und Digitale Technologien - Memorial Practices and Digital Technologies (Paperback)

Meaningful Art-Science Interactions: An Inter- And Transdisciplinary Palette (Hardcover)

Rhythm of Yuloh (Hardcover)

Stories from the Post-Ethnological Museum: Re-Reading Ethnographic Collections Today (Paperback)

Im All Der Zeichen: Der Semionaut G?ther Uecker (Paperback)

Contemporary Art in Bosnia-Herzegovina : Crisis, Rupture and Discontinuity (Hardcover)

1. Introduction 2. Sarajevo art shows during the second half of the 1980s?3. Saved by the Bell: Neo-Avant-Garde Strategies and Use of Mass Media in the Practice of Group ZVONO 4. Contemporary Art in Bosnia and Herzegovina within the Common Yugoslav Art Space 5. Urban (Trans)formation: Crisis, Rupture and the Response of Art 6. Utopian State-Building in Artistic Practice during the siege of Sarajevo 7. Interview with Ambrosia Group 8. Performative Acts of Memory in the Bosnian Diaspora: Displacement and the Politics of Remembering 9. BiH Art in the Age of Triumphalism: Memorialisation in the work of Aida ?ehovi? and Mladen Miljanovi? 10.? Bosnian Forensic Contemporaneity and Visual Arts?11.? STATE OF ART : volatile geographies of war and peace 12.? The Crisis in Culture and Civic Resistance in Bosnia-Herzegovina 13. Problematics in Contemporary Art from Bosnia-Herzegovina since 2010 14.? Art of the dispossessed: not necessarily spectacular but necessary for the continuation of survival?15.? Exploring the Past and Charting the Future: A Study of Bosnia and Herzegovina’s Emerging Artists 16.? Interview with Tijana Mi?kovi?

Useful Cinema in State Socialist Europe (Hardcover, 1)

Contents

?

?

Introduction

Planned, but Fickle. Useful Films of Socialist Europe

Lucie ?esalkova, Christian Ferencz-Flatz, Ana Szel

?

Part 1: Media Infrastructures and International Relations

Useful Cinema as a Challenge to the State-Socialist Mode of Film Production

Lucie ?esalkova

Between Useful and Useless. Small Gauge and Amateur Film in Socialist Hungary

Eszter Polonyi

Authentic, Technically Proficient, and Non-aligned. The Delineating of Good Amateur Film and Successful Amateur Cinema in Yugoslav Festival Regulations and Reports

Hanna Stein

From “That’s ORWO” to “Low-key ? Made in the GDR”. Trends in East German Export Advertising Films from the 1950s to the 1980s

?

Ralf Forster

?

Migration, Geopolitics, and Underdevelopment. Sensitive Topics in Socialist Romanian Tourist Advertisements

?

Christian Ferencz-Flatz

?

Part 2: Righting Wrongs, Averting Dangers

Useful Film and Photography in the Investigation of War Crimes in the USSR (1942?1945). Historical Paths, Practices of the Visual

Irina Tcherneva

In the Department Store. Genres and Socialist Consumer Culture in Hungarian Feature and Police Educational Films in the 1950s

Laszlo Strausz

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Dangerous Spaces. Workplace Safety Film in Socialist Romania between Occupational Hazards and State Regulations

?

Ana Szel

Actions in the Event of an Atomic Catastrophe during the Cold War. Civil Defense Films at Riga Film Studio

Zane Bal?us

?

Part 3: Educating People, Shaping Life and Environment

A Safe Haven at the Teachers’ Vault. The Educational Film in Late 1940s Poland

Konrad Klejsa, Emil Sowi?ski

From Land Cultivation to Cultivati...


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Contemporary French Artists of African Descent and the Legacy of Colonialism (Hardcover, 1)

List of Figures
Preface
Chapter 1: Introduction
Chapter 2: The African Vanguard in the Colonial Era
Chapter 3: The African Diasporic Artist in France, 1970-1989
Chapter 4: Expanding the Discourse, 1990 to the Present
Chapter 5: Contemporary Visions of Futurity and Multiculturalism
Chapter 6: Conclusion
Index