Rap as Antiracist Pedagogy (Hardcover, 1)

Acknowledgements

Introduction??? Creating context for antiracist pedagogy of rap music

Chapter 1??????? Exploring relationships among self, community, and rap

Chapter 2??????? Why Kendrick, why now? Archives, canons, and what we study

Chapter 3??????? Transcribing rap and how we study it

Chapter 4 ?????? “Rapper” as racial code word

Chapter 5??????? Toward an antiracist pedagogy of rap

Rap as Antiracist Pedagogy (Paperback, 1)

Acknowledgements

Introduction??? Creating context for antiracist pedagogy of rap music

Chapter 1??????? Exploring relationships among self, community, and rap

Chapter 2??????? Why Kendrick, why now? Archives, canons, and what we study

Chapter 3??????? Transcribing rap and how we study it

Chapter 4 ?????? “Rapper” as racial code word

Chapter 5??????? Toward an antiracist pedagogy of rap

All Access Sabrina Carpenter 100% Unofficial (Paperback)

Foundational Conducting : Showing, Listening, Serving (Paperback)

Table of contents

?

Acknowledgements

?

Dedication

?

Chapter One

Posture and conducting in one

Elements of expression

Starting and stopping

In-class activities for practice

?

Chapter Two

More on poise, breath, and the face

Adding expression to first patterns: three, four, and two

Adding the left hand on preps and cues

Foundations of the rehearsal process

In-class activities for practice

Session work

?

Chapter Three

Starting and releasing on beats other than one

The baton

More uses for the left hand: internal cues, pulls, hooks

Showing, listening, deciding in phrases

In-class activities for practice

Session work

?

Chapter Four

Cueing off the beat

Starting on offbeats: the unprepared hook

Even more uses for the left hand: crescendo and decrescendo

Error detection and depth analysis

In-class activities for practice

Session work

?

Chapter Five

Subdivided patterns

Asymmetric meters

Internal fermatas: broken and unbroken

Informed interpretation

In-class activities for practice

Session work

?

Chapter Six

Mixed meters

Directional cues

Larger forms for analysis, study, and practice

In-class activities for practice

Session work

?

Appendices

Appendix A: Evaluation form

Appendix B: Gestural conducting rubric

Appendix C: Setups and common expectations for wind, orchestral and vocal groups

Appendix D: Common music score terms

Foundational Conducting : Showing, Listening, Serving (Hardcover)

Table of contents

?

Acknowledgements

?

Dedication

?

Chapter One

Posture and conducting in one

Elements of expression

Starting and stopping

In-class activities for practice

?

Chapter Two

More on poise, breath, and the face

Adding expression to first patterns: three, four, and two

Adding the left hand on preps and cues

Foundations of the rehearsal process

In-class activities for practice

Session work

?

Chapter Three

Starting and releasing on beats other than one

The baton

More uses for the left hand: internal cues, pulls, hooks

Showing, listening, deciding in phrases

In-class activities for practice

Session work

?

Chapter Four

Cueing off the beat

Starting on offbeats: the unprepared hook

Even more uses for the left hand: crescendo and decrescendo

Error detection and depth analysis

In-class activities for practice

Session work

?

Chapter Five

Subdivided patterns

Asymmetric meters

Internal fermatas: broken and unbroken

Informed interpretation

In-class activities for practice

Session work

?

Chapter Six

Mixed meters

Directional cues

Larger forms for analysis, study, and practice

In-class activities for practice

Session work

?

Appendices

Appendix A: Evaluation form

Appendix B: Gestural conducting rubric

Appendix C: Setups and common expectations for wind, orchestral and vocal groups

Appendix D: Common music score terms

Teaching Notes On Piano Exam Pieces 2027 & 2028, Abrsm Grades Ina8 (Sheet Music)

The Twelve Songs of Christmas (Hardcover)

Re-evaluating Soundscape : Exploring Sonic Relationships in Contemporary Environments (Hardcover)

1. Introduction??2.?A Re-evaluation of 50 years of Soundscape Study??3. Refelction: London??4. Origins, Ownership, and Ontology??5. Reflection: Soho, London??6. Challenges??7. Reflection 2: Edinburgh??8. Re-evaluating Methodologies??9. Reflection: Field Recording Practice??10 Conclusions: Reflecting on Re-evaluation??

Re-evaluating Soundscape : Exploring Sonic Relationships in Contemporary Environments (Paperback)

1. Introduction??2.?A Re-evaluation of 50 years of Soundscape Study??3. Refelction: London??4. Origins, Ownership, and Ontology??5. Reflection: Soho, London??6. Challenges??7. Reflection 2: Edinburgh??8. Re-evaluating Methodologies??9. Reflection: Field Recording Practice??10 Conclusions: Reflecting on Re-evaluation??

Hpschd: Inside John Cage and Lejaren A. Hiller Jr.'s Radical Multimedia Collaboration (Hardcover)

Listening in Radiophonic Spaces: Politics and Aesthetics of Early British Broadcasting (Hardcover)

Early Modern Musical Innovation: The Hidden History of Olbrycht G?ecki (Paperback)

Creative Music Making in Asia: Global Structures for Meaningful Expressive Experiences (Hardcover)

Music Ecosystems: Challenges and Opportunities (Hardcover)

Introduction to Computer Music (Hardcover, 1)

Preface. 1. Introduction 2. Basics of Synthesis 3. Sampling Theory Introduction 4. Frequency Modulation and Behaviors 5. Spectral Analysis and Nyquist Patterns 6. Nyquist Techniques and Granular Synthesis 7. Sampling and Filters 8. Spectral Processing 9. Vocal and Spectral Models 10. Acoustics, Perception, Effects 11. Physical Modeling 12. Spectral Modeling, Algorithmic Control, 3D Sound 13. Audio Compression 14. Computer Music Futures 15. Where Next??References. Index

The Long Game : Building a Lasting Career in Game Music (Hardcover)

Introduction??PART I ? Foundations??Introduction??Chapter 1 ? Foundations for a Creative Career??PART II ? The Art & Craft of Game Music??Introduction??Chapter 2 ? Interactive Music 101??Chapter 3? Implementation & Adaptive Scoring??Chapter 4 ? The Creative Process??PART III ? The Business of Game Music??Introduction??Chapter 5 ? Composer & Audio Lead Dynamics??Chapter 6 ? Pitching & Presenting??Chapter 7 ? Networking??Chapter 8 ? The Business Infrastructure??PART IV ? Case Study??Chapter 9 ? Scoring AAA ? Deathloop??PART V ? Personal Mastery & Growth??Introduction??Chapter 10 ? Personal Mastery??Chapter 11 ? Mentoring Moments??CONCLUSION??Chapter 12 ? You’re Ready

The Long Game : Building a Lasting Career in Game Music (Paperback)

Introduction??PART I ? Foundations??Introduction??Chapter 1 ? Foundations for a Creative Career??PART II ? The Art & Craft of Game Music??Introduction??Chapter 2 ? Interactive Music 101??Chapter 3? Implementation & Adaptive Scoring??Chapter 4 ? The Creative Process??PART III ? The Business of Game Music??Introduction??Chapter 5 ? Composer & Audio Lead Dynamics??Chapter 6 ? Pitching & Presenting??Chapter 7 ? Networking??Chapter 8 ? The Business Infrastructure??PART IV ? Case Study??Chapter 9 ? Scoring AAA ? Deathloop??PART V ? Personal Mastery & Growth??Introduction??Chapter 10 ? Personal Mastery??Chapter 11 ? Mentoring Moments??CONCLUSION??Chapter 12 ? You’re Ready

Materials and Techniques of Post-Tonal Music (Hardcover, 6 ed)

PREFACE

?

1????????? THE TWILIGHT OF THE TONAL SYSTEM

INTRODUCTION

DIATONIC TONAL MUSIC

CHROMATIC TONAL MUSIC

SOME ASPECTS OF CHROMATIC HARMONY

SUSPENDED TONALITY AND ATONALITY

SUMMARY

MUSIC FROM THE CHAPTER IN CHRONOLOGICAL CONTEXT

NOTES

EXERCISES

?

2????????? SCALE FORMATIONS IN POST-TONAL MUSIC

INTRODUCTION

FIVE-NOTE SCALES

SIX-NOTE SCALES

SEVEN-NOTE SCALES: THE DIATONIC MODES

OTHER SEVEN-NOTE SCALES

EIGHT-NOTE SCALES

THE CHROMATIC SCALE

MICROTONAL SCALES

SCALAR TRANSFORMATIONS

OTHER POSSIBILITIES

SUMMARY

MUSIC FROM THE CHAPTER IN CHRONOLOGICAL CONTEXT?????????

NOTES??

EXERCISES??????

?

3????????? THE VERTICAL DIMENSION: CHORDS AND SIMULTANEITIES???

INTRODUCTION??????

CONVENTIONAL TERTIAN SONORITIES????????????

TERTIAN CHORDS WITH ADDED NOTES???????????

TERTIAN CHORDS WITH SPLIT CHORD MEMBERS?????

OPEN-5TH CHORDS

QUARTAL AND QUINTAL CHORDS

SECUNDAL CHORDS

MIXED-INTERVAL CHORDS??????????

WHOLE-TONE CHORDS?????

POLYCHORDS??????????

SUMMARY???????

MUSIC FROM THE CHAPTER IN CHRONOLOGICAL CONTEXT?????????

NOTES??

EXERCISES??????

?

4????????? THE HORIZONTAL DIMENSION: MELODY AND VOICE LEADING????????

INTRODUCTION??????

SOME NEW STYLISTIC FEATURES OF POST-TONAL MELODY

SOME ASPECTS OF MELODIC ORGANIZATION????????????

VOICE LEADING IN POST-TONAL MUSIC?????????

DISSONANCE TREATMENT???????????

TINTINNABULI TECHNIQUE?????????

ALIGNED INTERVAL CYCLES???????

SUMMARY

MUSIC FROM THE CHAPTER IN CHRONOLOGICAL CONTEXT

NOTES

EXERCISES

?

5????????? HARMO...


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외국도서 > 예술/대중문화 > 음악 > 장르/스타일 > 클래식

Materials and Techniques of Post-Tonal Music (Paperback, 6 ed)

PREFACE

?

1????????? THE TWILIGHT OF THE TONAL SYSTEM

INTRODUCTION

DIATONIC TONAL MUSIC

CHROMATIC TONAL MUSIC

SOME ASPECTS OF CHROMATIC HARMONY

SUSPENDED TONALITY AND ATONALITY

SUMMARY

MUSIC FROM THE CHAPTER IN CHRONOLOGICAL CONTEXT

NOTES

EXERCISES

?

2????????? SCALE FORMATIONS IN POST-TONAL MUSIC

INTRODUCTION

FIVE-NOTE SCALES

SIX-NOTE SCALES

SEVEN-NOTE SCALES: THE DIATONIC MODES

OTHER SEVEN-NOTE SCALES

EIGHT-NOTE SCALES

THE CHROMATIC SCALE

MICROTONAL SCALES

SCALAR TRANSFORMATIONS

OTHER POSSIBILITIES

SUMMARY

MUSIC FROM THE CHAPTER IN CHRONOLOGICAL CONTEXT?????????

NOTES??

EXERCISES??????

?

3????????? THE VERTICAL DIMENSION: CHORDS AND SIMULTANEITIES???

INTRODUCTION??????

CONVENTIONAL TERTIAN SONORITIES????????????

TERTIAN CHORDS WITH ADDED NOTES???????????

TERTIAN CHORDS WITH SPLIT CHORD MEMBERS?????

OPEN-5TH CHORDS

QUARTAL AND QUINTAL CHORDS

SECUNDAL CHORDS

MIXED-INTERVAL CHORDS??????????

WHOLE-TONE CHORDS?????

POLYCHORDS??????????

SUMMARY???????

MUSIC FROM THE CHAPTER IN CHRONOLOGICAL CONTEXT?????????

NOTES??

EXERCISES??????

?

4????????? THE HORIZONTAL DIMENSION: MELODY AND VOICE LEADING????????

INTRODUCTION??????

SOME NEW STYLISTIC FEATURES OF POST-TONAL MELODY

SOME ASPECTS OF MELODIC ORGANIZATION????????????

VOICE LEADING IN POST-TONAL MUSIC?????????

DISSONANCE TREATMENT???????????

TINTINNABULI TECHNIQUE?????????

ALIGNED INTERVAL CYCLES???????

SUMMARY

MUSIC FROM THE CHAPTER IN CHRONOLOGICAL CONTEXT

NOTES

EXERCISES

?

5????????? HARMO...


외국도서 > 예술/대중문화 > 음악 > 일반
외국도서 > 예술/대중문화 > 음악 > 음악소개/연구 > 이론
외국도서 > 예술/대중문화 > 음악 > 장르/스타일 > 클래식

Bach's Brandenburg Concertos (Paperback)

Ellington the Composer: Caught in the ACT (Paperback)

Jazz Theory for Arrangers : From Chords to Combos (Hardcover)

Table of Contents

Introduction

Chapter 1: Elements of a Jazz Arrangement

1.1 Song Forms in Jazz
1.2 Contrafacts

1.3 Structural Elements of an Arrangement

1.4 Performance Practices

1.5 Putting it All Together

Chapter 2: Jazz Harmony

2.1 Tertian Based Harmonies

2.2 Chord Labeling and Alterations

2.3 Altered Chords

2.4 Jazz Piano Voicings I: Shell Voicings

2.5 Jazz Piano Voicings II: Chord Spacing Guidelines?

Chapter 3: Building Blocks of Jazz Harmonic Progression

3.1 Building Blocks I: The II-V-I Progression

3.2 Jazz Piano Voicings III: Voice Leading and Connection

3.3 Building Blocks II: The Turnaround

3.4 Building Blocks III: The Backdoor II-V

3.5 Building Blocks IV: Other Common Harmonic Progressions

Chapter 4: Chords and Scales

4.1 Introduction to Chord-Scale Theory

4.2 Major Chord-Scale Relationships

4.3 Ascending Melodic Minor Chord-Scale Relationships

4.4 Diminished (Octatonic) Chord-Scale Relationships

4.5 Whole Tone Chord-Scale Relationship

4.6 Putting Chord-Scales to Work

4.7 Arrangement Project Idea #1: Arrangement for Jazz Piano

Chapter 5: More Advanced Harmonic Concepts

5.1 Quartal Harmony

5.2 Introduction to Reharmonization

Chapter 6: Melodic Considerations

6.1 Other Commonly Used Scales in Jazz

6.2 Writing Jazz Melody

6.3 Practical Application

Chapter 7: Instrumentation

7.1 The Front Line

7.2 The Rhythm Section

Chapter 8: Writing for the Two-Part Front Line

8.1 Soli Writing

8.2 Melody and Countermelody

8.3 Arrangement Project Idea #2: Arrangement for Combo with Two Horns

Chapter 9: Writing for the Four- and Three-Part Front Lines

9.1 Four-Part Block Voicings

9.2 Approach Tones and Harmonization

9.3 Drop Voicings

Jazz Theory for Arrangers : From Chords to Combos (Paperback)

Table of Contents

Introduction

Chapter 1: Elements of a Jazz Arrangement

1.1 Song Forms in Jazz
1.2 Contrafacts

1.3 Structural Elements of an Arrangement

1.4 Performance Practices

1.5 Putting it All Together

Chapter 2: Jazz Harmony

2.1 Tertian Based Harmonies

2.2 Chord Labeling and Alterations

2.3 Altered Chords

2.4 Jazz Piano Voicings I: Shell Voicings

2.5 Jazz Piano Voicings II: Chord Spacing Guidelines?

Chapter 3: Building Blocks of Jazz Harmonic Progression

3.1 Building Blocks I: The II-V-I Progression

3.2 Jazz Piano Voicings III: Voice Leading and Connection

3.3 Building Blocks II: The Turnaround

3.4 Building Blocks III: The Backdoor II-V

3.5 Building Blocks IV: Other Common Harmonic Progressions

Chapter 4: Chords and Scales

4.1 Introduction to Chord-Scale Theory

4.2 Major Chord-Scale Relationships

4.3 Ascending Melodic Minor Chord-Scale Relationships

4.4 Diminished (Octatonic) Chord-Scale Relationships

4.5 Whole Tone Chord-Scale Relationship

4.6 Putting Chord-Scales to Work

4.7 Arrangement Project Idea #1: Arrangement for Jazz Piano

Chapter 5: More Advanced Harmonic Concepts

5.1 Quartal Harmony

5.2 Introduction to Reharmonization

Chapter 6: Melodic Considerations

6.1 Other Commonly Used Scales in Jazz

6.2 Writing Jazz Melody

6.3 Practical Application

Chapter 7: Instrumentation

7.1 The Front Line

7.2 The Rhythm Section

Chapter 8: Writing for the Two-Part Front Line

8.1 Soli Writing

8.2 Melody and Countermelody

8.3 Arrangement Project Idea #2: Arrangement for Combo with Two Horns

Chapter 9: Writing for the Four- and Three-Part Front Lines

9.1 Four-Part Block Voicings

9.2 Approach Tones and Harmonization

9.3 Drop Voicings

Temporal Processes in Beethoven’s Music (Hardcover)

Preface Introduction: Temporal Processes in Music 1. Living from the Past/Living toward the Future 2. Heroism Prevailing/ Heroism Falling Short 3. Creating Several Futures at Once: Disparate Shapes Confirming One Another/Disparate Shapes Contradicting One Another