The Long Game : Building a Lasting Career in Game Music (Hardcover)

Introduction??PART I ? Foundations??Introduction??Chapter 1 ? Foundations for a Creative Career??PART II ? The Art & Craft of Game Music??Introduction??Chapter 2 ? Interactive Music 101??Chapter 3? Implementation & Adaptive Scoring??Chapter 4 ? The Creative Process??PART III ? The Business of Game Music??Introduction??Chapter 5 ? Composer & Audio Lead Dynamics??Chapter 6 ? Pitching & Presenting??Chapter 7 ? Networking??Chapter 8 ? The Business Infrastructure??PART IV ? Case Study??Chapter 9 ? Scoring AAA ? Deathloop??PART V ? Personal Mastery & Growth??Introduction??Chapter 10 ? Personal Mastery??Chapter 11 ? Mentoring Moments??CONCLUSION??Chapter 12 ? You’re Ready

The Long Game : Building a Lasting Career in Game Music (Paperback)

Introduction??PART I ? Foundations??Introduction??Chapter 1 ? Foundations for a Creative Career??PART II ? The Art & Craft of Game Music??Introduction??Chapter 2 ? Interactive Music 101??Chapter 3? Implementation & Adaptive Scoring??Chapter 4 ? The Creative Process??PART III ? The Business of Game Music??Introduction??Chapter 5 ? Composer & Audio Lead Dynamics??Chapter 6 ? Pitching & Presenting??Chapter 7 ? Networking??Chapter 8 ? The Business Infrastructure??PART IV ? Case Study??Chapter 9 ? Scoring AAA ? Deathloop??PART V ? Personal Mastery & Growth??Introduction??Chapter 10 ? Personal Mastery??Chapter 11 ? Mentoring Moments??CONCLUSION??Chapter 12 ? You’re Ready

The Music Producer’s Guide to Studios, Focus and Creativity (Hardcover)

Dedication

?

Foreword

?

Chapter 1: The Studio Reality Check

Chapter 2: Every Studio Starts Somewhere

Chapter 3: The Space That Shapes the Sound

Chapter 4: More Than Just Gear

Chapter 5: Sonic Clarity

Chapter 6: Your Studio Ears

Chapter 7: The Cables We Count On

Chapter 8: Soft Light, Sharp Focus

Chapter 9: Creativity Sets the Pace

Chapter 10: Evolution of the Studio to Producer

Chapter 11: The Courage to Begin

Chapter 12: Beyond the Score

Chapter 13: Capturing Creativity

Chapter 14: The Art Behind the Skill

Chapter 15: The Sound of You

Chapter 16: Taste Is a Skill

Chapter 17: The Importance of Silence

Chapter 18: Creative Solitude

Chapter 19: When Practice Meets Progress

Chapter 20: The Power and Pitfalls of Feedback

Chapter 21: Mentorship Matters

Chapter 22: Creative Collaboration

Chapter 23: From Breath to Beat

Chapter 24: When Words Become Music

Chapter 25: Quiet Confidence

Chapter 26: A Musical Gift

Chapter 27: Yes Is the Door to Possibility

Chapter 28: Final Reflection

The Music Producer’s Guide to Studios, Focus and Creativity (Paperback)

Dedication

?

Foreword

?

Chapter 1: The Studio Reality Check

Chapter 2: Every Studio Starts Somewhere

Chapter 3: The Space That Shapes the Sound

Chapter 4: More Than Just Gear

Chapter 5: Sonic Clarity

Chapter 6: Your Studio Ears

Chapter 7: The Cables We Count On

Chapter 8: Soft Light, Sharp Focus

Chapter 9: Creativity Sets the Pace

Chapter 10: Evolution of the Studio to Producer

Chapter 11: The Courage to Begin

Chapter 12: Beyond the Score

Chapter 13: Capturing Creativity

Chapter 14: The Art Behind the Skill

Chapter 15: The Sound of You

Chapter 16: Taste Is a Skill

Chapter 17: The Importance of Silence

Chapter 18: Creative Solitude

Chapter 19: When Practice Meets Progress

Chapter 20: The Power and Pitfalls of Feedback

Chapter 21: Mentorship Matters

Chapter 22: Creative Collaboration

Chapter 23: From Breath to Beat

Chapter 24: When Words Become Music

Chapter 25: Quiet Confidence

Chapter 26: A Musical Gift

Chapter 27: Yes Is the Door to Possibility

Chapter 28: Final Reflection

Artist Management for the Music Business : Manage Your Career in Music: Manage the Music Careers of Others (Hardcover, 6 ed)

1. Artist Management Toolbox; 2. Preparing to Manage; 3. Entrepreneurship and Basic Money Management; 4. The Artist Prepares to Be Managed; 5. Lessons in Artist Management; 6. The Artist Career Plan; 7. The Independent Artist: Managing Your Own Music Career; 8. The Agreement Between the Artist and Manager; 9. The Business Side of Artist Management; 10. Income from Live Performance and Merchandise; 11. Income from Songwriting; 12. Income from Recording; 13. Data: Guiding an Artist’s Career in the Music Business; 14. Mentors, Coaching, and Leadership; Appendix A: Artist Management Contract Form; Appendix B: Partnership Agreement for Members of a Band; Appendix C: The Artist Recording Contract; Appendix D: Kesha’s Artist Management Contract; Appendix E: Taylor Swift’s First Artist Management Contract.

Artist Management for the Music Business : Manage Your Career in Music: Manage the Music Careers of Others (Paperback, 6 ed)

1. Artist Management Toolbox; 2. Preparing to Manage; 3. Entrepreneurship and Basic Money Management; 4. The Artist Prepares to Be Managed; 5. Lessons in Artist Management; 6. The Artist Career Plan; 7. The Independent Artist: Managing Your Own Music Career; 8. The Agreement Between the Artist and Manager; 9. The Business Side of Artist Management; 10. Income from Live Performance and Merchandise; 11. Income from Songwriting; 12. Income from Recording; 13. Data: Guiding an Artist’s Career in the Music Business; 14. Mentors, Coaching, and Leadership; Appendix A: Artist Management Contract Form; Appendix B: Partnership Agreement for Members of a Band; Appendix C: The Artist Recording Contract; Appendix D: Kesha’s Artist Management Contract; Appendix E: Taylor Swift’s First Artist Management Contract.

Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves (Paperback)

Establishing a Portfolio Career in the Music Industry : Find Your B.E.A.T. (Hardcover)

Introduction

?

Chapter 1: Rethinking Success in the Music Industry

?

Chapter 2: Mapping Your Musical Identity and Skills

?

Chapter 3: Mission, Vision, and Values

?

Chapter 4: “B” is for Business

?

Chapter 5: “E” is for Education and Entrepreneurship

?

Chapter 6: “A” is for Artist Development

?

Chapter 7: “T” is for Technology

?

Chapter 8

?

Chapter 9

?

Chapter 10: Only the Beginning

?

Chapter 11: For the Music Educator: Lesson Plans to Teach Portfolio Career Methods Without Disrupting Curriculum

?

Chapter 12: 100+ Music Careers

?

Chapter 13: Resources and Tools for Musicians

Establishing a Portfolio Career in the Music Industry : Find Your B.E.A.T. (Paperback)

Introduction

?

Chapter 1: Rethinking Success in the Music Industry

?

Chapter 2: Mapping Your Musical Identity and Skills

?

Chapter 3: Mission, Vision, and Values

?

Chapter 4: “B” is for Business

?

Chapter 5: “E” is for Education and Entrepreneurship

?

Chapter 6: “A” is for Artist Development

?

Chapter 7: “T” is for Technology

?

Chapter 8

?

Chapter 9

?

Chapter 10: Only the Beginning

?

Chapter 11: For the Music Educator: Lesson Plans to Teach Portfolio Career Methods Without Disrupting Curriculum

?

Chapter 12: 100+ Music Careers

?

Chapter 13: Resources and Tools for Musicians

Innovation in Music : Sound and Place (Hardcover)

Preface?Part 1:?Composition and Performance?1. Object-Oriented Discography: Collaboration, Creativity and the Music Hyperobject;?2. Redividing the Octave for Expanded Tonal Spaces: Further Practical Explorations of Formalised Approaches to (Poly)Microtonal Composition;?3. Composing with waves: An empirical ontology of electromagnetism;?4. Spatial composition: existing concepts and new applications;?5. Intentional Decision Making: Exploring What Improvising Composers Want Their Musical Choices to Do;?6. There is music in your noise: composition as a denoising process of experimental results;?7. Emotionally Adaptive Music: Towards human composer agency in music composition with automated text/dialogue using multi-dimensional sentiment analysis;?8. An exploratory user study of tablature software: perspectives on popular music creativity with algorithmic tools;?9. Bring Machines: Observations and Proposed Frameworks for Improvised Electronic Music Performance;?10. Recasting mixed music with live electronics: towards a performance-based approach;?11. The Post-Musical Performer: creative and performative challenges in works for saxophone;?12. Understanding and Emulating Time: Analyzing and Simulating Musical Microrhythm Timing with the beat_it Toolbox;?13. Evolving music theory for emerging musical languages?Part 2: Case Studies?14. ‘Let the smile always be independent of nationality’: Creating Space for Migrant Voices through Participatory Art;?15. “Drunk” post-rebetiko blues: Anatomising two “dirla” intercultural songs;?16. Liquidation as Quotation: Adventures in Folk Music and Deconstructive Compositional Technique;?17. Organising ‘The Croydon Concert’: How Ornette Coleman re-started his career;?18. “Let the Dance Contest Begin!”: Varying Interpretations of Metric Modulation within Chinese Man’s ‘Step Back...


외국도서 > 컴퓨터 > 대화/음성 처리
외국도서 > 경제경영 > 산업 > 미디어/커뮤니케이션
외국도서 > 기술공학 > 기술공학 > 음향
외국도서 > 예술/대중문화 > 음악 > 레코딩/제작
외국도서 > 예술/대중문화 > 음악 > 음악산업

Innovation in Music : Sound and Place (Paperback)

Preface?Part 1:?Composition and Performance?1. Object-Oriented Discography: Collaboration, Creativity and the Music Hyperobject;?2. Redividing the Octave for Expanded Tonal Spaces: Further Practical Explorations of Formalised Approaches to (Poly)Microtonal Composition;?3. Composing with waves: An empirical ontology of electromagnetism;?4. Spatial composition: existing concepts and new applications;?5. Intentional Decision Making: Exploring What Improvising Composers Want Their Musical Choices to Do;?6. There is music in your noise: composition as a denoising process of experimental results;?7. Emotionally Adaptive Music: Towards human composer agency in music composition with automated text/dialogue using multi-dimensional sentiment analysis;?8. An exploratory user study of tablature software: perspectives on popular music creativity with algorithmic tools;?9. Bring Machines: Observations and Proposed Frameworks for Improvised Electronic Music Performance;?10. Recasting mixed music with live electronics: towards a performance-based approach;?11. The Post-Musical Performer: creative and performative challenges in works for saxophone;?12. Understanding and Emulating Time: Analyzing and Simulating Musical Microrhythm Timing with the beat_it Toolbox;?13. Evolving music theory for emerging musical languages?Part 2: Case Studies?14. ‘Let the smile always be independent of nationality’: Creating Space for Migrant Voices through Participatory Art;?15. “Drunk” post-rebetiko blues: Anatomising two “dirla” intercultural songs;?16. Liquidation as Quotation: Adventures in Folk Music and Deconstructive Compositional Technique;?17. Organising ‘The Croydon Concert’: How Ornette Coleman re-started his career;?18. “Let the Dance Contest Begin!”: Varying Interpretations of Metric Modulation within Chinese Man’s ‘Step Back...


외국도서 > 컴퓨터 > 대화/음성 처리
외국도서 > 경제경영 > 산업 > 미디어/커뮤니케이션
외국도서 > 기술공학 > 기술공학 > 음향
외국도서 > 예술/대중문화 > 음악 > 레코딩/제작
외국도서 > 예술/대중문화 > 음악 > 음악산업

Innovation in Music : Sound and Space (Hardcover)

Preface?Part 1: Innovating Technological Affordance?1. Mapping Voices in Space: Sonic Portrays and Spatial Audio as Post-Acousmatic Research Methodology;?2. Aural Architectures and Haunted Virtualities: Rethinking Headset-based VR as a Sonic Space;?3. Rethinking the Process of Audio Mixing: A Three-Stage Model for Understanding Mixing in Contemporary Record Production;?4. Exploring the Affordances of Elektron’s Syntakt in (Electronic) Music Production and Performance with a DAW;?5. Mechanical Techno in the studio: writing a track by building a kinetic sounding sculpture;?6. Evaluating Gravity Well for Virtual Fader Acquisition: A Formal Study in Haptics for Audio Production;?7. Recording without Headphones: Past, Present, and Future;?8. Three innovative?methods?to?improve?the craft of music?mixing;?9. Sound at Source: Instrument Modification and Machine Aesthetics;10. (Just Like) Starting Over? What Earlier Instruments Can ? and Can’t ? Tell Us About Accessible Digital Musical Instruments and Disability;?11. Crafting the Vibe: Innovative Vibrotactile Feedback for Blind and Visually Impaired Music Creators;?12. Whose line is it anyway? A Case Study in Generative AI for Software Development: MIDI-processing Plug-in Design;?13. EMMA: An Electromyographic Musical Instrument for Embodied Expression?Part 2: New Paradigms?14. Financial Support for non-traditional Concert Formats: an Analysis of Projects presented by Orchestras and Chamber Ensembles;?15. New learning journeys are needed for contemporary audio mastering education within the UK;?16. Innovative Listening: Reframing our Engagement with Sound in Music Production;?17. Not going back: Steps towards an ecology of musical creAItivity;?18. Generative AI as a tool to support film composition and sound design ? an industry case study;?19. Audio without a Vision: A th...


외국도서 > 컴퓨터 > 대화/음성 처리
외국도서 > 경제경영 > 산업 > 미디어/커뮤니케이션
외국도서 > 기술공학 > 기술공학 > 음향
외국도서 > 예술/대중문화 > 음악 > 레코딩/제작
외국도서 > 예술/대중문화 > 음악 > 음악산업

Innovation in Music : Sound and Space (Paperback)

Preface?Part 1: Innovating Technological Affordance?1. Mapping Voices in Space: Sonic Portrays and Spatial Audio as Post-Acousmatic Research Methodology;?2. Aural Architectures and Haunted Virtualities: Rethinking Headset-based VR as a Sonic Space;?3. Rethinking the Process of Audio Mixing: A Three-Stage Model for Understanding Mixing in Contemporary Record Production;?4. Exploring the Affordances of Elektron’s Syntakt in (Electronic) Music Production and Performance with a DAW;?5. Mechanical Techno in the studio: writing a track by building a kinetic sounding sculpture;?6. Evaluating Gravity Well for Virtual Fader Acquisition: A Formal Study in Haptics for Audio Production;?7. Recording without Headphones: Past, Present, and Future;?8. Three innovative?methods?to?improve?the craft of music?mixing;?9. Sound at Source: Instrument Modification and Machine Aesthetics;10. (Just Like) Starting Over? What Earlier Instruments Can ? and Can’t ? Tell Us About Accessible Digital Musical Instruments and Disability;?11. Crafting the Vibe: Innovative Vibrotactile Feedback for Blind and Visually Impaired Music Creators;?12. Whose line is it anyway? A Case Study in Generative AI for Software Development: MIDI-processing Plug-in Design;?13. EMMA: An Electromyographic Musical Instrument for Embodied Expression?Part 2: New Paradigms?14. Financial Support for non-traditional Concert Formats: an Analysis of Projects presented by Orchestras and Chamber Ensembles;?15. New learning journeys are needed for contemporary audio mastering education within the UK;?16. Innovative Listening: Reframing our Engagement with Sound in Music Production;?17. Not going back: Steps towards an ecology of musical creAItivity;?18. Generative AI as a tool to support film composition and sound design ? an industry case study;?19. Audio without a Vision: A th...


외국도서 > 컴퓨터 > 대화/음성 처리
외국도서 > 경제경영 > 산업 > 미디어/커뮤니케이션
외국도서 > 기술공학 > 기술공학 > 음향
외국도서 > 예술/대중문화 > 음악 > 레코딩/제작
외국도서 > 예술/대중문화 > 음악 > 음악산업

The Music School Blueprint: Launching, Growing, and Leading a Thriving Academy (Hardcover)

The Music School Blueprint: Launching, Growing, and Leading a Thriving Academy (Paperback)

The Bloomsbury Handbook of Popular Music and Gender (Hardcover)

How to Direct a Concert : A Guide to Stage Direction and Design for Rock, Pop, Hip Hop, EDM, and More (Hardcover)

A Foreword Introduction 1: Why Concerts Need Directors 2: How Concerts Differ From Legitimate Theater 3: The Role of the Director in a Concert 4: Setlists and Show Structure 5: Staging and Blocking for Musicians 6: Lighting That Tells a Story 7: Sound Design for Impact 8: Visuals, Screens, and Multimedia 9: Costumes: From Concept to Quick Change 10: Audience Engagement: Energy, Eye Contact & Euphoria?11: Dialogue and Banter: What to Say When the Song Ends 12: Special Guests, Features, and Surprises 13: Designing for the Road: Portability and Scale 14: The Rehearsal Process: Making the Most of Limited Time 15: Tech Days and Opening Night 16: Touring With a Directed Show 17: Concerts as Art, Though Commerce Pays 18: Why So Few Concerts Have Directors (and How to Change That)?19: When the Artist Doesn’t Want Direction 20: The Case Studies: Great Concerts That Got it Right 21: Directing Your First Show 22: Final Thoughts: Why This Matters?Index

How to Direct a Concert : A Guide to Stage Direction and Design for Rock, Pop, Hip Hop, EDM, and More (Paperback)

A Foreword Introduction 1: Why Concerts Need Directors 2: How Concerts Differ From Legitimate Theater 3: The Role of the Director in a Concert 4: Setlists and Show Structure 5: Staging and Blocking for Musicians 6: Lighting That Tells a Story 7: Sound Design for Impact 8: Visuals, Screens, and Multimedia 9: Costumes: From Concept to Quick Change 10: Audience Engagement: Energy, Eye Contact & Euphoria?11: Dialogue and Banter: What to Say When the Song Ends 12: Special Guests, Features, and Surprises 13: Designing for the Road: Portability and Scale 14: The Rehearsal Process: Making the Most of Limited Time 15: Tech Days and Opening Night 16: Touring With a Directed Show 17: Concerts as Art, Though Commerce Pays 18: Why So Few Concerts Have Directors (and How to Change That)?19: When the Artist Doesn’t Want Direction 20: The Case Studies: Great Concerts That Got it Right 21: Directing Your First Show 22: Final Thoughts: Why This Matters?Index

Learning to be a Popular Music Producer : An Educational, Entrepreneurial, and Personal Guide for Aspiring Music Producers (Hardcover)

Preface: Living the dream (and learning at the same time) Acknowledgments Introduction: Learning to “be” a popular music producer with or without university?Part 1: How to produce killer music (knowledge)?Chapter 1: Music production mindsets: What you need to know Chapter 2: Does it just happen? Understanding creativity Chapter 3 Targeting commercial or self-expressive goals Chapter 4: Song writing and production Chapter 5: Working with different types of music Chapter 6: Audio Production: Learning the art and craft of audio sculpting Chapter 7: Critical Listening Chapter 8: Vocal production: Shit just got real! Chapter 9: Mixing like a pro Chapter 10: Producing music online: Remote collaboration Chapter 11: Project management?Part 2: Become the best version of you?Chapter 12: Producer Psychology Chapter 13: WTF is critical inquiry and how can I use it? Chapter 14: The road to success: Learning Chapter 15: Mindset?Part 3: Making it happen: Living breathing and surviving as a music producer??Chapter 16: Producing awesome music as opposed to facilitating recordings Chapter 17: Industry integration and realities Chapter 18: Professional practice Chapter 19: Your music studio Chapter 20: I can make it! Music futures?References?Index

Learning to be a Popular Music Producer : An Educational, Entrepreneurial, and Personal Guide for Aspiring Music Producers (Paperback)

Preface: Living the dream (and learning at the same time) Acknowledgments Introduction: Learning to “be” a popular music producer with or without university?Part 1: How to produce killer music (knowledge)?Chapter 1: Music production mindsets: What you need to know Chapter 2: Does it just happen? Understanding creativity Chapter 3 Targeting commercial or self-expressive goals Chapter 4: Song writing and production Chapter 5: Working with different types of music Chapter 6: Audio Production: Learning the art and craft of audio sculpting Chapter 7: Critical Listening Chapter 8: Vocal production: Shit just got real! Chapter 9: Mixing like a pro Chapter 10: Producing music online: Remote collaboration Chapter 11: Project management?Part 2: Become the best version of you?Chapter 12: Producer Psychology Chapter 13: WTF is critical inquiry and how can I use it? Chapter 14: The road to success: Learning Chapter 15: Mindset?Part 3: Making it happen: Living breathing and surviving as a music producer??Chapter 16: Producing awesome music as opposed to facilitating recordings Chapter 17: Industry integration and realities Chapter 18: Professional practice Chapter 19: Your music studio Chapter 20: I can make it! Music futures?References?Index

The Blueprint: Inside the Business of Roc-A-Fella Records (Hardcover)

Independence in 21st-Century Popular Music: Cases from Beyond Anglo-America (Paperback)

The Music Business (Hardcover)

Set Sail and Sing: A Singer's Guide to Cruise Ship Careers and Performance (Paperback)

Working with My Heroes: A Life in Music (Hardcover)