Fear Not, Creative : Futureproofing Artistic Work in the Age of AI (Paperback)

Fear Not, Creative : Futureproofing Artistic Work in the Age of AI (Hardcover)

Re-evaluating Soundscape : Exploring Sonic Relationships in Contemporary Environments (Hardcover)

1. Introduction??2.?A Re-evaluation of 50 years of Soundscape Study??3. Refelction: London??4. Origins, Ownership, and Ontology??5. Reflection: Soho, London??6. Challenges??7. Reflection 2: Edinburgh??8. Re-evaluating Methodologies??9. Reflection: Field Recording Practice??10 Conclusions: Reflecting on Re-evaluation??

Re-evaluating Soundscape : Exploring Sonic Relationships in Contemporary Environments (Paperback)

1. Introduction??2.?A Re-evaluation of 50 years of Soundscape Study??3. Refelction: London??4. Origins, Ownership, and Ontology??5. Reflection: Soho, London??6. Challenges??7. Reflection 2: Edinburgh??8. Re-evaluating Methodologies??9. Reflection: Field Recording Practice??10 Conclusions: Reflecting on Re-evaluation??

Introduction to Computer Music (Hardcover, 1)

Preface. 1. Introduction 2. Basics of Synthesis 3. Sampling Theory Introduction 4. Frequency Modulation and Behaviors 5. Spectral Analysis and Nyquist Patterns 6. Nyquist Techniques and Granular Synthesis 7. Sampling and Filters 8. Spectral Processing 9. Vocal and Spectral Models 10. Acoustics, Perception, Effects 11. Physical Modeling 12. Spectral Modeling, Algorithmic Control, 3D Sound 13. Audio Compression 14. Computer Music Futures 15. Where Next??References. Index

The Long Game : Building a Lasting Career in Game Music (Hardcover)

Introduction??PART I ? Foundations??Introduction??Chapter 1 ? Foundations for a Creative Career??PART II ? The Art & Craft of Game Music??Introduction??Chapter 2 ? Interactive Music 101??Chapter 3? Implementation & Adaptive Scoring??Chapter 4 ? The Creative Process??PART III ? The Business of Game Music??Introduction??Chapter 5 ? Composer & Audio Lead Dynamics??Chapter 6 ? Pitching & Presenting??Chapter 7 ? Networking??Chapter 8 ? The Business Infrastructure??PART IV ? Case Study??Chapter 9 ? Scoring AAA ? Deathloop??PART V ? Personal Mastery & Growth??Introduction??Chapter 10 ? Personal Mastery??Chapter 11 ? Mentoring Moments??CONCLUSION??Chapter 12 ? You’re Ready

The Long Game : Building a Lasting Career in Game Music (Paperback)

Introduction??PART I ? Foundations??Introduction??Chapter 1 ? Foundations for a Creative Career??PART II ? The Art & Craft of Game Music??Introduction??Chapter 2 ? Interactive Music 101??Chapter 3? Implementation & Adaptive Scoring??Chapter 4 ? The Creative Process??PART III ? The Business of Game Music??Introduction??Chapter 5 ? Composer & Audio Lead Dynamics??Chapter 6 ? Pitching & Presenting??Chapter 7 ? Networking??Chapter 8 ? The Business Infrastructure??PART IV ? Case Study??Chapter 9 ? Scoring AAA ? Deathloop??PART V ? Personal Mastery & Growth??Introduction??Chapter 10 ? Personal Mastery??Chapter 11 ? Mentoring Moments??CONCLUSION??Chapter 12 ? You’re Ready

As One : Remaking Suede (Hardcover)

The Music Producer’s Guide to Studios, Focus and Creativity (Hardcover)

Dedication

?

Foreword

?

Chapter 1: The Studio Reality Check

Chapter 2: Every Studio Starts Somewhere

Chapter 3: The Space That Shapes the Sound

Chapter 4: More Than Just Gear

Chapter 5: Sonic Clarity

Chapter 6: Your Studio Ears

Chapter 7: The Cables We Count On

Chapter 8: Soft Light, Sharp Focus

Chapter 9: Creativity Sets the Pace

Chapter 10: Evolution of the Studio to Producer

Chapter 11: The Courage to Begin

Chapter 12: Beyond the Score

Chapter 13: Capturing Creativity

Chapter 14: The Art Behind the Skill

Chapter 15: The Sound of You

Chapter 16: Taste Is a Skill

Chapter 17: The Importance of Silence

Chapter 18: Creative Solitude

Chapter 19: When Practice Meets Progress

Chapter 20: The Power and Pitfalls of Feedback

Chapter 21: Mentorship Matters

Chapter 22: Creative Collaboration

Chapter 23: From Breath to Beat

Chapter 24: When Words Become Music

Chapter 25: Quiet Confidence

Chapter 26: A Musical Gift

Chapter 27: Yes Is the Door to Possibility

Chapter 28: Final Reflection

The Music Producer’s Guide to Studios, Focus and Creativity (Paperback)

Dedication

?

Foreword

?

Chapter 1: The Studio Reality Check

Chapter 2: Every Studio Starts Somewhere

Chapter 3: The Space That Shapes the Sound

Chapter 4: More Than Just Gear

Chapter 5: Sonic Clarity

Chapter 6: Your Studio Ears

Chapter 7: The Cables We Count On

Chapter 8: Soft Light, Sharp Focus

Chapter 9: Creativity Sets the Pace

Chapter 10: Evolution of the Studio to Producer

Chapter 11: The Courage to Begin

Chapter 12: Beyond the Score

Chapter 13: Capturing Creativity

Chapter 14: The Art Behind the Skill

Chapter 15: The Sound of You

Chapter 16: Taste Is a Skill

Chapter 17: The Importance of Silence

Chapter 18: Creative Solitude

Chapter 19: When Practice Meets Progress

Chapter 20: The Power and Pitfalls of Feedback

Chapter 21: Mentorship Matters

Chapter 22: Creative Collaboration

Chapter 23: From Breath to Beat

Chapter 24: When Words Become Music

Chapter 25: Quiet Confidence

Chapter 26: A Musical Gift

Chapter 27: Yes Is the Door to Possibility

Chapter 28: Final Reflection

Teaching Music Production : An Evidence-Based Approach (Hardcover)

Acknowledgement;?Author’s note;?Part One - The Evidence --?Forward;?1. Defining Music Production;?2. The Evolution of Music Production Education; 3. Research in Music Production Education;?4. Linking Contemporary Best Practices in Teaching to Music Production Education;?5. Contemporary Innovations in Music Production Education;?Part Two ? The Approach --?6. Developing a Teaching Philosophy;?7. Understanding Student Needs; 8. (Re)Designing a Music Production Program;?9. Classroom Design;?10. Course Design;?11. Designing Instructional Materials;?12. Assessment and Feedback;?Part Three ? The Tools --?13. Essential Audio Recordings for Students (EARS);?14. Basic Digital Audio Workstation Lab Sequence;?15. Intermediate Digital Audio Workstation Lab Sequence;?16. Recording Studio Lab;?17. Digital Audio Workstation Proficiency Test (DAWPT);?18. Basic Recording Project (BRP);?19. Remote Recording Project (RRP);?20. Artificial Intelligence Recording Project (AIRP);?21. Music Production Communication Overlay (MPCO);?Index.

Teaching Music Production : An Evidence-Based Approach (Paperback)

Acknowledgement;?Author’s note;?Part One - The Evidence --?Forward;?1. Defining Music Production;?2. The Evolution of Music Production Education; 3. Research in Music Production Education;?4. Linking Contemporary Best Practices in Teaching to Music Production Education;?5. Contemporary Innovations in Music Production Education;?Part Two ? The Approach --?6. Developing a Teaching Philosophy;?7. Understanding Student Needs; 8. (Re)Designing a Music Production Program;?9. Classroom Design;?10. Course Design;?11. Designing Instructional Materials;?12. Assessment and Feedback;?Part Three ? The Tools --?13. Essential Audio Recordings for Students (EARS);?14. Basic Digital Audio Workstation Lab Sequence;?15. Intermediate Digital Audio Workstation Lab Sequence;?16. Recording Studio Lab;?17. Digital Audio Workstation Proficiency Test (DAWPT);?18. Basic Recording Project (BRP);?19. Remote Recording Project (RRP);?20. Artificial Intelligence Recording Project (AIRP);?21. Music Production Communication Overlay (MPCO);?Index.

Artist Management for the Music Business : Manage Your Career in Music: Manage the Music Careers of Others (Hardcover, 6 ed)

1. Artist Management Toolbox; 2. Preparing to Manage; 3. Entrepreneurship and Basic Money Management; 4. The Artist Prepares to Be Managed; 5. Lessons in Artist Management; 6. The Artist Career Plan; 7. The Independent Artist: Managing Your Own Music Career; 8. The Agreement Between the Artist and Manager; 9. The Business Side of Artist Management; 10. Income from Live Performance and Merchandise; 11. Income from Songwriting; 12. Income from Recording; 13. Data: Guiding an Artist’s Career in the Music Business; 14. Mentors, Coaching, and Leadership; Appendix A: Artist Management Contract Form; Appendix B: Partnership Agreement for Members of a Band; Appendix C: The Artist Recording Contract; Appendix D: Kesha’s Artist Management Contract; Appendix E: Taylor Swift’s First Artist Management Contract.

Artist Management for the Music Business : Manage Your Career in Music: Manage the Music Careers of Others (Paperback, 6 ed)

1. Artist Management Toolbox; 2. Preparing to Manage; 3. Entrepreneurship and Basic Money Management; 4. The Artist Prepares to Be Managed; 5. Lessons in Artist Management; 6. The Artist Career Plan; 7. The Independent Artist: Managing Your Own Music Career; 8. The Agreement Between the Artist and Manager; 9. The Business Side of Artist Management; 10. Income from Live Performance and Merchandise; 11. Income from Songwriting; 12. Income from Recording; 13. Data: Guiding an Artist’s Career in the Music Business; 14. Mentors, Coaching, and Leadership; Appendix A: Artist Management Contract Form; Appendix B: Partnership Agreement for Members of a Band; Appendix C: The Artist Recording Contract; Appendix D: Kesha’s Artist Management Contract; Appendix E: Taylor Swift’s First Artist Management Contract.

Don't Lose Your Good Thing: Rescuing America's Music Landmarks (Paperback)

Innovation in Music : Sound and Place (Hardcover)

Preface?Part 1:?Composition and Performance?1. Object-Oriented Discography: Collaboration, Creativity and the Music Hyperobject;?2. Redividing the Octave for Expanded Tonal Spaces: Further Practical Explorations of Formalised Approaches to (Poly)Microtonal Composition;?3. Composing with waves: An empirical ontology of electromagnetism;?4. Spatial composition: existing concepts and new applications;?5. Intentional Decision Making: Exploring What Improvising Composers Want Their Musical Choices to Do;?6. There is music in your noise: composition as a denoising process of experimental results;?7. Emotionally Adaptive Music: Towards human composer agency in music composition with automated text/dialogue using multi-dimensional sentiment analysis;?8. An exploratory user study of tablature software: perspectives on popular music creativity with algorithmic tools;?9. Bring Machines: Observations and Proposed Frameworks for Improvised Electronic Music Performance;?10. Recasting mixed music with live electronics: towards a performance-based approach;?11. The Post-Musical Performer: creative and performative challenges in works for saxophone;?12. Understanding and Emulating Time: Analyzing and Simulating Musical Microrhythm Timing with the beat_it Toolbox;?13. Evolving music theory for emerging musical languages?Part 2: Case Studies?14. ‘Let the smile always be independent of nationality’: Creating Space for Migrant Voices through Participatory Art;?15. “Drunk” post-rebetiko blues: Anatomising two “dirla” intercultural songs;?16. Liquidation as Quotation: Adventures in Folk Music and Deconstructive Compositional Technique;?17. Organising ‘The Croydon Concert’: How Ornette Coleman re-started his career;?18. “Let the Dance Contest Begin!”: Varying Interpretations of Metric Modulation within Chinese Man’s ‘Step Back...


외국도서 > 컴퓨터 > 대화/음성 처리
외국도서 > 경제경영 > 산업 > 미디어/커뮤니케이션
외국도서 > 기술공학 > 기술공학 > 음향
외국도서 > 예술/대중문화 > 음악 > 레코딩/제작
외국도서 > 예술/대중문화 > 음악 > 음악산업

Innovation in Music : Sound and Place (Paperback)

Preface?Part 1:?Composition and Performance?1. Object-Oriented Discography: Collaboration, Creativity and the Music Hyperobject;?2. Redividing the Octave for Expanded Tonal Spaces: Further Practical Explorations of Formalised Approaches to (Poly)Microtonal Composition;?3. Composing with waves: An empirical ontology of electromagnetism;?4. Spatial composition: existing concepts and new applications;?5. Intentional Decision Making: Exploring What Improvising Composers Want Their Musical Choices to Do;?6. There is music in your noise: composition as a denoising process of experimental results;?7. Emotionally Adaptive Music: Towards human composer agency in music composition with automated text/dialogue using multi-dimensional sentiment analysis;?8. An exploratory user study of tablature software: perspectives on popular music creativity with algorithmic tools;?9. Bring Machines: Observations and Proposed Frameworks for Improvised Electronic Music Performance;?10. Recasting mixed music with live electronics: towards a performance-based approach;?11. The Post-Musical Performer: creative and performative challenges in works for saxophone;?12. Understanding and Emulating Time: Analyzing and Simulating Musical Microrhythm Timing with the beat_it Toolbox;?13. Evolving music theory for emerging musical languages?Part 2: Case Studies?14. ‘Let the smile always be independent of nationality’: Creating Space for Migrant Voices through Participatory Art;?15. “Drunk” post-rebetiko blues: Anatomising two “dirla” intercultural songs;?16. Liquidation as Quotation: Adventures in Folk Music and Deconstructive Compositional Technique;?17. Organising ‘The Croydon Concert’: How Ornette Coleman re-started his career;?18. “Let the Dance Contest Begin!”: Varying Interpretations of Metric Modulation within Chinese Man’s ‘Step Back...


외국도서 > 컴퓨터 > 대화/음성 처리
외국도서 > 경제경영 > 산업 > 미디어/커뮤니케이션
외국도서 > 기술공학 > 기술공학 > 음향
외국도서 > 예술/대중문화 > 음악 > 레코딩/제작
외국도서 > 예술/대중문화 > 음악 > 음악산업

Innovation in Music : Sound and Space (Hardcover)

Preface?Part 1: Innovating Technological Affordance?1. Mapping Voices in Space: Sonic Portrays and Spatial Audio as Post-Acousmatic Research Methodology;?2. Aural Architectures and Haunted Virtualities: Rethinking Headset-based VR as a Sonic Space;?3. Rethinking the Process of Audio Mixing: A Three-Stage Model for Understanding Mixing in Contemporary Record Production;?4. Exploring the Affordances of Elektron’s Syntakt in (Electronic) Music Production and Performance with a DAW;?5. Mechanical Techno in the studio: writing a track by building a kinetic sounding sculpture;?6. Evaluating Gravity Well for Virtual Fader Acquisition: A Formal Study in Haptics for Audio Production;?7. Recording without Headphones: Past, Present, and Future;?8. Three innovative?methods?to?improve?the craft of music?mixing;?9. Sound at Source: Instrument Modification and Machine Aesthetics;10. (Just Like) Starting Over? What Earlier Instruments Can ? and Can’t ? Tell Us About Accessible Digital Musical Instruments and Disability;?11. Crafting the Vibe: Innovative Vibrotactile Feedback for Blind and Visually Impaired Music Creators;?12. Whose line is it anyway? A Case Study in Generative AI for Software Development: MIDI-processing Plug-in Design;?13. EMMA: An Electromyographic Musical Instrument for Embodied Expression?Part 2: New Paradigms?14. Financial Support for non-traditional Concert Formats: an Analysis of Projects presented by Orchestras and Chamber Ensembles;?15. New learning journeys are needed for contemporary audio mastering education within the UK;?16. Innovative Listening: Reframing our Engagement with Sound in Music Production;?17. Not going back: Steps towards an ecology of musical creAItivity;?18. Generative AI as a tool to support film composition and sound design ? an industry case study;?19. Audio without a Vision: A th...


외국도서 > 컴퓨터 > 대화/음성 처리
외국도서 > 경제경영 > 산업 > 미디어/커뮤니케이션
외국도서 > 기술공학 > 기술공학 > 음향
외국도서 > 예술/대중문화 > 음악 > 레코딩/제작
외국도서 > 예술/대중문화 > 음악 > 음악산업

Innovation in Music : Sound and Space (Paperback)

Preface?Part 1: Innovating Technological Affordance?1. Mapping Voices in Space: Sonic Portrays and Spatial Audio as Post-Acousmatic Research Methodology;?2. Aural Architectures and Haunted Virtualities: Rethinking Headset-based VR as a Sonic Space;?3. Rethinking the Process of Audio Mixing: A Three-Stage Model for Understanding Mixing in Contemporary Record Production;?4. Exploring the Affordances of Elektron’s Syntakt in (Electronic) Music Production and Performance with a DAW;?5. Mechanical Techno in the studio: writing a track by building a kinetic sounding sculpture;?6. Evaluating Gravity Well for Virtual Fader Acquisition: A Formal Study in Haptics for Audio Production;?7. Recording without Headphones: Past, Present, and Future;?8. Three innovative?methods?to?improve?the craft of music?mixing;?9. Sound at Source: Instrument Modification and Machine Aesthetics;10. (Just Like) Starting Over? What Earlier Instruments Can ? and Can’t ? Tell Us About Accessible Digital Musical Instruments and Disability;?11. Crafting the Vibe: Innovative Vibrotactile Feedback for Blind and Visually Impaired Music Creators;?12. Whose line is it anyway? A Case Study in Generative AI for Software Development: MIDI-processing Plug-in Design;?13. EMMA: An Electromyographic Musical Instrument for Embodied Expression?Part 2: New Paradigms?14. Financial Support for non-traditional Concert Formats: an Analysis of Projects presented by Orchestras and Chamber Ensembles;?15. New learning journeys are needed for contemporary audio mastering education within the UK;?16. Innovative Listening: Reframing our Engagement with Sound in Music Production;?17. Not going back: Steps towards an ecology of musical creAItivity;?18. Generative AI as a tool to support film composition and sound design ? an industry case study;?19. Audio without a Vision: A th...


외국도서 > 컴퓨터 > 대화/음성 처리
외국도서 > 경제경영 > 산업 > 미디어/커뮤니케이션
외국도서 > 기술공학 > 기술공학 > 음향
외국도서 > 예술/대중문화 > 음악 > 레코딩/제작
외국도서 > 예술/대중문화 > 음악 > 음악산업

Turntable Stories: Narratives, Memories and Histories from In-Between the Grooves (Paperback)

Sonic Rebellions Volume II : War, Conflict and Remembering (Hardcover)

1. Community Radio (alHara) in Palestine? 2. Torture Music in Contemporary Art??3, Violins as Historical Witnesses: The ‘Violins of Hope’ Collection at the Chimei Museum in Taiwan??4. Dubbing the Archive: Poetics in Diasporic British Memory??5. Essential Tremors: A Sonic Epistemology of the Chilean Coup??6. Sounds of memories and nostalgia: Listening to y/our mothers and grandmothers??7. Sounding Madness: An Autoethnographic Study of Psychosis? 8. Chants from the 2023 Paris Pension demonstrations: Collective identities, togetherness and empowerment.??9. ‘Are you up for progress?’: Sunny Hill Festival in post-independence Kosovo??10. Rap made in Greece: Mapping the landscapes of drill and trap??11. Rage Has No Limits! Characteristics of Resistance in Turkish Rap Music??12.?Batuko as a diasporic expressive practice. Music, gender and migration in the Cabo Verdean community

Sonic Rebellions Volume II : War, Conflict and Remembering (Paperback)

1. Community Radio (alHara) in Palestine? 2. Torture Music in Contemporary Art??3, Violins as Historical Witnesses: The ‘Violins of Hope’ Collection at the Chimei Museum in Taiwan??4. Dubbing the Archive: Poetics in Diasporic British Memory??5. Essential Tremors: A Sonic Epistemology of the Chilean Coup??6. Sounds of memories and nostalgia: Listening to y/our mothers and grandmothers??7. Sounding Madness: An Autoethnographic Study of Psychosis? 8. Chants from the 2023 Paris Pension demonstrations: Collective identities, togetherness and empowerment.??9. ‘Are you up for progress?’: Sunny Hill Festival in post-independence Kosovo??10. Rap made in Greece: Mapping the landscapes of drill and trap??11. Rage Has No Limits! Characteristics of Resistance in Turkish Rap Music??12.?Batuko as a diasporic expressive practice. Music, gender and migration in the Cabo Verdean community

Sound Knowledge : The Universal Guide to Audio (Hardcover)

Foreword?1. Introduction to Sound 2. Professional Podcasting 3. Introduction to Electronics?4.?Microphones?5.?Loudspeakers?6. Sound Levels and Connections?7. Analogue Storage Devices?8. Introduction to Acoustics?9. Digital Audio?10.?Introduction to Sound Desks?11.?Introduction to Sound Synthesis?12.?Outboard Devices?13.?Location Recording?14. Working in the Radio Studio?15.?Balancing Down to a Mix?16. Real World Problems Appendix I Microphone Placement Appendix II Acoustics in Real Rooms Appendix III Guide to Building Practical Absorbers?Index

Sound Knowledge : The Universal Guide to Audio (Paperback)

Foreword?1. Introduction to Sound 2. Professional Podcasting 3. Introduction to Electronics?4.?Microphones?5.?Loudspeakers?6. Sound Levels and Connections?7. Analogue Storage Devices?8. Introduction to Acoustics?9. Digital Audio?10.?Introduction to Sound Desks?11.?Introduction to Sound Synthesis?12.?Outboard Devices?13.?Location Recording?14. Working in the Radio Studio?15.?Balancing Down to a Mix?16. Real World Problems Appendix I Microphone Placement Appendix II Acoustics in Real Rooms Appendix III Guide to Building Practical Absorbers?Index

Drum Groove Creation : For Creative Drummers & Producers (Hardcover)

Biography?

Notable?Musical Projects and Credits?

How to use this book

Introduction??

Chapter One: Starting Essentials?

Chapter Two: Shuffles and Blues?

Chapter Three: R&B and Early Rock N Roll

Chapter Four: Soul?

Chapter Five: Funk?

Chapter Six:?Hip Hop?

Chapter Seven: Jazz

Chapter Eight: Rock, Punk and Metal

Chapter Nine:?Different?Time Signatures?

Chapter Ten: Different Cultural Grooves and Rhythms

Chapter Eleven: Other Must Know Grooves?

Chapter Twelve: Creating Linear Drum Grooves

Chapter?Thirteen: Groove Amalgamation??

Chapter?Fourteen: Drum Groove Creation

Chapter Fifteen: The Power of Feel

Chapter Sixteen: General Tips & Things to Try??

Chapter?Seventeen: Conclusion?

Glossary??

?Index