Rituals of War (Paperback)

The Life-Scale Revolution in European Painting (Hardcover)

The Routledge Companion to Contemporary Painting (Hardcover, 1)

Part I Expansion

1.: The Hither and Thither of Manifold Influence: Painting + Somewhere Else

Craig Staff

2. Motherhood: Time, Space and the Expanded Conditions of Painting

Fiona Stirling

3. On Painting: Subversive Transgressions from Material Paralysis to Methodological Innovation

Alistair Payne

4. How Painting Performs; Painting as Gift, as Obligation, as Wishing Well, as Counter-Capitalist Object

Sarah Kate Wilson

5. Frayed edges and minor expansions

Donal Moloney

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Part II Temporalities

6. Fluid Paint as Metaphor for Sociopolitical Metabolism: Painting as Social-Critical Time-Based Art

Helen Westgeest

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7. Rhythm and punctuation: enduring legacies of constructivism on contemporary abstract painting

Andrew Bick

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8. Painting/ Un-Painting: Collapsing Temporalities, Reproducing Archives, Dirtying the Digital

Diana Taylor

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9. Painting at the Edge of Time…

David Ryan

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10. Having Your Cliches and Eating Them: Notes on Painting’s Timeless and Atemporal Fantasies

Magnus Quaife

Part III Colour

11. The Materiality of Colour in Contemporary Art

Laura Homer

12. Interview with Agnes Waruguru?

Agnes Waruguru , Craig Staff & Donal Moloney

13. Colour: the what, the how, and the why

Daniel Sturgis

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Part IV Crisis/Death/Resurrection

14. Beyond Representation: Contemporary Painting After its Presumptive Death

Stephen Snyder

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15. Painting the Ocean in Times of Crisis

Frances Guerin

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16. The History of the Hunt: Michael Armitage, Portia Zvavahera and Painting after Globalisation

Gabriella Nugent

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Art, Design, and Animal Studies (Hardcover, 1)

Introduction: Kaleidoscoping the Open??Section I:?Representations??Introduction to Section I: Representations? 1. Look into my Eyes: Pictorial Boundaries and the Dog’s Gaze? 2. The Cat in Manet’s Olympia: Animality, Sensuality, and Femininity in Modernity? 3. The Sacred Cow? 4. At the Threshold of the Visible: Animal Gaze as Artistic Ideal and Its Historical Foundations? 5. Wherefore Art Thou Mule???Section II:?Engagements??Introduction to Section II: Engagements? 6. Framing the Animal Other: Deconstructing the “Animal” in the work of Gustafsson&Haapoja? 7. Looking at and for Tidnish Mountain? 8. Necrophagous Archives: Looking at the Vultures in Ravi Agarwal’s Mixed Media Installations? 9. Conservation as Curation: Maintaining the Beautiful? 10. How Far So Near: Exploring Collaboration Across Distance, Species, and Time? 11. Aesthetic Encounters Beyond the Human: Artistic Cohabitation and Collaboration as Utopian Multispecies Practice? 12. Groundwork: Soil Ecologies and the Future of Animal Studies??Section III:?Hybridities??Introduction to Section III: Hybridities? 13. An Interview with Amy Haigh? 14. Birds, Bats, and Bacardi: Toward a Non-Anthropocentric Conception of Land(scape)? 15. Nesting: What Does It Mean to Build Like a Bird?? 16. Co-Design Across Species: Architectural Authorship and Animal Agency? 17. Synanthropic Practice? 18. Echolocation and Exile: A Big Brown Bat's Perspective on Fritz Haeg's Animal Estates? 19. Theriomorphing: Design and Life-Worlds??Section IV:?Diverse Pedagogies??Introduction to Section IV: Diverse Pedagogies? 20. Bestial Urbanism: Teaching the More-than-Human City? 21. In Consideration of Neighbors? 22. Messy Pedagogy: Taking Animals Seriously in an Art History Course? 23. Pedagogical Lessons in Art and Animal Study

Epistemological Excess in Early Modern Europe (Hardcover, 1)

Chapter 1. Visual Strategies for Coping with Copia in Early Modern Europe??Section I: Books??Chapter 2. Translating Plinian Copia in Early Modern Spain? Chapter 3. When Knowledge ‘Squared’ Was Knowledge Shared: Strategies for Coping with an Excess of Data in Early Modern Library Catalogues??Section II: Tables??Chapter 4. Visualising Observation in Tables: Information Management in Astronomy before Galileo? Chapter 5. The Whole World at a Glance: Managing Information Overload in a Printed Historical Table??Section III: Objects and Spaces??Chapter 6. On Being Compendious. ‘Universal’ Instruments and the Mathematical Arts? Chapter 7. Epistemological Experience in the Palaces of Baroque Rome??Section V: A Copious Nature??Chapter 8. Early Modern Conceptions of a Copious Nature? Chapter 9. Francis Bacon (1561-1626) on Copia of Information.

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Before Modern Manga (Hardcover, 1)

Introduction. A Perfectly Reasonable Comparison??Part 1: Identifying the Characteristics of Comics? 1. Surveying the Early History of Western Comic Art? Part 2: Emergence of Manga Characteristics in Early Japanese Paintings? 2. Anthropomorphic Jesters in Giga? 3. Humorous Caricatures and Religion in Zen Buddhist Painting? 4. Endearing Caricatures in ?tsu-e Folk Painting? 5. Multimodal Humor in Poetry Illustrations? Part 3: Refinement of Manga Characteristics in Printed Material? 6. Multimodality and Serialism in Illustrated Novels? 7. Endearing Zoomorphs in Toba-e Pictures? 8. Sequentiality in E-Sugoroku Gameboards? 9. Endearment and Visual Simplicity in Edo Manga? 10. Anthropomorphic Clowns in Crazed Pictures? Part 4: Formalization of Manga Characteristics in the Meiji Era and Beyond? 11. Humorous Caricatures and Politics in Punch Pictures? 12. The Identity Crisis of Modern Manga? 13. Conclusion. The Goals of this Art Historical Reconsideration?

French Images of America in the Age of Revolutions (Hardcover, 1)

1. The Images of America in the New World Debate? 2. The Images of America in the Luxury Debate?Part I. The American Revolution?3. The Franco-American Alliance as Franklin 4. The War of Independence as a World War 5. The United States as an Agrarian Ideal 6. North America as Nouvelle-France?Part II. The French Revolution?7. The United States in the Construction of a New France 8. The Building of Nouvelles Frances in North America? 9. The Collapse of France’s American Dreams 10. The Absence of America in Napoleonic Reconstruction 11. The Legend of? Champ d’Asile

Secrets of the Bayeux Tapestry (Hardcover)

The Cinema of Decadence (Hardcover)

Firing Earth : An Unexpected History of Pots and Potters (Paperback)

The Cinema of Decadence (Paperback)

Alik Cavaliere's Anti-Authoritarian Aesthetics : A Postwar Italian Practice and Its Contemporary Resonances (Hardcover)

Introduction: Sculpture’s Crisis and the Transformation of Three-Dimensional Form??Part I:?Formation and Foundations (1926?1960)??1. The Making of an Artist: Biography, Training, and Early Works? 2. The Journals as Laboratory: Cavaliere’s Artistic Philosophy??Part II:?The Breakthrough Works (1962?1972)??3. Nature Fossilized: The Arboreal-Floral Works and the Uncanny Nature of the Sculptural Object? 4. ‘Gustavo B.’s Adventures’: From Sculpture to Performance??Part III:?The Environmental Sculptures (1972?1989)??5. Anti-Authoritarian Environments: Cavaliere’s Teatrini in Italy’s Years of Lead? 6.?Surroundings I?VII: Art, Daily Life, and Participation? 7. Metamorphic Identities: Pygmalion and Narcissus??Part IV:?Situating Cavaliere (1960?Present)??8. Cavaliere’s Place in Postwar European Art: Cognitive Dissonance as a Tool for Resistance? 9. Cavaliere’s Legacy in Contemporary Sculpture and Installation Practice: Dialogic Process in Participatory Art? Conclusion: Sculpture as an Ethical Practice

Postmodernism and Video Art : Criticism, Ideology, and Politics (Paperback)

Acknowledgements

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Introduction

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Chapter 1: Counterculture and Feedback

Chapter 2: Formalism and Medium Specificity

Chapter 3: Politics and Video

Art and Copyright Law : An Interdisciplinary Study on Interpictoriality (Paperback)

Introduction

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Part I: The Interpictorial Original Copy

1. An Art Historical Novum

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Part II: The Work, or “The Original”

2. The Fundamentals of the Work

3. Three Axes of Copyright Protection

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4. The Work’s Scope of Protection

Part III: Copyright Spaces for Interpictoriality

5. The Exceptions to Copyright in Comparative Perspective

6. On The Relation Between Art and Copyright Law

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Part IV: Displacing The Paradox

7. Beyond Copyright Law ? External Remedies

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Part V: Back To Copyright Law

8. Towards A Cognitively Open Copyright Law

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Conclusions?????

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Women’s Agency and Ontology in Nineteenth-Century Iranian Photography : A Mirror for Princesses (Paperback)

LIST OF ILLUSTRATIONS

PREFACE

ACKNOWLEDGMENTS

A NOTE ON TRANSLITERATION

1.      INTRODUCTION

2.      MYTHS AND ORIGINS OF WOMEN IN QAJAR PHOTOGRAPHY

3.      MAHD-E ?OLYA: THE PHOTOGRAPHY QUEEN: PART I

4.       MAHD-E ?OLYA: THE PHOTOGRAPHY QUEEN: PART II

5.      TO BE SEEN OR NOT TO BE SEEN: PHOTOGRAPHY AND THE QUEEN OF IRAN, ANIS AL-DOWLEH

6.      WITHIN THE REALM OF A DYING HAREM: THE PHOTOGRAPHS OF KHANOM BASHI

7.      A MOTHER OF THE HEARTH: THE PHOTOGRAPHS OF PRINCESS ?ESMAT AL-DOWLEH

8.      A MOTHER OF THE REVOLUTION: THE PHOTOGRAPHS OF TAJ AL-SALTANEH

9.      OUTSIDE THE HAREM: CELEBRITY AND MODERNITY IN THE PHOTOGRAPHS OF PUBLIC WOMEN

10.  CONCLUSION: PHOTOGRAPHS OF SUBLIMATION: FROM HAREM TO GIRLS’ SCHOOLS

INDEX

Conceptual Art After Modernism : Reconceiving Art and Art History (Paperback)

Introduction: A Reconceiving Concept

Part 1

Toward Conceptuality

1: After “Conceptual Art”

2 Concepts, Concepts, Concepts

Part 2

Encountering Conceptions

3 Conceptualist Art Histories

4 Many Conceptualities

Part 3

Reconceived Practices

5 Artful Reconceptualization

6 (Art) History Reconceptualized

Conclusion: Inconceivable Politics

The Creation, Diffusion, and Reception of Italian Art in the Early Modern Iberian World (Paperback, 1)

Introduction??1. Italy-Spain in the Renaissance:?Model, Active Reception, Reaction, Rejection??2. Valencia. Art in a Mediterranean Metropolis in the Fifteenth Century??3. The Road between Velez Blanco and Murcia: A Southern Crossroad for the Italo-Spanish Dialogue at the Beginning of the Sixteenth Century??4. From Donatello to Titian. Notes on Replicating and Re-Reading Images in Sixteenth-Century Spanish Sculpture??5.?Marcantonio Goes Global??6. The “Apocalipsis de San Amadeo” from Renaissance Italy to Viceregal America: Veiling and Revealing Visual Arcanes??7. Reception of Vasari as a Painter: The Immaculate Conception Outside of Italy??8. From Seville to Lima and Back to Seville: Two Crucifixions by Juan Martinez Montanes??9.?Three Pistils, Three Nails. The Passion Flower and the Debate on the Iconography of the Crucifixion in Early Seventeenth-Century Spain??10.?Between Identity and Transformation: Neapolitan Sculpture in the Hispanic World

Visions of the Future in Roman Frontier Kingdoms 100 BCE–100 CE (Paperback, 1)

1. Imagining Peace with Rome  2. Children and Dynasty: Envisioning the Next Generation  3. Forces Beyond Roman Control: Cosmology and the Natural World  4. Memory and History: Recording the Future

The Routledge Companion to Art and the Formation of Empire (Paperback, 1)

Introduction: Solidifying as Rock: Enmeshed Layers of Empire? Part I: Sediment: The Dynamic Elements of Place??1.Colonial Complicities Beyond the Empire. Czechoslovakia Inbetween Worlds and World’s Fairs? 2. “The Kingdom Grown Out of a Little Boy’s Garden”: Dole Pineapples and Hawaiian Occupation in U.S. Art and Visual Culture? 3. Imperialism for the Million: Mass-market Glasshouses and the Botanical Arts of Empire? 4. Meditating on Aivazovsky’s Black Sea: Representing Russian Imperial Expansion? 5. Beyond European Palettes: The Overlooked Contributions of Indigenized Artists in the Historiography of Painting in Mexico? 6. Beyond the Modernist Canon of Involuntary Aesthetic Colonization: Aina Onabolu's Mimicry as Rejection of Colonial Anti-modernity 1900-1937. Rambles in Natchez: John James Audubon and Colonial Aesthetics on the Mississippi Frontier (1820-1850)??Part II: What Moves the Sediment: Exchange and Conflict?8. The Empire Looks Back: Derivativeness in Nineteenth-century Brazilian Art? 9. “Southern Fragrance” of the Japanese Empire: Visualizing Botany in Colonial Taiwan? 10. How to Interpret John B. Flannagan Through Empire? 11. Face-Off: A Russian Prince at the Courts of India? 12. Orientalism, Arts, and Scottish Identity: David Roberts (1796-1864) and David Wilkie (1785-1841) in the Ottoman Levant? 13. Mapping the British Railways in Western Anatolia: From a Speculative to an Imperial Vision? 14. Manufacturing Empire: The Visual and Material Culture of Chicago’s Marquette Building? 15. The Italian Fascist Vision for the “World of Tomorrow” at the New York 1939 World’s Fair??Part III: What Solidifies the Sediment into Rock: Forces of Homogenization (or Consolidation)??16. Maternal Orientalism: Women’s Work and the Photographs of Jessie Tarbox Beals at the Louisiana Purchase Exposition? 17. ''Self-colonization' as a Cultural Strategy: Konstantin Korovin’s Image of Russian Northern Peripheries? 18. Adapting Empir...


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The Iconography of Humiliation in New Kingdom Egypt : The Depiction and Treatment of Bound Foreigners (Paperback)

1. Introducing the Iconography and its Discontents; 2. Ideology, Politics, and Propaganda: The Role of Foreigners in Royal Legitimization; 3. The Ubiquity of the Motif: Rhetorical Depictions of Artifacts from the Tomb of Tutankhamun and Related Objects; 4. The Creativity of the Motif: Interactive Depictions; 5. Bound Foreigners in 18^th Dynasty Reliefs; 6. Bound Foreigners in the Battle Reliefs of Seti I and Ramesses II; 7. Chasing Greatness: Bound Foreigners in the Reliefs of Merneptah and Ramesses III; 8. The Textual Record and the Fate of Prisoners of War; 9. Cross-Cultural Parallels and Modern Sensibilities; Conclusion.

Integrative Contemporary Art and Science Practices : Building Catalytic Structures (Paperback)

Preface? Introduction? Prologue:?Three Reflections: Building Catalytic Structures??Part 1. The Construction and Deconstruction of Silos??1.???? Art & Science: The Forming of Many Cultures? 2.???? Global Challenges Require Multi-Disciplinary Solutions: The Origin, Intent, and Outcomes of a Major National Academy of Sciences Study? 3.???? Art, Science and Technology Studies: Charting Collaborative Practice? 4.???? Why STEAM: Rationale, Implementation, and Impact in Formal and Informal Settings? 5.???? ?Exposing Ourselves: Elucidating Artists' Methods to Better Establish Their Value in Critical Research? 6.???? ?Cultivating the Field of Neuroarts? 7.???? ?Parallel Distributed Collaborations: Building collaborative capacity for artists and scientists to tackle complex problems??Part 2. Bridging Knowledge Production and Fostering New Perspectives??8.? The da Vinci’s Cube: A New Model for Understanding Innovation at the Edges of Arts and Science? 9.? Life As We Tell It: A Health Revolution Through Narratives & Creative Expressions? 10.? Interspecies: Art, Science and the Animal? 11.?? Parsing the Senses to Explore Complex Systems ? Multimodal Investigation at the AlloSphere Research Facility? 12.?? Recording Ice: Art and Scientific Knowledge Production in the Arctic??Part 3. Societal and Cultural Impact of Integrative Approaches??13.? Embody, Engage, Enact? 14. Artivist Intervention: A Case Study of The Taiwanese Artivist Vincent Huang? 15. The Returned Gaze: Comparing Native and non-Native Audience Responses to Indigenous Films? 16.??Atelier de la Nature: A Living Community Artwork? 17. Artists-in-labs as an Activist Strategy? 18.? Drawing a New Culture:? Bringing Scientists and Artists Together at Sea? 19.? The UC Berkeley Sagehen Creek Field Station Art Science Program:? Thought Process and Experience??Part 4. Collaborative Processes in Imagining Future Practices??20. Confronting Crises: Art-Science as Mirror, Co...


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Husserl on Depiction (Paperback, 1)

Introduction?Regina-Nino Mion, Claudio Rozzoni, and John B. Brough??Part?1: Depictive Image Consciousness??1. Husserl’s Phenomenology of Image-Consciousness in the Age of the Iconic and Digital Turns?Nicolas de Warren??2. The Structure of Seeing Pictures?Carmelo Cali??3. A Genetic Phenomenological Theory of Image-Consciousness: Following Husserl’s Direction More than Husserl?Reiko Ijuin??Part 2:?Phantasy and Depiction??4. Imagination and?Phantasi? Alexander Schnell??5. The Conflict Phenomenon: Perception, Imagination, and Ficta?Paolo Spinicci??6. On Higher-Order Depictive Image Consciousness?Eduard Marbach??Part 3:?Art, Aesthetics and Depiction??7. The Image and the World?John B. Brough??8. Husserl and the Phenomenological Subject of Depiction?Paul Crowther??9. Loin Cloths and Fig Leaves: What Phenomenology can tell us about the Place of the Nude in Sacred Art?Javier E. Carreno Cobos??10. The Aesthetic Attitude and Still Life Paintings?Regina-Nino Mion??Part 4:?Media and Depiction??11. Image Consciousness in the Age of Street Advertising: Contemporary Challenges to Husserl’s Reading of the Image and its Frame?Christian Ferencz-Flatz??12. The Eye and the Lens: Notes on the Intersubjective Constitution of Photography?Patrick Gerard Eldridge??13. Seeing Beyond the Image: Husserlian Reflections on the Empathetic Experience of Photographs?Marco Cavallaro??14. Beyond Depiction? Prolegomena to a Phenomenology of Virtual Consciousness?Claudio Rozzoni??Part 5: Husserl and Other Philosophers on Depiction??15. Phenomenology or Descriptive Psychology of Imagination? A Reexamination of Brentano and Husserl on Phantasy Presentations?Robin D. Rollinger??16. Ingarden’s Missed Encounter with Husserl: Image Consciousness, Theory of the Picture, and Aesthetic Experience?Peer F. Bundgaard??17. Blaustein’s Aesthetics and the...


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The Routledge Companion to Race in Early Modern Artistic, Material, and Visual Production (Paperback, 1)

Part 1 Reframing Africa within Europe and the Americas  1. Making Sail and Making Race in Medieval and Early Modern Portuguese Literature  2. Studying the Image of the Morisco: Challenges and Pitfalls  3. African Women in Rembrandt’s Work  4. The Materiality of "Dressing Up" in Early Modern Spanish Literature  5. Reconsidering Race and the Colonial Process: Dutch Self-Imaging in the Long Seventeenth Century  6. Afro?Surinamese Flag Shrines: Materializing Group Identity in the Eighteenth Century  7. Nzinga Ndongo’s Depiction in Giovanni Cavazzi’s Istorica Descrizione (1687): Religious Conversion, Slave Trade, and Black Otherness  8. Convict Labor, Slavery, and Race in the Strait of Magellan: The Case of an Anonymous Manuscript in Elizabethan England (1579?1589)  9. Viewing Gloster: The Visual Culture of "Runaway" Advertisements in Eighteenth?Century Jamaica  10. Black Matter: Assegais in Provincia de Venezuela  11. Visualizing Black Knighthood in Early Modern Iberia: Joao de Sa, the African Knight of Santiago in Chafariz d’el rei  12. How to Tame Your Dragon: Saint Martha, Hechiceria, and Afro?Catholic Expressive Culture in Sixteenth?Century New Spain  13. Visions of Dignified Blackness: Labor and Sanctity in Ursula de Jesus’ Spiritual Diary  14. Constructing Racial Identity and Power in Music, Ceremonial Practices, and Indigenous Instruments in Early Modern African Kingdoms  15. Resonances of the African Baroque among New Spanish Nuns  16. Blackness, Performance, and Individual Subjectivity between the Seventeenth and Eighteenth Centuries  17. Beyond "This Line": Visualizing Eleno de Cespedes  18. Afro?Brazilian Religious Architecture and Art  19. The Art of Erasure: The Restoration and Conservation of the Portrait of Une femme du couleur libre Made in Antebellum New Orleans  Part 2 Indigeneity and Earl...


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Disalienations : Art in and out of Africa at Midcentury (Hardcover)

1. Cauri’s Club 2. Impossible Contact 3. Art Noir 4. Salon Confrontation 5. Parallel Exposure Art in and out of Africa in the information age Epilogue

Gustave Fayet: Collector (Hardcover)