Foundations of Video and Film Production (Hardcover, 1)

1. Introduction to Video and Film Production: An Overview? 2.?Media Formats: Understanding the Evolution and Impact of Storage in Filmmaking??3. Composition? 4.?Pre-Production: Planning the Vision Before Action Calls “Roll”? 5.?Continuity and Screen Language: Creating Visual Consistency and Narrative Clarity in Every Frame? 6.?Production: Executing the Vision, Turning the Blueprint into Reality? 7.?Lighting: Shaping the Mood, Depth, and Visual Style of Cinema? 8.?Cinematography: The Art of Visual Storytelling? 9.?Post-Production: Where the Story Truly Comes Together? 10.?Sound Design: Crafting the Sonic Landscape of Film? 11.?Distribution: Delivering Your Film to the World? 12.?How to Create, Record, and Distribute a Podcast? 13.?Creating Content Using AI Tools? 14.?Marketing AI-Created Content

Foundations of Video and Film Production (Paperback, 1)

1. Introduction to Video and Film Production: An Overview? 2.?Media Formats: Understanding the Evolution and Impact of Storage in Filmmaking??3. Composition? 4.?Pre-Production: Planning the Vision Before Action Calls “Roll”? 5.?Continuity and Screen Language: Creating Visual Consistency and Narrative Clarity in Every Frame? 6.?Production: Executing the Vision, Turning the Blueprint into Reality? 7.?Lighting: Shaping the Mood, Depth, and Visual Style of Cinema? 8.?Cinematography: The Art of Visual Storytelling? 9.?Post-Production: Where the Story Truly Comes Together? 10.?Sound Design: Crafting the Sonic Landscape of Film? 11.?Distribution: Delivering Your Film to the World? 12.?How to Create, Record, and Distribute a Podcast? 13.?Creating Content Using AI Tools? 14.?Marketing AI-Created Content

Collaborative Educational Filmmaking : Learning Across Campus for the Artistic Hyphenate (Hardcover)

Introduction

?Scene One: The Hyphenate Practitioner

Scene Two: The Writer

Scene Three: The Producer

Scene Four: The Actor

Scene Five: The Crew

Scene Six: Teaching on Set

Scene Seven: Production

Scene Eight: The screening

Scene Nine: The Credits

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Student Testimonials

Bibliography

Index

Exploring the Science of Cinematography : Tools, Tests, and Measurements (Paperback)

Introduction: How to Use This Book? 0. Artistic and Scientific Images??Measurement: “By Measure we Live”??1. Photometry? 2. Sensitometry? 3.?Colorimetry? 4.?Resolution & Sharpness??Technology: “the Mirror of Ourselves”??5.?Photographic Optics? 6.?The Sensor? 7.??Image Processing? 8.?Motion and Depth? 9. The Creative Imagination

Exploring the Science of Cinematography : Tools, Tests, and Measurements (Hardcover)

Introduction: How to Use This Book? 0. Artistic and Scientific Images??Measurement: “By Measure we Live”??1. Photometry? 2. Sensitometry? 3.?Colorimetry? 4.?Resolution & Sharpness??Technology: “the Mirror of Ourselves”??5.?Photographic Optics? 6.?The Sensor? 7.??Image Processing? 8.?Motion and Depth? 9. The Creative Imagination

The Marketing Edge for Film and Television : New Frontiers in Audience Engagement and Distribution (Hardcover, 2 ed)

Part I: Winning the Attention Economy.?1. Modern Entertainment Marketing.?2. Attention is the New Currency.?3. Social Media is the Primary Marketing Battlefield?.?4. A Guide to the Creator/Influencer Economy.?5. Building an Audience Movement.?6. Modern Publicity.?7. The New Rules of Creative Advertising.?Part II: The Marketing and Distribution Playbook.?8.?From Campaign to Culture - The Architecture of the Ecosystem.??9. Marketing is Math.?10. Packaging, Casting and Marketing with Top Talent.?11. Distribution, Windows and Box Office.?12. The New Role of Film Festivals.?13. Thinking Globally from Day One.?Part III: The Future is Now.?14. Hybrid & Alternative Distribution Paths.?15. Creating and Marketing Outside of The Machine.?16. Generative AI and The New Age of Hollywood.?Part IV: Bringing it all Together.?17. Building a Marketing Plan?

The Marketing Edge for Film and Television : New Frontiers in Audience Engagement and Distribution (Paperback, 2 ed)

Part I: Winning the Attention Economy.?1. Modern Entertainment Marketing.?2. Attention is the New Currency.?3. Social Media is the Primary Marketing Battlefield?.?4. A Guide to the Creator/Influencer Economy.?5. Building an Audience Movement.?6. Modern Publicity.?7. The New Rules of Creative Advertising.?Part II: The Marketing and Distribution Playbook.?8.?From Campaign to Culture - The Architecture of the Ecosystem.??9. Marketing is Math.?10. Packaging, Casting and Marketing with Top Talent.?11. Distribution, Windows and Box Office.?12. The New Role of Film Festivals.?13. Thinking Globally from Day One.?Part III: The Future is Now.?14. Hybrid & Alternative Distribution Paths.?15. Creating and Marketing Outside of The Machine.?16. Generative AI and The New Age of Hollywood.?Part IV: Bringing it all Together.?17. Building a Marketing Plan?

The Bloomsbury Handbook to Agnes Varda (Hardcover)

Cinematography: Theory and Practice : For Cinematographers and Directors (Hardcover, 5 ed)

1. Telling Stories with Pictures? 2.?Frame & Composition? 3.?Texture? ?4. 04 Continuity &?POV 5. Shooting Methods? 6.?Lighting Sources? 7. Lighting Fundamentals??8. Lighting the Scene? 9.?Controlling light? 10. The Lens? 11. Motion? 12.?Color? 13.?Cameras & Sensors? 14.?Measuring Digital? 15. Exposure? 16. Linear, Gamma, Log??17. Technical Issues? 18. The Process??19. Case studies

Cinematography: Theory and Practice : For Cinematographers and Directors (Paperback, 5 ed)

1. Telling Stories with Pictures? 2.?Frame & Composition? 3.?Texture? ?4. 04 Continuity &?POV 5. Shooting Methods? 6.?Lighting Sources? 7. Lighting Fundamentals??8. Lighting the Scene? 9.?Controlling light? 10. The Lens? 11. Motion? 12.?Color? 13.?Cameras & Sensors? 14.?Measuring Digital? 15. Exposure? 16. Linear, Gamma, Log??17. Technical Issues? 18. The Process??19. Case studies

The Dependent Film Distributor: Entrepreneurship and Marketing in Cinema Releasing (Hardcover)

Producing for TV and Emerging Media : A Real-World Approach for Producers (Hardcover, 5 ed)

1. What Does a TV Producer?Really?Do???2. The Big Idea: Script and Project Development. 3 Connecting the Dots: Breakdowns, Budgets, and Finance.? 4 Welcome to Reality: Legalities and Rights.?5 Pitching and Selling the Project. 6 The Plan: Pre-Production. 7 The Shoot: Production.?8 The Final Product: Post-Production.? 9 It’s a Wrap! Now, the Next Steps.10 Producing for Emerging Media. Sample Forms

Producing for TV and Emerging Media : A Real-World Approach for Producers (Paperback, 5 ed)

1. What Does a TV Producer?Really?Do???2. The Big Idea: Script and Project Development. 3 Connecting the Dots: Breakdowns, Budgets, and Finance.? 4 Welcome to Reality: Legalities and Rights.?5 Pitching and Selling the Project. 6 The Plan: Pre-Production. 7 The Shoot: Production.?8 The Final Product: Post-Production.? 9 It’s a Wrap! Now, the Next Steps.10 Producing for Emerging Media. Sample Forms

East Asian Auteurism, Cinephilia and the Media Platform Era : Film Authorship Rethought (Paperback)

The World of the Odyssey: A Visual Journey (Hardcover)

Filming the Odyssey: Inside the Making of Christopher Nolan's Modern Epic (Hardcover)

Breaking Into New Hollywood : A Career Guide to a Changing Industry (Paperback)

Modernist Architecture and Hollywood Cinema (Hardcover)

The Fight Scene in Post-Millennial Hollywood (Hardcover)

Acting for the Camera : A Teacher's Guide (Hardcover)

ACKNOWLEDGMENTS. INTRODUCTION. PART ONE: EQUIPMENT. 1. The Camera. 2. Lights and Sound. 3. Television Monitor, Set, and Props. 4. Editing: The Greatest Teacher. PART TWO: ?FILMMAKING AND CREW POSITIONS. 5. Framing the Character. 6. ?Cinematic Language ? The Shots. 7. Standard Coverage ? Get What You Need to Edit the Scene. 8. Know the Rules. 9. Lighting and Sound ? The Basics. 10. Crew Positions ? Everyone is a Storyteller. PART THREE: SHOOTING SCENES. 11. Physical Continuity and Overlapping Dialogue. 12. ?Shooting Two-Character Dialogue Scenes. 13. ?Filming Tips and Tricks. 14. Adding Coverage, Shot Lists, and Shooting in Cars. PART FOUR: COURSE CURRICULUM. 15. ?Acting for the Camera Technique. 16. ?Get on Camera!. 17. The 10 Technical Keys to Acting for the Camera. 18. Character Beats, Subtext, and Hitting the Mark. 19. Physical Continuity Exercise. 20. Shooting the Physical Continuity Exercise. 21. Welcome to Post-Production!. 22. Monologues ? One is the Loneliest Number. 23. Monologue Shoot. 24. ?The Final Scenes. 25. Final Scene Shoots. 26. The Final Post. 27. The Premiere. Glossary of Film Terms. Citations. Index.

Acting for the Camera : A Teacher's Guide (Paperback)

ACKNOWLEDGMENTS. INTRODUCTION. PART ONE: EQUIPMENT. 1. The Camera. 2. Lights and Sound. 3. Television Monitor, Set, and Props. 4. Editing: The Greatest Teacher. PART TWO: ?FILMMAKING AND CREW POSITIONS. 5. Framing the Character. 6. ?Cinematic Language ? The Shots. 7. Standard Coverage ? Get What You Need to Edit the Scene. 8. Know the Rules. 9. Lighting and Sound ? The Basics. 10. Crew Positions ? Everyone is a Storyteller. PART THREE: SHOOTING SCENES. 11. Physical Continuity and Overlapping Dialogue. 12. ?Shooting Two-Character Dialogue Scenes. 13. ?Filming Tips and Tricks. 14. Adding Coverage, Shot Lists, and Shooting in Cars. PART FOUR: COURSE CURRICULUM. 15. ?Acting for the Camera Technique. 16. ?Get on Camera!. 17. The 10 Technical Keys to Acting for the Camera. 18. Character Beats, Subtext, and Hitting the Mark. 19. Physical Continuity Exercise. 20. Shooting the Physical Continuity Exercise. 21. Welcome to Post-Production!. 22. Monologues ? One is the Loneliest Number. 23. Monologue Shoot. 24. ?The Final Scenes. 25. Final Scene Shoots. 26. The Final Post. 27. The Premiere. Glossary of Film Terms. Citations. Index.

Lighting for Cinematography: A Practical Guide to the Art and Craft of Lighting for the Moving Image (Hardcover, 2)

Lighting for Cinematography: A Practical Guide to the Art and Craft of Lighting for the Moving Image (Paperback, 2)

European Screen Agencies: Cultural Intermediaries in the Film and Television Sector (Hardcover)

Beckett on Film : The Actors and Directors’ Cut (Hardcover)

Acknowledgments

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List of Illustrations

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Chapter 1: Introducing the Beckett on Film (2001) Project and Beyond

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PART I: Acting Beckett on Film

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Chapter 2: Introduction to PART I

Chapter 3: Niall Buggy acts That Time

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Chapter 4: Stephen Brennan acts A Piece of Monologue and Waiting for Godot

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Chapter 5: Rebecca Pidgeon acts Catastrophe

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Chapter 6: Gary Lewis acts What Where

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Conclusion to PART I: Acting Beckett on Film.

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PART II: The Directors’ Cut: The Making of Beckett on Film (2001)

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Chapter 7: Introduction to PART II

Chapter 8: Neil Jordan directs Not I

Chapter 9: Charles Garrad directs That Time.

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Chapter 10: Robin Lefevre directs A Piece of Monologue.

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Chapter 11: Charles Sturridge directs Ohio Impromptu.

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Chapter 12: Concluding thoughts with Walter Asmus the Director of Footfalls and Assistant Director to Samuel Beckett.

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Conclusion to PART II

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Chapter 13: Last Reflections on the Beckett on Film (2001) project by the Producer Alan Moloney

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Chapter 14: Final Thoughts and conclusion to the Beckett on Film (2001) project.

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Further Suggested Reading

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Index