Designing Audience-Interactive Performance : The Theatre Engine Approach to Meaningful Interaction (Hardcover)

Acknowledgements.?Introduction.?1. Our Why.?2. Getting Started.?3. Learning to Interact.?4. Communication Technology and Invitation.?5. Devising and the Rehearsal Process.?6. Aesthetic Design.?7. Music and Sound.?8. Performance Technology.?9. Issues of Liveness.?10. Ethical Considerations.?11. Evaluation and Documentation.?A Finale of Puns: The Oh-Fish-Al End.?Appendix A. Dance Engine Word Prompts.?Appendix B. Shark! Foundations for Interaction.?Appendix C. Single Parameter Lighting Cues.?Bibliography. Index.?

Designing Audience-Interactive Performance : The Theatre Engine Approach to Meaningful Interaction (Paperback)

Acknowledgements.?Introduction.?1. Our Why.?2. Getting Started.?3. Learning to Interact.?4. Communication Technology and Invitation.?5. Devising and the Rehearsal Process.?6. Aesthetic Design.?7. Music and Sound.?8. Performance Technology.?9. Issues of Liveness.?10. Ethical Considerations.?11. Evaluation and Documentation.?A Finale of Puns: The Oh-Fish-Al End.?Appendix A. Dance Engine Word Prompts.?Appendix B. Shark! Foundations for Interaction.?Appendix C. Single Parameter Lighting Cues.?Bibliography. Index.?

Out On Stage : How to Make Queer Theatre (Paperback)

Theatrical Broadsword to Historical Longsword : Adapting Historical European Martial Arts to Contemporary Stage Combat (Hardcover)

Disclaimer. Acknowledgements.?Part 1: The Why.?1. Introduction or Why this Book?. 2. Stage Combat, HEMA, and How We Got Here. 3. Theoretical Considerations.?Part 2: The Lessons.?4. Preparing the Body: Stance, Conditioning, and Footwork.?5. Lesson 1: The Complete Stage Combat Illusion. 6. Lesson 2 Cutting to the 4 openings: One drill is all you need! Okay maybe two….7. Lesson 3: The Leger and the Meisterhau.?8. Lesson 4 The Bind and its Actions: Your sword is stuck to my sword!.?9. Lesson 5: Time to Rise and Wind.?10. Lesson 6: Failing Up: Feints in Stage Combat and the German Longsword System.?11. Lesson 7 Going Deeper on the Krumphau.?12. Lesson 8 Halbschwert: Half the Sword, Twice the Fun.?13. Lesson 9: Ringen am Schwert.?14. Lesson 10: We All Knew this Would End in Violence: Kills, Wounds, and Disarms.?Part 3: Choreography and Performance: Applying the work to stage.?15. Creating Historical Choreography.?16. Yeah, but how do you feel about it? Acting The Fight.?17. Adapting or There is Always More.?Appendix 1: Sources for further study.?Appendix 2: Photography and Model Acknowledgement. Works Cited. Index.

Theatrical Broadsword to Historical Longsword : Adapting Historical European Martial Arts to Contemporary Stage Combat (Paperback)

Disclaimer. Acknowledgements.?Part 1: The Why.?1. Introduction or Why this Book?. 2. Stage Combat, HEMA, and How We Got Here. 3. Theoretical Considerations.?Part 2: The Lessons.?4. Preparing the Body: Stance, Conditioning, and Footwork.?5. Lesson 1: The Complete Stage Combat Illusion. 6. Lesson 2 Cutting to the 4 openings: One drill is all you need! Okay maybe two….7. Lesson 3: The Leger and the Meisterhau.?8. Lesson 4 The Bind and its Actions: Your sword is stuck to my sword!.?9. Lesson 5: Time to Rise and Wind.?10. Lesson 6: Failing Up: Feints in Stage Combat and the German Longsword System.?11. Lesson 7 Going Deeper on the Krumphau.?12. Lesson 8 Halbschwert: Half the Sword, Twice the Fun.?13. Lesson 9: Ringen am Schwert.?14. Lesson 10: We All Knew this Would End in Violence: Kills, Wounds, and Disarms.?Part 3: Choreography and Performance: Applying the work to stage.?15. Creating Historical Choreography.?16. Yeah, but how do you feel about it? Acting The Fight.?17. Adapting or There is Always More.?Appendix 1: Sources for further study.?Appendix 2: Photography and Model Acknowledgement. Works Cited. Index.

Special Effects : A Backstage Guide (Paperback)

Sensory Theatre : How to Make Interactive, Inclusive, Immersive Theatre for Diverse Audiences by a Founder of Oily Cart (Hardcover, 2 ed)

Foreword by Prof. Helen Nicholson.? Foreword to 1^st?edition by Jonathan Shmidt-Chapman.? Preface??PART ONE.?The Beginnings of Sensory Theatre??1. Sensory Theatre: The Beginnings? 2. Theatre for Two to Five Year Olds? 3. All Sorts of Shows for All Sorts of Kids? 4. How Long Is a Piece of Theatre?? 5. Close up on PMLD? 6. Truly Immersive ? Theatre in Hydropools? 7. Magic Carpet Ride? 8. From PMLD to Autism Spectrum? 9. Sensory Theatre for the Very Early Years??PART TWO.?How Sensory Theatre Works??10. Sensory Theatre Audiences? 11. Sensory Theatre is Multisensory? 12. The Senses One by One ? The Sense of Seeing? 13. The Senses One by One ? The Sense of Hearing? 14. The Senses One by One ? The Sense of Touch? 15. The Senses One by One ? The Sense of Smell? 16. The Senses One by One ? The Sense of Taste? 17. The Senses One by One ? The Kinaesthetic Sense? 18. The Senses One by One ? The Sense of Hot and Cold? 19. The Sensory Audit? 20. Sensory Theatre is Close-up and Interactive 21. Wonderlands ? Design in Sensory Theatre? 22. Venues ? Open and Closed? 23. Music That is Felt as Much as Heard? 24. The Problem with Narrative? 25. The Performers in Sensory Theatre? 26. Puppets and Pixels? 27. Auditions? 28. Rehearsals and Rehearsal Spaces 29.?Shows that Start Before They Begin ? Preparation? 30. Continuous Consultation and Feedback??PART THREE.?The growth of Sensory Theatre??31. A rough guide to its progress so far? 32. Canada ? Carousel Players? 33. USA ? Chicago Children’s Theatre? 34. UK ? Bamboozle? 35. UK ? Frozen Light? 36. Canada ? Motus Theatre? 37. Japan ? Hospital Theatre Project? 38. Australia ? Sensorium? 39. Sweden ? Scen:se Project? 40. USA ? Trusty Sidekick and Lincoln Centre? 41. Ireland ? Helium? 42. Japan ? Sun Pucho? 43. Australia ? Threshold? 44.?Israel - Making Sensory Theatre with Safe Place ?45. UK ? C&T? 46. UK ? Blanket Fort Club? 47. UK ? Concrete Youth? 48. UK ? Second Hand Dance? ...


외국도서 > 교육/자료 > 교육 > 통합교육
외국도서 > 예술/대중문화 > 연극 > 연출/제작
외국도서 > 교육/자료 > 교육 > 특수교육 > 학습장애

Sensory Theatre : How to Make Interactive, Inclusive, Immersive Theatre for Diverse Audiences by a Founder of Oily Cart (Paperback, 2 ed)

Foreword by Prof. Helen Nicholson.? Foreword to 1^st?edition by Jonathan Shmidt-Chapman.? Preface??PART ONE.?The Beginnings of Sensory Theatre??1. Sensory Theatre: The Beginnings? 2. Theatre for Two to Five Year Olds? 3. All Sorts of Shows for All Sorts of Kids? 4. How Long Is a Piece of Theatre?? 5. Close up on PMLD? 6. Truly Immersive ? Theatre in Hydropools? 7. Magic Carpet Ride? 8. From PMLD to Autism Spectrum? 9. Sensory Theatre for the Very Early Years??PART TWO.?How Sensory Theatre Works??10. Sensory Theatre Audiences? 11. Sensory Theatre is Multisensory? 12. The Senses One by One ? The Sense of Seeing? 13. The Senses One by One ? The Sense of Hearing? 14. The Senses One by One ? The Sense of Touch? 15. The Senses One by One ? The Sense of Smell? 16. The Senses One by One ? The Sense of Taste? 17. The Senses One by One ? The Kinaesthetic Sense? 18. The Senses One by One ? The Sense of Hot and Cold? 19. The Sensory Audit? 20. Sensory Theatre is Close-up and Interactive 21. Wonderlands ? Design in Sensory Theatre? 22. Venues ? Open and Closed? 23. Music That is Felt as Much as Heard? 24. The Problem with Narrative? 25. The Performers in Sensory Theatre? 26. Puppets and Pixels? 27. Auditions? 28. Rehearsals and Rehearsal Spaces 29.?Shows that Start Before They Begin ? Preparation? 30. Continuous Consultation and Feedback??PART THREE.?The growth of Sensory Theatre??31. A rough guide to its progress so far? 32. Canada ? Carousel Players? 33. USA ? Chicago Children’s Theatre? 34. UK ? Bamboozle? 35. UK ? Frozen Light? 36. Canada ? Motus Theatre? 37. Japan ? Hospital Theatre Project? 38. Australia ? Sensorium? 39. Sweden ? Scen:se Project? 40. USA ? Trusty Sidekick and Lincoln Centre? 41. Ireland ? Helium? 42. Japan ? Sun Pucho? 43. Australia ? Threshold? 44.?Israel - Making Sensory Theatre with Safe Place ?45. UK ? C&T? 46. UK ? Blanket Fort Club? 47. UK ? Concrete Youth? 48. UK ? Second Hand Dance? ...


외국도서 > 교육/자료 > 교육 > 통합교육
외국도서 > 예술/대중문화 > 연극 > 연출/제작
외국도서 > 교육/자료 > 교육 > 특수교육 > 학습장애

Beckett on Film : The Actors and Directors’ Cut (Hardcover)

Acknowledgments

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List of Illustrations

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Chapter 1: Introducing the Beckett on Film (2001) Project and Beyond

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PART I: Acting Beckett on Film

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Chapter 2: Introduction to PART I

Chapter 3: Niall Buggy acts That Time

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Chapter 4: Stephen Brennan acts A Piece of Monologue and Waiting for Godot

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Chapter 5: Rebecca Pidgeon acts Catastrophe

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Chapter 6: Gary Lewis acts What Where

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Conclusion to PART I: Acting Beckett on Film.

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PART II: The Directors’ Cut: The Making of Beckett on Film (2001)

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Chapter 7: Introduction to PART II

Chapter 8: Neil Jordan directs Not I

Chapter 9: Charles Garrad directs That Time.

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Chapter 10: Robin Lefevre directs A Piece of Monologue.

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Chapter 11: Charles Sturridge directs Ohio Impromptu.

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Chapter 12: Concluding thoughts with Walter Asmus the Director of Footfalls and Assistant Director to Samuel Beckett.

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Conclusion to PART II

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Chapter 13: Last Reflections on the Beckett on Film (2001) project by the Producer Alan Moloney

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Chapter 14: Final Thoughts and conclusion to the Beckett on Film (2001) project.

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Further Suggested Reading

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Index

Teaching Racial Justice Theatre and Performance : The One Love Method (Hardcover)

1. Introduction to the Politics of Love ?2. The One Love Method: Racial Justice Theatre? 3. Letter to Teachers: Where to Begin?? 4. West African Indigenous Theater? 5. Building Empathy in Racial Justice Theatre? 6. Confirming Environments in Theatre ?7. Healing & Health: One Love Grounding Practices? 8. Consent-Forward Practices ?9. Interracial Scenes and Racial Justice Theatre? 10. Do’s and Don’ts of Racial Justice Theatre? 11. Build a Future of Justice ?12. Glossary

Teaching Racial Justice Theatre and Performance : The One Love Method (Paperback)

1. Introduction to the Politics of Love ?2. The One Love Method: Racial Justice Theatre? 3. Letter to Teachers: Where to Begin?? 4. West African Indigenous Theater? 5. Building Empathy in Racial Justice Theatre? 6. Confirming Environments in Theatre ?7. Healing & Health: One Love Grounding Practices? 8. Consent-Forward Practices ?9. Interracial Scenes and Racial Justice Theatre? 10. Do’s and Don’ts of Racial Justice Theatre? 11. Build a Future of Justice ?12. Glossary

Dramaturgy at Work : Threading Through Experimental Dance, Performance and Theater (Hardcover)

Introduction 1.?We work with the material that resists us 2.? “What do you do when you get in the studio?” On searching, having, and letting go of methods… 3.? “Ideas are one thing, what happens is another” On dramaturgical operations 4.? Dramatizing Relations and Positions: ‘We’s, ‘I’s, and ‘You’s at Work, Inside Out Conclusion: Empty Hands: For a Poetics of the Ongoing List of performances

Dramaturgy at Work : Threading Through Experimental Dance, Performance and Theater (Paperback)

Introduction 1.?We work with the material that resists us 2.? “What do you do when you get in the studio?” On searching, having, and letting go of methods… 3.? “Ideas are one thing, what happens is another” On dramaturgical operations 4.? Dramatizing Relations and Positions: ‘We’s, ‘I’s, and ‘You’s at Work, Inside Out Conclusion: Empty Hands: For a Poetics of the Ongoing List of performances

A Practical Guide for First Time Theatre Directors (Paperback, 1)

CHAPTER ONE: WHAT IS DIRECTING? CHAPTER TWO: SCRIPT ANALYSIS CHAPTER THREE: BLOCKING CHAPTER FOUR: LEADERSHIP CHAPTER FIVE: COMMUNICATION

Etienne Decroux to the Theatre de l'Ange Fou : A Legacy of Corporeal Mime (Hardcover)

Etienne Decroux to the Theatre de l'Ange Fou : A Legacy of Corporeal Mime (Paperback)

The Gonsalves Method : Meisner Updated for the Modern Actor (Paperback)

The Gonsalves Method : Meisner Updated for the Modern Actor (Hardcover)

How to Direct a Concert : A Guide to Stage Direction and Design for Rock, Pop, Hip Hop, EDM, and More (Hardcover)

A Foreword Introduction 1: Why Concerts Need Directors 2: How Concerts Differ From Legitimate Theater 3: The Role of the Director in a Concert 4: Setlists and Show Structure 5: Staging and Blocking for Musicians 6: Lighting That Tells a Story 7: Sound Design for Impact 8: Visuals, Screens, and Multimedia 9: Costumes: From Concept to Quick Change 10: Audience Engagement: Energy, Eye Contact & Euphoria?11: Dialogue and Banter: What to Say When the Song Ends 12: Special Guests, Features, and Surprises 13: Designing for the Road: Portability and Scale 14: The Rehearsal Process: Making the Most of Limited Time 15: Tech Days and Opening Night 16: Touring With a Directed Show 17: Concerts as Art, Though Commerce Pays 18: Why So Few Concerts Have Directors (and How to Change That)?19: When the Artist Doesn’t Want Direction 20: The Case Studies: Great Concerts That Got it Right 21: Directing Your First Show 22: Final Thoughts: Why This Matters?Index

How to Direct a Concert : A Guide to Stage Direction and Design for Rock, Pop, Hip Hop, EDM, and More (Paperback)

A Foreword Introduction 1: Why Concerts Need Directors 2: How Concerts Differ From Legitimate Theater 3: The Role of the Director in a Concert 4: Setlists and Show Structure 5: Staging and Blocking for Musicians 6: Lighting That Tells a Story 7: Sound Design for Impact 8: Visuals, Screens, and Multimedia 9: Costumes: From Concept to Quick Change 10: Audience Engagement: Energy, Eye Contact & Euphoria?11: Dialogue and Banter: What to Say When the Song Ends 12: Special Guests, Features, and Surprises 13: Designing for the Road: Portability and Scale 14: The Rehearsal Process: Making the Most of Limited Time 15: Tech Days and Opening Night 16: Touring With a Directed Show 17: Concerts as Art, Though Commerce Pays 18: Why So Few Concerts Have Directors (and How to Change That)?19: When the Artist Doesn’t Want Direction 20: The Case Studies: Great Concerts That Got it Right 21: Directing Your First Show 22: Final Thoughts: Why This Matters?Index

The Key Stage 3 Drama Toolkit : A Teacher's Guide for Ages 11 to 14 (Paperback)

Performance and Real Relationships : Family, Kinship and Love in Contemporary Theatre (Hardcover)

The Key Stage 3 Drama Toolkit : A Teacher's Guide for Ages 11 to 14 (Hardcover)

Puppetry : A Backstage Guide (Paperback)

Becoming Dramaturg : Possibilities for an Ethical and Expanded Practice (Hardcover)