Cultural Heritage in Post-Conflict Contexts: Cases from the Middle East and North Africa (Mena) (Hardcover)

1. When the Dust Settles: Critical Perspectives on Post-Conflict Heritage Recovery? PART I Heritage as a Therapy: Memory, Communities, and Responses 2. Emotions and Cathartic Practice: A Theoretical Framework for Affective Ethnography in Post-Conflict Cultural Heritage 3. Cultural Heritage and Exile 4. Issues and Challenges to Engaging Local Communities in Post-Conflict Archaeology and Archaeological Heritage 5. Memories, Collective yet Divided: The Potentials of Postwar Memorialisation in Aleppo? PART II Ours and Theirs: Heritage Responses and International Community 6. Post-Conflict Virtual Reconstruction in Palmyra: Displaced Syrian Communities in Jordan Engage with their Cultural Heritage 7. Whose Common Values and Culture? Examining EU Policy on Post-Conflict Rehabilitation of Cultural Heritage in Sabratha, Libya 8. Cultural Heritage in Palestine between Political Chaos and Systematic Falsification of Evidence? 9. Preserving Community-Led Digital Heritage and the Tender Return of Displaced Voices in al-Raqqa, Syria 10. Russian Media and the Framing of Heritage Protection in Syria? PART III Cultural Heritage in Post-Conflict MENA: Comparative Approaches 11. Historic Ties and Modern Conflicts: The Heritage of Iran and Iraq and Its Implications for Regional Dynamics 12. Reconstruction Approaches for Historical Buildings in the Ancient City of Aleppo 13. Reflections on Continuity and Change: Post-Conflict Recovery of the Historic City of Benghazi, Libya 14. The Impact of War on UNESCO World Heritage Sites: The Case of Dar Qita 15. Postscript: Cultural Heritage in Sudan: Preservation and Risk Mitigation During the Civil War (2023-2024)?

The University Museum and the Making of Academic Heritage : Insights from the Jagiellonian University Museum (Hardcover)

00. Introduction: The Jagiellonian University as a Laboratory of Memory

Part 1-Making Academic Heritage (from the standpoint of a university museum)

01. Academic Heritage ? Idea and Practice?

02. Academic Heritage in the Making. The case of the Jagiellonian University Museum Collegium Maius

03. Academic Heritage Design: Balancing Desirability and Feasibility

Part 2 Dissecting Narratives

04. University Storytelling

?05. The Dispute over the Statue of Nicolaus Copernicus in Collegium Maius

06. Activism and Academic Heritage at the Jagiellonian University Museum Collegium Maius

Part 3 Highlighting the Unseen

07. The Organic Nature of Academic Heritage

08. Experiencing the University Museum

09. Between Image and Identity. Managing the Heritage of the Jagiellonian University in the Context of a Historic City

Part 4 Reimagining Academic Heritage across Europe

John Cage Composing, Computing, and Curating (Paperback, 1)

Introduction: Cage and the Posthuman  1. Repetition and Difference: Erik Satie  2. Chance Measures: After Duchamp  3. Text Music 4. Technologies of Indeterminacy  5. Museum as Instrument  Afterward: Cage and the Contemporary

Art, Elitism, Authenticity and Liberty : Navigating Paradox (Paperback)

1. Introduction   2. What is 'Art' and Who Is the 'Artist'?  3. Art, Function and Social Impact  4. Functional Art: Autonomy, Morality, Constructivism and Commodification  5. The Possibilities and Limitations of Art  6. The Edges of Art  7. Populism and Elitism: Hybrid, Marginal and Post-Autonomous Art  8. Schizoid Art Without Boundaries  9. Paradox, Collusion, Ambiguity and Emancipation               

Curating Transatlantic Slavery : Contesting Histories and Practices in the Museum (Hardcover)

Restitution From A Global Perspective : Memory, Identity and Politics (Hardcover)

List of figures; Preface; List of Contributors; 1. Reflections on the current status of restitution of heritage properties in the world: introduction to the global perspective; 2. Repatriating African Ancestral Remains: Restoring Justice and the Imperative of Reparations; 3. The Expatriation and Restitution Matrix: A Dilemma for the Reacquisition of Heritage by African Countries; 4. Restitution: The Case of South Africa; 5. Southern Africa and the Restitution of Cultural Property: Are we there yet?; 6. Heritage Appropriation and Restitution: Colonial Violence, Memory, Community Responses and the Politics of Return in Postcolonial Kenya; 7. The International Return of Vigango to the Mijikenda of Coastal Kenya; 8. Politics of Remaking Repatriated Cultural Objects into National Heritage Assets at the Uganda National Museum; 9. Cultural Heritage Restitution to Ethiopia: Historical Precedents and Recent Developments; 10. To Return to One’s Own Country: Digital Reproduction and Repatriation, Nigeria; 11. From European Reserves to African Reserves: Exploring the Usefulness of the Repatriated Artifacts; 12. Positioning Demuseumification as an enabler for the Decolonisation and Transformation of Museums and Heritage Management in South Africa; 13. Displaced, Sold, and Displayed: Working Toward New Practices within African Ancestral Remains Retention in the UK; 14. “The Conch echo”, Metaphor of a Transoceanic Africa and New Paradigm for Museums; 15. Cooperation between South and North Korea in the Repatriation of Ccultural Hheritage; 16. A Late Arrival: Confronting Nordic Colonialism and reconsidering research ethics in the Care of Human Remains in Swedish Museums; 17. From Restitution to Resilience: Museums, M?ori Communities, and the Future of Restitution; 18. Understanding Success: Indigenous concepts and measures of success in repatriation and reconciliation processes, an international survey of literature and initiatives; 19. Repatriation, healing and wellbeing:...


외국도서 > 역사 > 역사일반
외국도서 > 예술/대중문화 > 미술 > 박물관
외국도서 > 인문/사회 > 사회과학 > 관습/전통
외국도서 > 인문/사회 > 사회과학 > 사회학
외국도서 > 인문/사회 > 정치학 > 세계화
외국도서 > 인문/사회 > 정치학 > 인권
외국도서 > 인문/사회 > 철학 > 정치철학
외국도서 > 인문/사회 > 정치학 > 국제관계 > 외교
외국도서 > 인문/사회 > 정치학 > 국제관계 > 일반

Restitution From A Global Perspective : Memory, Identity and Politics (Paperback)

List of figures; Preface; List of Contributors; 1. Reflections on the current status of restitution of heritage properties in the world: introduction to the global perspective; 2. Repatriating African Ancestral Remains: Restoring Justice and the Imperative of Reparations; 3. The Expatriation and Restitution Matrix: A Dilemma for the Reacquisition of Heritage by African Countries; 4. Restitution: The Case of South Africa; 5. Southern Africa and the Restitution of Cultural Property: Are we there yet?; 6. Heritage Appropriation and Restitution: Colonial Violence, Memory, Community Responses and the Politics of Return in Postcolonial Kenya; 7. The International Return of Vigango to the Mijikenda of Coastal Kenya; 8. Politics of Remaking Repatriated Cultural Objects into National Heritage Assets at the Uganda National Museum; 9. Cultural Heritage Restitution to Ethiopia: Historical Precedents and Recent Developments; 10. To Return to One’s Own Country: Digital Reproduction and Repatriation, Nigeria; 11. From European Reserves to African Reserves: Exploring the Usefulness of the Repatriated Artifacts; 12. Positioning Demuseumification as an enabler for the Decolonisation and Transformation of Museums and Heritage Management in South Africa; 13. Displaced, Sold, and Displayed: Working Toward New Practices within African Ancestral Remains Retention in the UK; 14. “The Conch echo”, Metaphor of a Transoceanic Africa and New Paradigm for Museums; 15. Cooperation between South and North Korea in the Repatriation of Ccultural Hheritage; 16. A Late Arrival: Confronting Nordic Colonialism and reconsidering research ethics in the Care of Human Remains in Swedish Museums; 17. From Restitution to Resilience: Museums, M?ori Communities, and the Future of Restitution; 18. Understanding Success: Indigenous concepts and measures of success in repatriation and reconciliation processes, an international survey of literature and initiatives; 19. Repatriation, healing and wellbeing:...


외국도서 > 역사 > 역사일반
외국도서 > 예술/대중문화 > 미술 > 박물관
외국도서 > 인문/사회 > 사회과학 > 관습/전통
외국도서 > 인문/사회 > 사회과학 > 사회학
외국도서 > 인문/사회 > 정치학 > 세계화
외국도서 > 인문/사회 > 정치학 > 인권
외국도서 > 인문/사회 > 철학 > 정치철학
외국도서 > 인문/사회 > 정치학 > 국제관계 > 외교
외국도서 > 인문/사회 > 정치학 > 국제관계 > 일반

The Abbey Art Centre in postwar London 1946–1956 (Hardcover)

Introduction. The Abbey: a British art centre and Australian art colony Section 1: William Ohly and post-war London 1. Between rubble and reconstruction: London after the war 2. ‘Hard working Continentals’: refugee art dealers in London, 1933?1955 3. The utopian socialist: William Ohly and the Abbey Art Centre 4. William Ohly: the ethnographic collector 5. ‘Young artists of promise’: contemporary art at the Berkeley Galleries?Section 2: Australians at the Abbey 6. ‘Not Wholly Fruitless’: Australian artists in the world’s art colonies 7. The Abbey Garden: Sydney moderns at the Abbey 8. Melbourne realists 9. Bernard Smith’s reverse atlas Section 3: Europeans at the Abbey 10. ‘Not only shelter, but freedom of expression’: continental Europeans at the Abbey?11. ‘Here we live … Quaint, ain’t it?’: European filmmakers at the Abbey Arts Centre 12. British and Irish artists at the Abbey?Section 4: After the Abbey 13. The New Cosmopolitans: returning to Australia with the Abbey in the rear-view mirror, 1950-1959. 13. Art history after the Abbey. Appendix 1: Chronological list of Abbey Art Centre residents, 1946?1956

Making Digital History : Archives, Analysis, and Communication (Hardcover)

1. History, Digital History, and the View from the Archive 1.1 Definitions: History, Quantitative History, and Digital History 1.2 What is Digital History? 1.3 What is an Archive? Preservation of Physical materials, and How do Archives Decide what to Keep 1.4 The Digital Archive: Born Digital and Image Capture, Enhancement (Transcription/Optical Character Recognition), Transformation and Text Encoding 1.5 Indigenous Digital Archives: Digital Sovereignty, Right of Reply to GLAM Sector, Community-Driven Curating Protocols ? Preservation of Knowledge and Culture 2. Data Analysis and Visualization 2.1 Data and Databases 2.2 Using Online Repositories of Online Data and Web Scraping 2.3 A Short History of Data Visualization 2.4 An Introduction to Creating Data Visualizations 3. Communication and Presentation 3.1 Educational Curricula 3.2 Heritage and Digital Media 3.3 Digital History in the GLAM Space: Immersive Experiences, Virtual Exhibitions, and Social Media Engagement 3.4 Public History Online: Podcasts, Video, Social Media, Interactive Websites, Digital Archives, and Crowdsourcing Transcription. Conclusion: The Future of Digital History?

Making Digital History : Archives, Analysis, and Communication (Paperback)

1. History, Digital History, and the View from the Archive 1.1 Definitions: History, Quantitative History, and Digital History 1.2 What is Digital History? 1.3 What is an Archive? Preservation of Physical materials, and How do Archives Decide what to Keep 1.4 The Digital Archive: Born Digital and Image Capture, Enhancement (Transcription/Optical Character Recognition), Transformation and Text Encoding 1.5 Indigenous Digital Archives: Digital Sovereignty, Right of Reply to GLAM Sector, Community-Driven Curating Protocols ? Preservation of Knowledge and Culture 2. Data Analysis and Visualization 2.1 Data and Databases 2.2 Using Online Repositories of Online Data and Web Scraping 2.3 A Short History of Data Visualization 2.4 An Introduction to Creating Data Visualizations 3. Communication and Presentation 3.1 Educational Curricula 3.2 Heritage and Digital Media 3.3 Digital History in the GLAM Space: Immersive Experiences, Virtual Exhibitions, and Social Media Engagement 3.4 Public History Online: Podcasts, Video, Social Media, Interactive Websites, Digital Archives, and Crowdsourcing Transcription. Conclusion: The Future of Digital History?

Museum Queeries: Two-Spirit, Indigiqueer, and LGBTTQ* Interventions into Museums, Archives, and Curating (Paperback)

Acknowledgements 7

Angela Failler, Sabrina Mark, Michelle McGeough, Heather Milne: Introduction to Museum Queeries: Two-Spirit, Indigiqueer, and LGBTTQ* Interventions into Museums, Archives, and Curating 9

Angela Failler: Unsettling Homocolonial Frames of Remembrance: Two-Spirit and Indigiqueer Interventions at the Museum 33

Heather Milne: Pitfalls and Potential: Anticipating the 2SLGBTQ+ Purge Exhibit at the Canadian Museum for Human Rights 65

Michelle McGeough: Finding the Unicorn: Locating Queer Indigenous Lives in the Archive 89

Mika Castro: Looking for Invisible Lives and Fantastical Creatures: A Tour of the Manitoba Museum through Queer Filipinx/o Immigrant Stories 103

Adrienne Huard: Turning Inwards: Locating Joy, Refusal, and Solidarity through Two-Spirit Performance 125

Adrian Deveau: Telepathic Visions: A Psychic Investigation of Queer Hauntings in Canadian Archives . 143

Amelia Smith: The Exhibitionary Complex and Transgender Display In and Beyond The Dime Museum 165

Cara Tierney, Monica Eileen Patterson: Discriminant Disjunctions: Museological Practice, Trans Belonging, and the Insight of Children 183

Authors 203

Unsettling Museums: Pacific Artists, Anthropology, and Collaborative Practice (Hardcover)

The Making of the Gulbenkian Museum (Paperback)

Strategizing Global Peace: Integrating Gender, Nonviolence, and Museums for Peace in a Changing World (Hardcover)

The Museum Exhibit User Experience Toolkit : A Practitioner’s Guide to Conceptualising, Evaluating, and Developing Visitor-Centred Exhibits and Exhibi (Hardcover)

List of figures and tables; Acknowledgements; Chapter One: Introduction; Chapter Two: Rationale ? Background to the MEUX Toolkit; Chapter Three: Conceptualise ? The MEUX Model; Chapter Four: Evaluate ? The MEUX Evaluation Methods Suite; Chapter Five: Analyse ? Drawing Insights with the MEUX Analysis Process; Chapter Six: Develop ? the MEUX Approach to Developing Exhibits; Chapter Seven: Embed ? Implementing the MEUX Toolkit; Glossary; Bibliography; Index.

The Museum Exhibit User Experience Toolkit : A Practitioner’s Guide to Conceptualising, Evaluating, and Developing Visitor-Centred Exhibits and Exhibi (Paperback)

List of figures and tables; Acknowledgements; Chapter One: Introduction; Chapter Two: Rationale ? Background to the MEUX Toolkit; Chapter Three: Conceptualise ? The MEUX Model; Chapter Four: Evaluate ? The MEUX Evaluation Methods Suite; Chapter Five: Analyse ? Drawing Insights with the MEUX Analysis Process; Chapter Six: Develop ? the MEUX Approach to Developing Exhibits; Chapter Seven: Embed ? Implementing the MEUX Toolkit; Glossary; Bibliography; Index.

Disability Heritage : Participatory and Transformative Engagement (Hardcover)

Acknowledgements; List of Contributors; 1. INTRODUCTION; 2. ACCESS, INCLUSION AND BEYOND -- 2.1 Disability Art and Cultural Heritage: Ethical and Political Issues in an Italian Cultural Inclusion Project; 2.2. Eugenic Legacies and the Equity of Employment: Curating a “Fair” Deal for D/deaf, Disabled and Neurodivergent Museum Professionals; 2.3. Between Teaching and Society: Sharing Inclusive, Multisensorial Strategies from Users to Architects; 2.4 Decolonial Approaches to Disability History and Heritage: Asserting the Disabled Gaze; 3. ARCHIVES AND COLLECTIONS -- 3.1. Accessing and Narrating d/Deaf Heritage in Eastern Europe; 3.2. The Heritage of Medical and Welfare Disabilities in Japan: Social Significance and Challenges; 3.3. “Peg Legs”, Black servants, and other “strange varieties of mankind”: Intersections of disability and race in the Hans Wurtz Collection; 3.4. Embracing Filth: Bedpans and the Body at the Winterthur Museum; 4. CREATING CONTEMPORARY HERITAGE -- 4.1. Access Performance as Disability Heritage: Lettering Club Culture in Amsterdam; 4.2. Deaf Culture and Heritage in Performance: Locating Deaf Theatre in Ireland's Cultural Landscape; 4.3. The Luxury of Memory: Navigating Absences and Gaps in Creating Australia’s First Disability Arts Archive; 5. DIFFICULT HISTORIES -- 5.1. Unveiling the Unseen: Disability Heritage in Religious Archives; 5.2. Changing Views on Medical Film and Photography: The Van Gehuchten Collection in Twentieth-Century Belgium; 5.3. Sites of Conscience, Disability and Heritage: Looking Back to Transform the Future; 5.4. Reading Psychiatric Hospital Cemeteries Madly; 6. HERITAGE ACTIVISM -- 6.1. Heritage as Disability Activism: Embodied Engagement, Crip Hacking, and the Disabled Expert; 6.2. Deaf History, Community and Heritage: A Participatory Research Perspective; 6.3. History as a Weapon: Disability Archives and the Fight for our Future; Index.

Disability Heritage : Participatory and Transformative Engagement (Paperback)

Acknowledgements; List of Contributors; 1. INTRODUCTION; 2. ACCESS, INCLUSION AND BEYOND -- 2.1 Disability Art and Cultural Heritage: Ethical and Political Issues in an Italian Cultural Inclusion Project; 2.2. Eugenic Legacies and the Equity of Employment: Curating a “Fair” Deal for D/deaf, Disabled and Neurodivergent Museum Professionals; 2.3. Between Teaching and Society: Sharing Inclusive, Multisensorial Strategies from Users to Architects; 2.4 Decolonial Approaches to Disability History and Heritage: Asserting the Disabled Gaze; 3. ARCHIVES AND COLLECTIONS -- 3.1. Accessing and Narrating d/Deaf Heritage in Eastern Europe; 3.2. The Heritage of Medical and Welfare Disabilities in Japan: Social Significance and Challenges; 3.3. “Peg Legs”, Black servants, and other “strange varieties of mankind”: Intersections of disability and race in the Hans Wurtz Collection; 3.4. Embracing Filth: Bedpans and the Body at the Winterthur Museum; 4. CREATING CONTEMPORARY HERITAGE -- 4.1. Access Performance as Disability Heritage: Lettering Club Culture in Amsterdam; 4.2. Deaf Culture and Heritage in Performance: Locating Deaf Theatre in Ireland's Cultural Landscape; 4.3. The Luxury of Memory: Navigating Absences and Gaps in Creating Australia’s First Disability Arts Archive; 5. DIFFICULT HISTORIES -- 5.1. Unveiling the Unseen: Disability Heritage in Religious Archives; 5.2. Changing Views on Medical Film and Photography: The Van Gehuchten Collection in Twentieth-Century Belgium; 5.3. Sites of Conscience, Disability and Heritage: Looking Back to Transform the Future; 5.4. Reading Psychiatric Hospital Cemeteries Madly; 6. HERITAGE ACTIVISM -- 6.1. Heritage as Disability Activism: Embodied Engagement, Crip Hacking, and the Disabled Expert; 6.2. Deaf History, Community and Heritage: A Participatory Research Perspective; 6.3. History as a Weapon: Disability Archives and the Fight for our Future; Index.

Rhetorics of Repair in Museums of Conscience : The Work of Civic Healing (Hardcover)

Introduction: Why Museums? Why Repair??1. Repair in the Comic Frame;?2. First Lesson: Share the Truth;?3. Second Lesson: Heal Communities;?4. Third Lesson: Reckon with Justice;?5. Fourth Lesson: Celebrate Hope;?Conclusion: Repair the “We”;?Index

Early Women Curators : Making the Museum in the Twentieth Century (Hardcover)

Introduction. Early Women Curators ? Making the Museum in the Twentieth Century?Part 1: Becoming Professionals

1 “Suffragette Militancy” for the “Aesthetic” Museum: Early Museum Women in Germany (1900-33) 2?? Behind the Scenes: Women in Parisian Museums in the Early Twentieth Century 3? Women Curators in Britain, c. 1945-70: Career Trajectories in a Shifting Educational Landscape 4? Agents of Change: Australian Women Curators (1940-70)?Part 2: Addressing the Public?5 Educational and Personal Vision: Eliza Metcalf and the Antiquities Collection at the Rhode Island School of Design 6, “La Dame de Mariemont” ? Germaine Faider-Feytmans: A Pioneer Curator of the Mariemont Royal Museum (1940-68) 7 Exhibitions for the Free World Abroad and at Home: Annemarie Pope’s SITES during the Early Cold War 8 Ayala Gordon: Curating Child-Centered Education at the Israel Museum?Part 3: Working in Turbulent Times?9 Lessons in Moral Values: Monuments Woman Edith A. Standen and the Ethics of Resistance 10 From New Woman to Socialist Woman: Zora Simi? Milovanovi?’s Curatorial Politics 11 Disruptor of the Socialist Social Order? 12 Embodying the Global and the Local: Grace Morley at the National Museum of India?Part 4: The Making of Collections of Modern Art?13 Curating Modernity: Cornelia B. Sage, Temporary Exhibitions, and the Making of the Albright Art Gallery (1910-24) 14 Ellen Duncan and the Municipal Gallery of Modern Art, Dublin 15 Helene Kroller-Muller: Four Curatorial Scenarios and a Museum of Modern Art 16 Mercedes Garberi: Introducing Contemporary Art to Milan in the 1970s

Heritage and Arctic Late Industrialism in Alaska : Island of Inland Empire (Hardcover)

1. Culture in Arctic Late Industrialism 2. Heritage Epistemes 3. Emblematic Data 4. Of Enlightenment and Alaska Early Moderns 5. The Rise of an Alaska Native Bourgeoisie 6. Vanguard Heritage Practices 7. The Ruderal Analytic.

Ecomuseums and Living Heritage in China : Reclaiming Memory and Identity (Hardcover)

Chapter 1. Ecomuseums, Community, and Heritage: Foundations and Context?Chapter 2. Ecomuseums in China: Theory, Practice, and the Politics of Place?Chapter 3. Forgotten Old Stories: Tomb Caretakers and Their Descendants of the Imperial Tombs of the Qing Dynasty?Chapter 4. Community Voices: The Idea of Building up An Ecomuseum in Malanyu Town of Hebei Province in China?Chapter 5. Turning Ideas into Reality: The Community Participatory Approach adopted by the Community in Malanyu Ecomuseum Project?Chapter 6. Success and Failure of the Malanyu Ecomuseum Project Coda

Decolonizing Representations of Slavery in European Museums: Theoretical, Curatorial and Artistic Approaches (Hardcover)

Indigenous Collections: Transformations in Stewardship and Conservation Practices (Paperback)

Museums, Empire and Decolonial Praxis : A New Museum Paradigm? (Hardcover)

00. Introduction: Decolonisation in the Contact Zone Matthew Jones & Samuel Aylett-Streitberg??01. Collecting the world on paper: Traveling artists and the history of the art museum Freya Schwachenwald??02. A map of vulnerabilities: Racialisations, Racism and Decolonisation in German-speaking museums Gaelle Shrot?03.Unlithified: Meditations on possibility and minerals in the museum Eleanor S. Armstrong & Kopo V. Oromeng?04. Not everything is for us: a re-assessment of Western epistemology through digital heritage management Billie Duch Gimenez 05. Holding Art Museums Accountable: Recovering Entangled Lives of Enslaved People in London’s National Gallery Sean Cham?06.Returning and Retaining ? Reclaim and Repatriation of ethnographic Photographs as Processes of Dispute, Contest and Reconciliation Alona Dubova?07. Towards a New Anthropological Voice Sydney Stewart Rose?08.? Performing the Provenance of Ramesses II at the British Museum: Alternative Forms of Restitution in Contemporary Artistic Practice Liza Weber?09. Pulling strings: From policies of extraction and accumulation to policies of care in the work of Nicolas Grum Victoria Vargas-Downing?10. Exhibhitionary Praxis Toyin Agbetu??11.“Dead on Arrival”? The Humboldt Forum Samuel Aylett-Streitberg & Ionna Streitberg.