Shakespeare / Skin : Contemporary Readings in Skin Studies and Theoretical Discourse (Paperback)

Shakespeare / Play : Contemporary Readings in Playing, Playmaking and Performance (Paperback)

Why Read Shakespeare? (Paperback, 1)

Introduction: Why Read Shakespeare?; 1: Everything You Need to Know about Shakespeare before Reading Shakespeare; 2: The Problem of Love: The Comedies; 3: The Problem of Free Will: The Tragedies; 4: The Problem of Political Authority: The Histories; Epilogue: When Problems Won’t Stay Put; Index

Why Read Shakespeare? (Hardcover, 1)

Introduction: Why Read Shakespeare?; 1: Everything You Need to Know about Shakespeare before Reading Shakespeare; 2: The Problem of Love: The Comedies; 3: The Problem of Free Will: The Tragedies; 4: The Problem of Political Authority: The Histories; Epilogue: When Problems Won’t Stay Put; Index

Shakespearean Recognitions : Philosophies of the Post-Tragic (Hardcover)

Introduction?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? ?????????????? ?

PART 1: THE MEDIEVAL THEATER OF RECOGNITION

Chapter 1. Shakespeare’s Romances and the Elevation of God??????????????????????????????? ??????????????

Chapter 2. Recognition as Blessing in Post-Resurrection Drama and?The Winter’s Tale

PART 2: AN EARLY MODERN POETICS OF RECOGNITION

Chapter 3. The Course of Recognition in?Cymbeline???????????????????????????????????????????????????????

Chapter 4. Clowning with Tragedy in?Romeo and Juliet?????????????????????????????????????????????????? ??????????????

PART 3: RECOGNITION IN THE SPIRIT OF THE FESTIVE

Chapter 5. Misrecognition: Shakespeare’s Undead Bodies????????????????????????????????????????? ??????????????

Chapter 6. Reconciling?The Tempest ??????????????????????????????????????????????????????????????????????????????????????

Afterword??????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? ??????????????

? ? ? ? ?

Shakespeare Studies: Volume 54 (Hardcover)

The Tyranny of Type in Shakespeare and Jung : Tragedy and One-Sidedness (Hardcover)

Introduction??PART I CONTEXT AND THEORY??1. Jung’s Typology??2. Shakespeare and Personality Imbalance??PART II THE INFERIOR FUNCTION IN SHAKESPEARE’S ‘JUDGEMENT’ PLAYS??Preface to the Rational (Evaluative) Function Chapters??3. Coriolanus and Timon of Athens; Introverted Thinking and Extraverted Feeling??4. Richard II and King Lear; Introverted Feeling and Extraverted Thinking??PART III THE INFERIOR FUNCTION IN SHAKESPEARE’S ‘PERCEPTION’ PLAYS??Preface to the irrational (perceptual) function chapters??5. Othello and Much Ado About Nothing: Introverted Sensation and Extraverted Intuition??6. Julius Caesar and Macbeth; Introverted Intuition and Extraverted Sensation??Conclusion??Appendices

The Tyranny of Type in Shakespeare and Jung : Tragedy and One-Sidedness (Paperback)

Introduction??PART I CONTEXT AND THEORY??1. Jung’s Typology??2. Shakespeare and Personality Imbalance??PART II THE INFERIOR FUNCTION IN SHAKESPEARE’S ‘JUDGEMENT’ PLAYS??Preface to the Rational (Evaluative) Function Chapters??3. Coriolanus and Timon of Athens; Introverted Thinking and Extraverted Feeling??4. Richard II and King Lear; Introverted Feeling and Extraverted Thinking??PART III THE INFERIOR FUNCTION IN SHAKESPEARE’S ‘PERCEPTION’ PLAYS??Preface to the irrational (perceptual) function chapters??5. Othello and Much Ado About Nothing: Introverted Sensation and Extraverted Intuition??6. Julius Caesar and Macbeth; Introverted Intuition and Extraverted Sensation??Conclusion??Appendices

Contexts and Connections of Italian Elements in Shakespeare’s Plays (Hardcover, 1)

Table of Contents

?

Methodology

Experiencing Shakespeare’s Plays through Their Contexts: Contemporary and Historical, Creative and Social

?

Acknowledgments

?

Introduction

Italian Elements in the Plays of Shakespeare: Contexts and Connections, Especially Venetian

?

?

Part One

Early Commerce, Diplomacy, and Cultural Influence

?

Chapter One

Italians in England from the Mid-Thirteenth to the Early Sixteenth Centuries: From Merchants to Bankers to Royal Councilors

The Fourteenth Century: Commerce and the First Diplomatic Contacts, Literary and Humanistic Influences

The Fifteenth Century: English Interest in Italian Humanism and Artistic Expression??

Italian Humanists as (Shadow) Diplomats and Royal Secretaries

Venetian Commerce Declines

Venetian Patrician Amalgamation of Commerce, Governance, and Cultural Patronage ?

?

Chapter Two

Henry’s Reign, Warring Leagues, and the End of Venice’s Flanders Galleys

The Wars of the League of Cambrai, Suspension of Venetian Maritime Commerce with England

The Treaty of London, the Resumption of Trade, and the Search for Alternatives

War by Other Means: Charles and Henry Pressure Venice??

War Resumes on the Italian Peninsula?

Francis is Captured, Implications for Henry??

The Sack of Rome, An Independent Wolsey (?), and Henry VIII?????

Pursuing Henry’s Divorce???

The End of the War, of the Flanders Galleys, and of Divorce Efforts in Rome. The Coronation of Charles?

New Religious Differences Generate Political Conflict

?

Chapter Three

Turbulent Transitions

Henry’s Aggressive Late Relations with Italian States. The Brief Reign of Edward VI?

Italian Protestants Make Their Way to England, English Catholics to Italy

Queen Mary and Renewed Relations wi...


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The Poet on Stage 1558-1660: A Glorious Parasite? (Hardcover)

Queen Elizabeth in Drama : And Related Studies (Hardcover)

Preface 1. Queen Elizabeth in Elizabethan and Later Drama 2. Queen Elizabeth, the Revels Office and Edmund Tilney 3. Aspects of Shakespeare’s Reading 4. Aspects of Classical Legend and History in Shakespeare 5. Ovid and the Elizabethans 6. Sir Thomas Bodley and his Library 7. Charles Lamb and the Elizabethan Dramatists 8. The Soldier in Elizabethan Drama 9. American Scenes, Tudor to Georgian, in the English Literary Mirror

The Spirit of Dreaming in Shakespeare (Hardcover)

Romeo & Juliet: Full Play with Annotations and Key Quotations (Paperback)

Mastering The Shakespeare Audition : An Actor's Guide to Performance Success (Hardcover, 2 ed)

Mastering The Shakespeare Audition : An Actor's Guide to Performance Success (Paperback, 2 ed)

The Agonist, the Lover and the Poet : An Intertextual Study across Virgil, Ovid and Shakespeare (Hardcover)

Acknowledgements;?Introduction; 1?? Virgil’s fulva harena;?2?? Heroes, Lovers, and Poets in Georgics 3; 3?? Fulva harena in the Aeneid;?4?? The Woman’s Perspective: Ovid’s Single Heroides;?5?? Fulvae harenae in the Metamorphoses;?6?? The Paired Heroides: Ovid’s Hero and Leander; 7?? The fulva harena Complex in Ovid’s Exile Poetry; 8?? Venus and Adonis;?9?? A Midsummer Night’s Dream;?10?? The Tempest;?Conclusion; Appendix 1: Fulva harena Passages in Virgil and Ovid; Appendix 2: Elizabethan Translations of Passages in Virgil and Ovid;?Works Cited;?Index locorum;?Name Index

Shakespeare / Space : Contemporary Readings in Spatiality, Culture and Drama (Paperback)

Shakespeare / Nature : Contemporary Readings in the Human and Non-human (Paperback)

Reinventing Shakespeare : Translation, Adaptation and Afterlives (Hardcover)

Foreword

Shakespeare Hong Kong and Beyond: A Foreword

Introduction

Translation Adaptation and Afterlives

Part One: The Translation and Reception of Shakespeare

Chapter 1

Why are there so many First Folios in Japan?: Post-World War II Literary Aspirations of Japanese Academics and University Administrators

Chapter 2

The Reception and Rewriting of Shakespeare’s Sonnets in China

Chapter 3

“Thou Art Trans-created”: A Genealogy of Shakespeare’s Sonnets in Chinese

Chapter 4

Translating Shakespearean “Royal We” in Hamlet: Liang Shih-chiu, Fang Ping and Perng Ching-Hsi

Part Two: Cross-cultural adaptations and performances of Shakespeare

Chapter 5

Female Voices and Gendered Discourses in Children's Adaptations of Shakespeare

Chapter 6

Penguin “Staged” series: gendered Young Adults Shakespeare

Chapter 7

An Immersive Macbeth in Brazil: Theater, Orchestra, Choir, and You

Chapter 8

The Arrant Revenge (2025): Shakespeare’s Hamlet with Chinese characteristics?

Chapter 9

Shakespearean Adaptation, Queer Times, and Digital Spaces: the Case for Juliet and Juliet (2018)

Irish Shakespeares : Gender, Sexuality, and Performance in the Twenty-First Century (Hardcover)

Acknowledgements

Illustrations

A note on the text

?

Chapter 1. ?Introduction

Chapter 2. Unmanly Grief

Chapter 3. Embodied Histories

Chapter 4. Numbered in the Song

Chapter 5. The Aesthetics of Queer Irish Shakespeares

Chapter 6. Epilogue

?

Bibliography

Index

Shakespeare and Authorial Networks in Early Modern Drama (Hardcover)

Shakespeare's Serial Universe : Patterns, Obsessions, Repetitions (Paperback)

Acknowledgements; Prologue. Serial reading as a hermeneutic process;?1. Dreamscapes and spectral visions; 2. The theatrical charm of cryptomania; 3. A dead beloved returns; 4. War as serial drama; 5. Female sovereignty: A typology; 6. The signifying body as evidence; 7. Follow the objects; 8. The end as a new beginning;?Appendix: Notes on References; Index

Shakespeare's Serial Universe : Patterns, Obsessions, Repetitions (Hardcover)

Acknowledgements; Prologue. Serial reading as a hermeneutic process;?1. Dreamscapes and spectral visions; 2. The theatrical charm of cryptomania; 3. A dead beloved returns; 4. War as serial drama; 5. Female sovereignty: A typology; 6. The signifying body as evidence; 7. Follow the objects; 8. The end as a new beginning;?Appendix: Notes on References; Index

The Universal Shakespeare Creed : Readings in Shakespearean Religious, Spiritual, Ethical and Social Practice (Hardcover)

Acknowledgements

List of Contributors

Note on texts

Introduction. Marta Cerezo Moreno and Jonathan P. A. Sell

Part One. ‘In the beginning’

Chapter One. Establishing the Shakespeare Creed: Religion, Class and Enlightenment bardolatry. Jonathan P. A. Sell

Chapter Two. ‘A radiant light of glory round’: Stratford-upon-Avon Shakespeare Festivities, Religion and Universality (1830-1850). Marta Cerezo Moreno

Chapter Three. Religion and Tolerance in Danish and Swedish Shakespeare Criticism, 1880?1960. Per Sivefors

Part Two. ‘Speaking in our tongues’

Chapter Four. Isis and Osiris: Antony and Cleopatra. Graham Holderness

Chapter Five. The Deceitful Brahman: The Veil of Maya in The Tempest.? Antonio Ballesteros

Chapter Six. Shakespeare’s Bodhisattvas: A Buddhist Approach to Spiritual Disease, Medicine and Caregiving in King Lear. Marguerite Tassi

Chapter Seven. The Mustard Seed and the Dionysian in A Midsummer’s Night Dream. Unhae Park Langis

Part Three. ‘Go ye into all the world’

Chapter Eight. ‘Civic Shakespeare’: Intermission Youth Theatre, Faith, and Social Commitment. Isabel Guerrero

Chapter Nine. Facing the Storm with Love: A Church Liturgy based on Shakespeare’s play The Tempest. Paul Fiddes

Chapter Ten. ‘Something pretty in words that fly’: Psalmic Performances from Shakespearean Romance to Rhiannon Giddens’s Omar. Julia Reinhart Lupton

Chapter Eleven. The Shakespearean and Biblical Intertexts of Emily St. John Mandel’s <...


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The Universal Shakespeare Creed : Readings in Shakespearean Religious, Spiritual, Ethical and Social Practice (Paperback)

Acknowledgements

List of Contributors

Note on texts

Introduction. Marta Cerezo Moreno and Jonathan P. A. Sell

Part One. ‘In the beginning’

Chapter One. Establishing the Shakespeare Creed: Religion, Class and Enlightenment bardolatry. Jonathan P. A. Sell

Chapter Two. ‘A radiant light of glory round’: Stratford-upon-Avon Shakespeare Festivities, Religion and Universality (1830-1850). Marta Cerezo Moreno

Chapter Three. Religion and Tolerance in Danish and Swedish Shakespeare Criticism, 1880?1960. Per Sivefors

Part Two. ‘Speaking in our tongues’

Chapter Four. Isis and Osiris: Antony and Cleopatra. Graham Holderness

Chapter Five. The Deceitful Brahman: The Veil of Maya in The Tempest.? Antonio Ballesteros

Chapter Six. Shakespeare’s Bodhisattvas: A Buddhist Approach to Spiritual Disease, Medicine and Caregiving in King Lear. Marguerite Tassi

Chapter Seven. The Mustard Seed and the Dionysian in A Midsummer’s Night Dream. Unhae Park Langis

Part Three. ‘Go ye into all the world’

Chapter Eight. ‘Civic Shakespeare’: Intermission Youth Theatre, Faith, and Social Commitment. Isabel Guerrero

Chapter Nine. Facing the Storm with Love: A Church Liturgy based on Shakespeare’s play The Tempest. Paul Fiddes

Chapter Ten. ‘Something pretty in words that fly’: Psalmic Performances from Shakespearean Romance to Rhiannon Giddens’s Omar. Julia Reinhart Lupton

Chapter Eleven. The Shakespearean and Biblical Intertexts of Emily St. John Mandel’s <...


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