Shakespearean Recognitions (Hardcover, 1)

Introduction?????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? ?????????????? ?

PART 1: THE MEDIEVAL THEATER OF RECOGNITION

Chapter 1. Shakespeare’s Romances and the Elevation of God??????????????????????????????? ??????????????

Chapter 2. Recognition as Blessing in Post-Resurrection Drama and?The Winter’s Tale

PART 2: AN EARLY MODERN POETICS OF RECOGNITION

Chapter 3. The Course of Recognition in?Cymbeline???????????????????????????????????????????????????????

Chapter 4. Clowning with Tragedy in?Romeo and Juliet?????????????????????????????????????????????????? ??????????????

PART 3: RECOGNITION IN THE SPIRIT OF THE FESTIVE

Chapter 5. Misrecognition: Shakespeare’s Undead Bodies????????????????????????????????????????? ??????????????

Chapter 6. Reconciling?The Tempest ??????????????????????????????????????????????????????????????????????????????????????

Afterword??????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????????? ??????????????

? ? ? ? ?

Shakespeare Studies: Volume 54 (Hardcover)

The Tyranny of Type in Shakespeare and Jung: Tragedy and One-Sidedness (Hardcover)

Introduction??PART I CONTEXT AND THEORY??1. Jung’s Typology??2. Shakespeare and Personality Imbalance??PART II THE INFERIOR FUNCTION IN SHAKESPEARE’S ‘JUDGEMENT’ PLAYS??Preface to the Rational (Evaluative) Function Chapters??3. Coriolanus and Timon of Athens; Introverted Thinking and Extraverted Feeling??4. Richard II and King Lear; Introverted Feeling and Extraverted Thinking??PART III THE INFERIOR FUNCTION IN SHAKESPEARE’S ‘PERCEPTION’ PLAYS??Preface to the irrational (perceptual) function chapters??5. Othello and Much Ado About Nothing: Introverted Sensation and Extraverted Intuition??6. Julius Caesar and Macbeth; Introverted Intuition and Extraverted Sensation??Conclusion??Appendices

The Tyranny of Type in Shakespeare and Jung: Tragedy and One-Sidedness (Paperback)

Introduction??PART I CONTEXT AND THEORY??1. Jung’s Typology??2. Shakespeare and Personality Imbalance??PART II THE INFERIOR FUNCTION IN SHAKESPEARE’S ‘JUDGEMENT’ PLAYS??Preface to the Rational (Evaluative) Function Chapters??3. Coriolanus and Timon of Athens; Introverted Thinking and Extraverted Feeling??4. Richard II and King Lear; Introverted Feeling and Extraverted Thinking??PART III THE INFERIOR FUNCTION IN SHAKESPEARE’S ‘PERCEPTION’ PLAYS??Preface to the irrational (perceptual) function chapters??5. Othello and Much Ado About Nothing: Introverted Sensation and Extraverted Intuition??6. Julius Caesar and Macbeth; Introverted Intuition and Extraverted Sensation??Conclusion??Appendices

Contexts and Connections of Italian Elements in Shakespeare’s Plays (Hardcover, 1)

Table of Contents

?

Methodology

Experiencing Shakespeare’s Plays through Their Contexts: Contemporary and Historical, Creative and Social

?

Acknowledgments

?

Introduction

Italian Elements in the Plays of Shakespeare: Contexts and Connections, Especially Venetian

?

?

Part One

Early Commerce, Diplomacy, and Cultural Influence

?

Chapter One

Italians in England from the Mid-Thirteenth to the Early Sixteenth Centuries: From Merchants to Bankers to Royal Councilors

The Fourteenth Century: Commerce and the First Diplomatic Contacts, Literary and Humanistic Influences

The Fifteenth Century: English Interest in Italian Humanism and Artistic Expression??

Italian Humanists as (Shadow) Diplomats and Royal Secretaries

Venetian Commerce Declines

Venetian Patrician Amalgamation of Commerce, Governance, and Cultural Patronage ?

?

Chapter Two

Henry’s Reign, Warring Leagues, and the End of Venice’s Flanders Galleys

The Wars of the League of Cambrai, Suspension of Venetian Maritime Commerce with England

The Treaty of London, the Resumption of Trade, and the Search for Alternatives

War by Other Means: Charles and Henry Pressure Venice??

War Resumes on the Italian Peninsula?

Francis is Captured, Implications for Henry??

The Sack of Rome, An Independent Wolsey (?), and Henry VIII?????

Pursuing Henry’s Divorce???

The End of the War, of the Flanders Galleys, and of Divorce Efforts in Rome. The Coronation of Charles?

New Religious Differences Generate Political Conflict

?

Chapter Three

Turbulent Transitions

Henry’s Aggressive Late Relations with Italian States. The Brief Reign of Edward VI?

Italian Protestants Make Their Way to England, English Catholics to Italy

Queen Mary and Renewed Relations wi...


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Consent in Shakespeare’s Classical Mediterranean : Women Speak Truth to Power (Paperback)

Foreword
Preface
Acknowledgements

Introduction

Chapter 1: Permission ≠ Consent: Prisoner Exchanged, Affirmative Consent Unchanged in Troilus and Cressida

Chapter 2: Street Rules in Coriolanus: (S)Mothering and Silenced Love in Coriolanus

Chapter 3: Ignoble Nobles: Consent in the Age of Pseudo-Chivalry in The Two Noble Kinsmen

Chapter 4: Roofied Wood: Drugs and BDSM in Reacquired Patriarchy in A Midsummer Night’s Dream

Chapter 5: Gold and Girls: Timon’s Attempted Murder by Sex in Athens

Chapter 6: Silenced Shades: Timing Revolt Against Oppression in The Winter’s Tale

Chapter 7: Losing to Win: The Peril of Virginity in Pericles, Prince of Tyre

Chapter 8: Private Discourse in Public Lives: Survival Equals Victory: Julius Caesar

Chapter 9: Othered Women: A Royal Brat Out-Cleopatra’s Herself in Antony and Cleopatra

Chapter 10: Symbolic Freedom: The Anglo-Roman Demi-Transition in Cymbeline

Chapter 11: No Laughing MacGuffin: Domestic Violence in a Carnivalesque of Errors

Chapter 12: Status Matters. Not!: The Inability of Ignobility in Titus Andronicus

Conclusion

Index

The Death of Hamlet : A Counterfactual Reading of Shakespeare (Paperback)

Preface

1.???? Overture, or How to Do Things with Greg

2.???? Invisible Speech in Hamlet

3.???? Ah Q and Hamlet: Materialism meets Modernity

4.???? Hamlet as Conspirator: A Reading of Julius Caesar

5.???? Timon of Athens and the Pursuit of Human Unhappiness

6.???? Marxian Coda

Shakespeare and His Religious Afterlives (Paperback)

Grappling with the Merchant of Venice: A Dialogue (Paperback)

The Agonist, the Lover and the Poet : An Intertextual Study across Virgil, Ovid and Shakespeare (Hardcover)

Acknowledgements;?Introduction; 1?? Virgil’s fulva harena;?2?? Heroes, Lovers, and Poets in Georgics 3; 3?? Fulva harena in the Aeneid;?4?? The Woman’s Perspective: Ovid’s Single Heroides;?5?? Fulvae harenae in the Metamorphoses;?6?? The Paired Heroides: Ovid’s Hero and Leander; 7?? The fulva harena Complex in Ovid’s Exile Poetry; 8?? Venus and Adonis;?9?? A Midsummer Night’s Dream;?10?? The Tempest;?Conclusion; Appendix 1: Fulva harena Passages in Virgil and Ovid; Appendix 2: Elizabethan Translations of Passages in Virgil and Ovid;?Works Cited;?Index locorum;?Name Index

Shakespeare / Space : Contemporary Readings in Spatiality, Culture and Drama (Paperback)

Shakespeare / Nature : Contemporary Readings in the Human and Non-human (Paperback)

Reinventing Shakespeare : Translation, Adaptation and Afterlives (Hardcover)

Foreword

Shakespeare Hong Kong and Beyond: A Foreword

Introduction

Translation Adaptation and Afterlives

Part One: The Translation and Reception of Shakespeare

Chapter 1

Why are there so many First Folios in Japan?: Post-World War II Literary Aspirations of Japanese Academics and University Administrators

Chapter 2

The Reception and Rewriting of Shakespeare’s Sonnets in China

Chapter 3

“Thou Art Trans-created”: A Genealogy of Shakespeare’s Sonnets in Chinese

Chapter 4

Translating Shakespearean “Royal We” in Hamlet: Liang Shih-chiu, Fang Ping and Perng Ching-Hsi

Part Two: Cross-cultural adaptations and performances of Shakespeare

Chapter 5

Female Voices and Gendered Discourses in Children's Adaptations of Shakespeare

Chapter 6

Penguin “Staged” series: gendered Young Adults Shakespeare

Chapter 7

An Immersive Macbeth in Brazil: Theater, Orchestra, Choir, and You

Chapter 8

The Arrant Revenge (2025): Shakespeare’s Hamlet with Chinese characteristics?

Chapter 9

Shakespearean Adaptation, Queer Times, and Digital Spaces: the Case for Juliet and Juliet (2018)

Novel and Society in Elizabethan England (Paperback, 1)

Preface? 1. Introduction? 2. The social position of the writer? 3. Establishing the conventions for printed fiction? 4. John Lyly? 5. Philip Sidney? 6. Thomas Nashe? 7. Robert Greene? 8. Thomas Deloney? 9. Conclusion?

Shakespeare and Authorial Networks in Early Modern Drama (Hardcover)

Shakespeare's Serial Universe : Patterns, Obsessions, Repetitions (Paperback)

Acknowledgements; Prologue. Serial reading as a hermeneutic process;?1. Dreamscapes and spectral visions; 2. The theatrical charm of cryptomania; 3. A dead beloved returns; 4. War as serial drama; 5. Female sovereignty: A typology; 6. The signifying body as evidence; 7. Follow the objects; 8. The end as a new beginning;?Appendix: Notes on References; Index

Shakespeare's Serial Universe : Patterns, Obsessions, Repetitions (Hardcover)

Acknowledgements; Prologue. Serial reading as a hermeneutic process;?1. Dreamscapes and spectral visions; 2. The theatrical charm of cryptomania; 3. A dead beloved returns; 4. War as serial drama; 5. Female sovereignty: A typology; 6. The signifying body as evidence; 7. Follow the objects; 8. The end as a new beginning;?Appendix: Notes on References; Index

The Universal Shakespeare Creed : Readings in Shakespearean Religious, Spiritual, Ethical and Social Practice (Hardcover)

Acknowledgements

List of Contributors

Note on texts

Introduction. Marta Cerezo Moreno and Jonathan P. A. Sell

Part One. ‘In the beginning’

Chapter One. Establishing the Shakespeare Creed: Religion, Class and Enlightenment bardolatry. Jonathan P. A. Sell

Chapter Two. ‘A radiant light of glory round’: Stratford-upon-Avon Shakespeare Festivities, Religion and Universality (1830-1850). Marta Cerezo Moreno

Chapter Three. Religion and Tolerance in Danish and Swedish Shakespeare Criticism, 1880?1960. Per Sivefors

Part Two. ‘Speaking in our tongues’

Chapter Four. Isis and Osiris: Antony and Cleopatra. Graham Holderness

Chapter Five. The Deceitful Brahman: The Veil of Maya in The Tempest.? Antonio Ballesteros

Chapter Six. Shakespeare’s Bodhisattvas: A Buddhist Approach to Spiritual Disease, Medicine and Caregiving in King Lear. Marguerite Tassi

Chapter Seven. The Mustard Seed and the Dionysian in A Midsummer’s Night Dream. Unhae Park Langis

Part Three. ‘Go ye into all the world’

Chapter Eight. ‘Civic Shakespeare’: Intermission Youth Theatre, Faith, and Social Commitment. Isabel Guerrero

Chapter Nine. Facing the Storm with Love: A Church Liturgy based on Shakespeare’s play The Tempest. Paul Fiddes

Chapter Ten. ‘Something pretty in words that fly’: Psalmic Performances from Shakespearean Romance to Rhiannon Giddens’s Omar. Julia Reinhart Lupton

Chapter Eleven. The Shakespearean and Biblical Intertexts of Emily St. John Mandel’s <...


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The Universal Shakespeare Creed : Readings in Shakespearean Religious, Spiritual, Ethical and Social Practice (Paperback)

Acknowledgements

List of Contributors

Note on texts

Introduction. Marta Cerezo Moreno and Jonathan P. A. Sell

Part One. ‘In the beginning’

Chapter One. Establishing the Shakespeare Creed: Religion, Class and Enlightenment bardolatry. Jonathan P. A. Sell

Chapter Two. ‘A radiant light of glory round’: Stratford-upon-Avon Shakespeare Festivities, Religion and Universality (1830-1850). Marta Cerezo Moreno

Chapter Three. Religion and Tolerance in Danish and Swedish Shakespeare Criticism, 1880?1960. Per Sivefors

Part Two. ‘Speaking in our tongues’

Chapter Four. Isis and Osiris: Antony and Cleopatra. Graham Holderness

Chapter Five. The Deceitful Brahman: The Veil of Maya in The Tempest.? Antonio Ballesteros

Chapter Six. Shakespeare’s Bodhisattvas: A Buddhist Approach to Spiritual Disease, Medicine and Caregiving in King Lear. Marguerite Tassi

Chapter Seven. The Mustard Seed and the Dionysian in A Midsummer’s Night Dream. Unhae Park Langis

Part Three. ‘Go ye into all the world’

Chapter Eight. ‘Civic Shakespeare’: Intermission Youth Theatre, Faith, and Social Commitment. Isabel Guerrero

Chapter Nine. Facing the Storm with Love: A Church Liturgy based on Shakespeare’s play The Tempest. Paul Fiddes

Chapter Ten. ‘Something pretty in words that fly’: Psalmic Performances from Shakespearean Romance to Rhiannon Giddens’s Omar. Julia Reinhart Lupton

Chapter Eleven. The Shakespearean and Biblical Intertexts of Emily St. John Mandel’s <...


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Hamlet (Hardcover)

Hamlet (Paperback)

The Merry Wives of Windsor (Hardcover)

The Mery Wives of Windsor (Paperback)

King Lear (Hardcover)

King Lear (Paperback)